An Israeli woman seeking to finalize a divorce (gett) from her estranged husband finds herself effectively put on trial by her country’s religious marriage laws, in this powerhouse courtroom drama from sibling directors Shlomi and Ronit Elkabetz. Winner of the Israeli Film Academy Ophir Award for Best Picture and propelled by the craft of Ronit Elkabetz (Late Marriage; The Band’s Visit), one of Israeli cinema’s most acclaimed actresses, Gett: The Trial of VIvian Amsalem is an uncompromising, heart-rending portrait of a woman’s struggle to overcome an unmoving patriarchy and live a life of her own design.
“Expertly written, brilliantly acted…The beautifully modulated script, ripe with moments of liberating humor, builds to a crescendo of indignation, allowing Elkabetz several cathartic outbursts, but they’re no more riveting than the actress’ silences.” — Jay Weissberg, Variety
"The action quivers with tension, impatience, comic heat, and, beneath it all, an irrepressible rage." — Anthony Lane, The New Yorker
"Hypnotic ... Gripping cinema from start to finish." — Manohla Dargis, New York Times
“There’s no way to escape the image on the screen, nor deny its truth. We blew it at Altamont; Gimme Shelter lets us watch ourselves blowing it, and makes us understand how and why. It’s a lot harder than it looks to make a film as good as this one.” — Rolling Stone, 1970
Fed up with her abusive family situation, lack of school prospects and the “boys’ law” in the neighborhood, Marieme (Karidja Touré) starts a new life after meeting a group of three free-spirited girls. She changes her name, her style, drops out of school and starts stealing to be accepted into the gang. Tomboy director Celine Sciamma may not approve of these choices but she revels in the exuberance of adolescent discovery - the euphoria of first love, fast friends, and living on the edge - while lip-synching to Rihanna.
“It’s the feminist answer to Boyhood, yet it manages to dig deeper ... Girlhood is one of the most exceptional films you’ll see this year. Truly a must-see. Highly recommended!” — Jeff Nelson, DVD Talk
"One of the best coming of age movies in years!" — Eric Kohn, Indiewire
"Beautifully observed, precisely directed and acted with wonderful conviction, it pulls us into the life of its protagonist in a deeply involving way." — Kenneth Turan, LA Times
Populated by gorgeous misfits and propelled by effervescent pop songs, this jubilant indie musical from Belle & Sebastian lynchpin Stuart Murdoch depicts a critical juncture for three young Glaswegians when it seems they’ve no other option than starting a band. Affectionate nods to the French New Wave, A Hard Day’s Night and Bill Forsyth’s Scottish fables abound as Murdoch offers us a minor key fairy tale about how music may just salvage an otherwise dreary Glasgow summer.
"Murdoch spins poetic, kitchen-sink tales of bad sex and messy break-ups and hopeless romantics in search of true love. On God Help the Girl, his directing debut, he has fashioned his songs into a narrative daisy-chain and hung them around his heroine’s neck. That it’s pretty and fragile is surely half the point… It’s warm and generous… Even non-believers will acknowledge the film’s utter sincerity. It may be indulgent, but it means what it says." Xan Brooks, Guardian