The first Iranian Vampire Western ever made, Ana Lily Amirpour’s debut basks in the sheer pleasure of pulp. A joyful mash-up of genre, archetype, and iconography, its prolific influences span spaghetti westerns, graphic novels, horror films, and the Iranian New Wave.
"Amirpour has crafted a beguiling, cryptic and often surprisingly funny look at personal desire that creeps up on you with the nimble powers of its supernatural focus. The director combines elements of film noir and the restraint of Iranian New Wave cinema with the subdued depictions of a bored youth culture found in early Jim Jarmusch ... The comparisons go on and on, but the result is wholly original." — Eric Kohn, Indiewire
"A wildly inventive Iranian vampire movie that grabs you by the throat with its dark, moody style, pulsating soundtrack and offbeat love story." — David Lewis, San Francisco Chronicle
Pasolini was a Marxist and an atheist, but above all he was a poet, and his film of the life of Christ gives us the feeling that we are there, with Jesus, cinema-vrite style. This is also the most contemplative film about Christ.
Guest Michael Audain is chairman of Polygon Homes, Chair of the Audain Art Museum and the Audain Foundation. He is also the first Honorary Chairman of the Vancouver Art Gallery, a past Chair of the National Gallery of Canada, the Vancouver Art Gallery, and the Vancouver Art Gallery Foundation.