Paris in 1855, when the opera was first performed, provides the starting point for the interpretation by celebrated Norwegian born director Stefan Herheim. The opera ballet plays a significant role too, with Johann Kobborg choreographing for dancers from the Royal Ballet and Royal Danish Ballet. The story is set to impassioned and dramatic music, rich in showpiece arias and ensembles with striking choruses. Antonio Pappano conducts a world-class cast including Erwin Schrott, Bryan Hymel and Lianna Haroutounian in The Royal Opera’s first ever staging of Verdi’s grand opera,
Roger Moore’s seventh and final Bond movie is absurd - but how to resist a film where the baddie is an industrialist intent on destroying Silcon Valley to create a monopoly on microchip technology (Bill Gates, meet Max Zorin)?
"A View to a Kill, is an especially satisfying encounter. Opening with a breathtaking ski chase in Siberia, A View to a Kill is the fastest Bond picture yet. Its pace has the precision of a Swiss watch and the momentum of a greyhound on the track. There is a spectacular chase up and down the Eiffel Tower and through Paris streets, which Bond finishes in a severed car on just two wheels. But none of the action prepares the viewer for the heart-stopping climax with Zorin’s dirigible tangled in the cables on top of San Francisco’s Golden Gate Bridge." Lawrence O’Toole, Maclean’s
The intense, remarkable life of the Chilean singer-songwriter Violeta Parra is explored with sensitivity and exquisite lightness of touch in Andrés Wood’s [drama]. Featuring a searching central performance from Francisca Gavilán, this beautifully lensed portrait moves elegantly back and forth in time to limn the life of a woman who perpetually struggled to find her place.—Variety. Winner, World Cinema Jury Prize: Dramatic, Sundance 2012.
Thirty years after Koyaanisqatsi, Godfrey Reggio creates another stunning, wordless portrait of modern life. Presented by Steven Soderbergh, Visitors reveals humanity’s trancelike relationship with technology, which, when commandeered by extreme emotional states, produces massive effects far beyond the human species. The film is visceral, offering the audience an experience beyond information about the moment in which we live.
"Reggio’s film is an artistic and aesthetic achievement unlikely to be equaled in 2013, and perhaps the only film in recent memory which can proudly claim to be unlike anything else we have ever seen." Christopher Schobert, The Playlist
"Incredibly profound, unexpected and brave." Alison Murray, Filmmaker
Two Penny Road (7 min, Canada); Mimi and Me (15 min, Canada); Saba (15 min, Iran); I Saw You (9 min, Canada); Pretty Shy City (11 min, Canada); Am I Not Your Girl (8 min, Germany); Zu Dir? 29 min, Germany)
Short film package: L’autre femme (13 min, Senegal); Ina Litovski (11 min, Canada); I Am Not A Weird Person (5 min, Canada); Boneshaker (13 min, USA); 5 Ways to Die (17 min, Cypress); Night Shift (14 min, New Zealand); B12 (8 min, USA); Stolen (12 min, Ireland); Newcomers (9 min, Canada).
Domenico Modugno (played by Giuseppe Fiorello) charmed the world with his serenading voice, his songs becoming the symbol of the Italian grandeur in the 60s. Modugno had a multi-faceted and prolific career. From a very young age he was driven to perform. Together with Johnny Dorelli, Modugno launched his career with the timeless song “Nel blu dipinto di blu” (better known as “Volare”), a song that received two Grammy Awards with sales above 22 million copies, and represented Italy in the 1958 Eurovision Song Contest. Other songs “Piove” (also known as “Ciao, ciao bambina”), and “Dio, come ti amo” followed, while his hit song “Io” was sung by Elvis Presley in English under the title “Ask Me.” This tribute to the late, great Domenico Modugno charts the incredible artistic and human journey of a boy from the south of Italy who produced some of the world’s most recognisable songs.