An Israeli woman seeking to finalize a divorce (gett) from her estranged husband finds herself effectively put on trial by her country’s religious marriage laws, in this powerhouse courtroom drama from sibling directors Shlomi and Ronit Elkabetz. Winner of the Israeli Film Academy Ophir Award for Best Picture and propelled by the craft of Ronit Elkabetz (Late Marriage; The Band’s Visit), one of Israeli cinema’s most acclaimed actresses, Gett: The Trial of VIvian Amsalem is an uncompromising, heart-rending portrait of a woman’s struggle to overcome an unmoving patriarchy and live a life of her own design.
“Expertly written, brilliantly acted…The beautifully modulated script, ripe with moments of liberating humor, builds to a crescendo of indignation, allowing Elkabetz several cathartic outbursts, but they’re no more riveting than the actress’ silences.” Jay Weissberg, Variety
"The action quivers with tension, impatience, comic heat, and, beneath it all, an irrepressible rage." Anthony Lane, The New Yorker
"Hypnotic… Gripping cinema from start to finish." Manohla Dargis, New York Times
The first Iranian Vampire Western ever made, Ana Lily Amirpour’s debut basks in the sheer pleasure of pulp. A joyful mash-up of genre, archetype, and iconography, its prolific influences span spaghetti westerns, graphic novels, horror films, and the Iranian New Wave.
"Amirpour has crafted a beguiling, cryptic and often surprisingly funny look at personal desire that creeps up on you with the nimble powers of its supernatural focus. The director combines elements of film noir and the restraint of Iranian New Wave cinema with the subdued depictions of a bored youth culture found in early Jim Jarmusch ... The comparisons go on and on, but the result is wholly original." —Eric Kohn, Indiewire
"A wildly inventive Iranian vampire movie that grabs you by the throat with its dark, moody style, pulsating soundtrack and offbeat love story." —David Lewis, San Francisco Chronicle
Populated by gorgeous misfits and propelled by effervescent pop songs, this jubilant indie musical from Belle & Sebastian lynchpin Stuart Murdoch depicts a critical juncture for three young Glaswegians when it seems they’ve no other option than starting a band. Affectionate nods to the French New Wave, A Hard Day’s Night and Bill Forsyth’s Scottish fables abound as Murdoch offers us a minor key fairy tale about how music may just salvage an otherwise dreary Glasgow summer.
"Murdoch spins poetic, kitchen-sink tales of bad sex and messy break-ups and hopeless romantics in search of true love. On God Help the Girl, his directing debut, he has fashioned his songs into a narrative daisy-chain and hung them around his heroine’s neck. That it’s pretty and fragile is surely half the point ... It’s warm and generous ... Even non-believers will acknowledge the film’s utter sincerity. It may be indulgent, but it means what it says." — Xan Brooks, Guardian
Pasolini was a Marxist and an atheist, but above all he was a poet, and his film of the life of Christ gives us the feeling that we are there, with Jesus, cinema-vrite style. This is also the most contemplative film about Christ.
Guest Michael Audain is chairman of Polygon Homes, Chair of the Audain Art Museum and the Audain Foundation. He is also the first Honorary Chairman of the Vancouver Art Gallery, a past Chair of the National Gallery of Canada, the Vancouver Art Gallery, and the Vancouver Art Gallery Foundation.