A lost key and an accidental touch of cold hands in the dark – so begins one of the great romances of all opera. In his depiction of the tender and ultimately tragic love between Mimì and Rodolfo, Puccini achieved an immediacy, warmth and humanity that have rarely been equalled.
A couple meet on an ocean liner. Jean (Barbara Stanwyck) is a knock-out babe and a con artist. Charles (Henry Fonda) is a nerdy heir, interested in the study of snakes and about to get fleeced. Sturges’ unique gifts for directing comedy and writing witty dialogue makes this yet another of his great romantic comedies that deserves its reputation as a classic.
Larry (Randy Quaid), a young seaman, gets royally shafted after stealing $40 from the charity box of his officer’s wife. Eight years in prison is the ludicrous sentence and two navy “lifers”(Jack Nicholson and Otis Young) take Larry from Norfolk, VA to Portsmouth, NH with cultural stops in New York City and Boston. They can’t believe the severe sentence, however they can sure as hell help to bring some fun into Larry’s last week…
Morris Panych’s black comedy gets a slick and stylish cinematic treatment in this homegrown gem, one of the standout BC films from last year’s VIFF. Lawrence (Ben Cotten) would seem to have it all—he’s successful, charming, lucky, and relentlessly optimistic. Which only makes the much smarter, much less successful Holloman (David Arnold) hate him all the more!
“Dark, twisted, and really very funny ... a multi-dimensional screamer. One of the events top flicks.”—The Province
David Lean’s sweeping, four-hour desert epic demands to be seen on the big screen. The late, great Peter O’Toole landed the role of his lifetime as the British cartographer who united the Arab tribes to fight the Turks in WW1. Screening in a restored DCP version.
"A miracle… The first film I saw that made me want to be a moviemaker." Steven Spielberg
The racial fault lines running deep through the American psyche are painfully exposed in Jason Osder’s riveting account of the stand off in 1985 between the Philadelphia Police Department and the black liberation group MOVE, which resulted in the death of 11 victims. "The force and intrigue of a courtroom thriller… it ripples with urgency and moral complexity."—Screen
"The force and intrigue of a courtroom thriller… it ripples with urgency and moral complexity."—Screen
"The brilliantly edited tapestry of actions and reactions exposes a pattern of prejudice and fear capable of infinitely repeating itself." Ronnie Scheib, Variety
"Quietly terrifying." Stuart Klawans, The Nation
Two couples are devastated to learn that their children were swapped at birth six years ago. Are blood ties thicker than the bond of child rearing? This masterly, very moving drama won the Jury Prize at the Cannes Film Festival and the Audience Award at last year’s VIFF.
"Sublimely moving." Maggie Lee, Variety
’Powered by Kore-eda’s innate restraint and natural empathy, Like Father, Like Son takes these characters to places they never expected to be. It’s unnerving for them, of course, but watching so many hearts hanging in the balance is a rare privilege for us." Kenneth Turan, LA Times
"Kore-eda has crafted a piercing, tender poem about the bittersweet ebb and flow of paternal love, and his status as Ozu’s heir becomes ever more assured." Robbie Collin, The Telegraph
In 1984 East Berlin, an agent of the secret police, conducting surveillance on a writer and his lover, finds himself becoming increasingly absorbed by their lives.
"The Lives of Others is a supremely intelligent, unfailingly honest look at a shadowy period in recent German history." AO Scott, New York Time
"A thoroughly compelling political thriller, at once intellectually challenging and profoundly emotional." Claudia Puig, USA Today
"The Lives of Others is a supremely intelligent, unfailingly honest look at a shadowy period in recent German history." AO Scott, New York Times
In his sixth film as director, Allen poked fun at his intellectual heroes, the heavyweight Russian novelists Tolstoy and Dostoevsky in particular, but also Chekov, Ingmar Bergman and Nabakov. At the same time this tale of a cowardly Russian philosopher caught up in the fight against Napoleon bows in the direction of Bob Hope and the Marx Brothers. It is one of Allen’s funniest movies.