A lost key and an accidental touch of cold hands in the dark – so begins one of the great romances of all opera. In his depiction of the tender and ultimately tragic love between Mimì and Rodolfo, Puccini achieved an immediacy, warmth and humanity that have rarely been equalled.
One of the strangest and most twisted films of the silent era. Cheated and cuckolded, a brilliant scientist (played by Lon Chaney, "the man of a thousand faces") takes refuge behind the make up of a circus clown, where his shame can at least inspire laughter in others. He becomes famous, but his hapless love for a bareback rider sends the movie spinning towards revenge tragedy. This first feature produced by the famous studio MGM, He Who Gets Slapped blends naturalism and expressionism with high melodrama - all accentuated in the Alloy Orchestra’s extraordinary live score.
“A picture which defies one to write about it without indulging in superlatives … so beautifully told, so flawlessly directed that we imagine it will be held up as a model by all producers.” NY Times, 1924
Bert Bush was a fixture in Vancouver’s film & video scene for over 45 years. He supervised printing for Trans Canada Films before opening his own post-production firm, Bush Edit House, at the foot of Lonsdale in 1971. Bert cut film & video, rented equipment and mentored young filmmakers until his death in 2006. When archivists were invited to investigate his legacy, they found nearly 100 films of all kinds — mixing BC tourism titles (A Date with BC, A Place To Be) with cautionary tales of alcohol abuse (Voices) & heart disease (Heartbeat), a ’how-to’ film about placing a long-distance call without operator assistance (DDD- Direct Distance Dialing) and rare examples of locally-produced 50’s & 60’s TV ads. Curated by Colin Preston and Christine Hagemoen.