Are animals sentient beings, or are they property? Photographer Jo-Anne McArthur has made it her life’s work to challenge the widespread willful ignorance that allows animal abuse to carry on unchecked. For more than a decade she has documented animals held in captivity to supply our food, clothing, scientific research, or simply our entertainment. Her photos are sometimes heartbreaking, but also often unexpectedly beautiful, always soulful, and inspiring. The same could be said of Liz Marshall’s film, which gives a sense of the horrors humans inflict on animals, but also the immense spiritual bond which many of us naturally feel for other living beings.
"A superb example of committed fimmaking." 4 stars. Susan Cole, Now magazine
Imagine gold "as far as the eye can see". All you have to do is rip it out of the ground. But one man’s nirvana is another’s hell. Gold Fever witnesses the arrival of Goldcorp Inc to a remote Guatemalan village. 500 years after the conquistadors, and still reeling from decades of US-backed repression, Diodora, Crisanta and Gregoria are caught in the cross-hairs of another global frenzy for gold. Together with their community, they resist the threat to their ancestral lands in the face of grave consequences.
“Beautifully-made. Sobering and tragic, but ultimately empowering.”
The Yes Men
“Tests Guatemalan society’s willingness to confront what might be today’s biggest challenge: overcoming the social unrest caused by the massive extraction of natural resources.”
Uli Stelzner, Muestra de Cine Internacional Memoria Verdad Justicia
Xenia Onatopp and Colonel Ourumov hijack a special helicopter that is immune to electromagnetic pulse. The pair then go to a Soviet bunker that is the control base for the Goldeneye satellite weapons - but a new Bond - Pierce Brosnan - is on the case.
The Bank of England has detected an unauthorized leakage of gold from the country, and Bond (Connery) is sent to investigate. The suspect is one Auric Goldfinger, the richest man in the country - who is hatching a scheme to irradiate Fort Knox. Bond must foil his plots, while avoiding the deadly bowler-hatted Korean, Oddjob.
"A dazzling object lesson in the principle that nothing succeeds like excess." Penelope Gilliatt
Freda Kelly was just a shy Liverpudlian teenager when she was asked to work for a local band hoping to make it big. Though she had no concept of how far they would go, Freda had faith in The Beatles from the beginning, and The Beatles had faith in her. A unique perspective on the greatest band in the history of pop.
"A satisfying and moving experience." Ernest Hardy, Village Voice
Forget the Troubles and get your "Teenage Kicks" instead! Set in 70s Belfast, this is an appropriately unconventional biopic dedicated to the gregarious godfather of Northern Irish punk, record shop entrepreneur Tom Hooley - the man who launched The Undertones (then gave them away for an autograph).
"An impasssioned, funny and monumentally likeable myth-making comedy." Time Out
Classified for youth: PG (please note this film has somber and sometimes harrowing content.)
Set in Japan during WWII, the film focuses on Seita and his little sister Setsuko. After their mother is killed in an air raid, and with their father serving in the navy, they are forced to fight for survival in the devastated Japanese countryside. Probably the least seen Studio Ghibli masterpiece (at least in North America), this is also one of the most affecting animated films ever made. Roger Ebert described it "as an emotional experience so powerful that it forces a rethinking of animation," adding: "It belongs on any list of the greatest war films ever made."
“Grave of the Fireflies” is an emotional experience so powerful that it forces a rethinking of animation… It belongs on any list of the greatest war films ever made." Roger Ebert
Featuring poignant interviews with a who’s who of 60s folk luminaries, and searing footage of Bob Dylan and Joni Mitchell, among many others, Laura Archibald’s doc illuminates one of those rare creative nexus points that defined an era. Between 1961 and 1973, musicians from all over North America (and further afield) converged on Greenwich Village to sing about the radical social upheaval of the time. As these new singer-songwriters emerged, the Village blossomed as a place that promoted a better future and challenged the status quo.
"Evokes the flavor of the era just before the music business exploded into a mass-market juggernaut. The film’s pleasures are the same ones offered by a sprawling, lavishly illustrated magazine spread." Stephen Holden, New York Times
"Makes you wish you’d been there too, hearing it all for the first time." Jay Stone, Canada.com
"Irresistible…I t’s always irritating to hear New Yorkers refer to themselves as the centre of the universe. Except in this case they might be right." Susan Cole, Now magazine
Senegalese kora and western trumpet make fabulous music together! Volker Goetze’s enthralling documentary melds dazzling visuals and haunting songs to serve up a feast for the senses. Griot introduces us to Goetze’s own soulful trumpet stylings and the extraordinary voice and calabash harp artistry of Ablaye Cissoko.
"Stunning… beautiful." Globe & Mail