A senior chef lives with his three grown daughters; the middle one finds her future plans affected by unexpected events and the life changes of the other household members. A foodie film classic selected by James Walt, executive chef at Whistler’s Araxi restaurant.
A moving, thought-provoking and rare documentary by a Latin American woman, recording her return from exile and into the still dangerous and volatile political environment of contemporary Guatemala. Where over the course of four years, writer-director Ana Lucia Cuevas discovers, through the archived records of the perpetrators of the crimes themselves, the involvement of her own government and foreign Intelligence Services in the abduction, torture and murders of her brother and his young family.
"A powerful, personal story of state-sponsored terror in Guatemala and the lasting effects it has had on families, “The Echo of Pain of the Many” is a timely testament to the brave, untiring efforts of Guatemalans to demand justice and dent the country’s long-standing veil of impunity." Guatemala Solidarity Network
This dreamy, lyrical work is both a love letter and a suicide note, a tone poem created by Brazilian fillmmaker Petra Costa in mourning for her older sister Elena, an actress and dancer who moved to New York in search of a stardom that eluded her — despite the radiant fragments collated here.
"With its free-floating imagery, Elena unfolds like a cinematic dream whose central image is water, which symbolizes the washing away of grief."—Stephen Holden, The New York Times
“Filmmaking at its finest. Stunningly beautiful, achingly emotional … A mesmerizing, artful and emotional piece of filmmaking that consistently surprises and awes.”—The Playlist/IndieWire
This affecting portrait of three generations of Cree women smacks of authenticity and truth. It’s a low-key movie about mother-daughter relationships and the way past mistakes have a way of cycling back round again no matter how hard you try to run away from them. 5 Canada Screen Awards Nominations: Best Film, Screenplay, Actress, Supporting Actress and Editing.
"Beautifully shot, newcomers Gee and Eyre are revelations, and the central theme of cultural pride is stirring and urgent." Glenn Sumi, Now Toronto
"Finely crafted… A trio of gorgeous performances from the three female leads…" Katherine Monk, Canada.com
A meditative, free-associative but entirely engrossing contemplation of the nature of time by the innovative non-fiction filmmaker Peter Mettler. Detroit, Big Island, India and CERN are just some of his philosophical pit-stops. Go with the (lava) floe.
"Recalling the work of Terrence Malick, Werner Herzog and the late Chris Marker… The End of Time becomes immersive and hypnotic… a ravishingly beautiful experience." Stephen Dalton, The Hollywood Reporter.
"Peter Mettler’s poetic lens has inquired into everything from personal fulfillment (Gambling, Gods and LSD) to the Northern Lights (Picture of Light). Now he’s after his most elusive prey yet: the very human concept of time… [The End of Time] is of a piece with Patricio Guzmán’s Nostalgia for the Light, a film that similarly finds miraculous unity in seemingly random things." Peter Howell, Toronto Star.
In May 1828 a young man named Kaspar Hauser was found in the streets of Nuremberg holding a note explaining he had spent his entire life in a cellar with minimal human contact. This interpretation of how a person with no experience whatsoever with the outside world would perceive “society” and “civilisation” is classic Herzog; he finds poetry and wonder in the most unique situations. Presented by Norman Armour, artistic and executive director of PuSh International Performing Arts Festival.
When Celestine - a mouse - persuades Ernest (a bear) not to eat her it’s the beginning of a beautiful friendship. He’s a busker by trade. She’s also something of a bohemian, and soon they’re inseparable. - much to the consternation of family, rodents and other animals.
"A delightfully old-fashioned kid’s flick with a meaningful message… The screenplay by bestselling French novelist Daniel Pennac keeps things on a believable plain (for a fairy tale), and it’s easy enough to invest in the plights of the duo… Ernest et Célestine gradually becomes a cautionary fable where friendship tries to stand the test of bigotry and intolerance…" Jordan Mintzer, Hollywood Reporter
"A delightful melding of visual style and narrative pirouettes, Ernest And Célestine is a just-about-perfect hand drawn animated feature. The unlikely but eventually rock solid alliance between gruff bear Ernest and artistically inclined orphan mouse Célestine is loaded with charm and adventure." Lisa Nesselson, Screen Daily
In French with English subtitiles
Edward Norton and Drew Barrymore stroll hand in hand around a fountain, then burst into a deliciously sloppy rendition of ’Just You, Just Me’, and immediately we’re right into it, and you can’t imagine why it’s taken Woody Allen so long to get round to reviving the musical. Romantic, nostalgic and decadent as Fred Astaire, this is also the closest Allen has come to a Jacques Demy movie.
"A delightful and witty compendium of the film maker’s favorite things." Janet Maslin, New York Times
"It would take a heart of stone to resist this movie." Roger Ebert
Guatemala. The war ended long ago. Though the people want to forget it, the violence continues, and it has spread throughout the society like cancer. Each day, journalists wait to report on the next murder victim, and a social worker helps the relatives of women who have been killed.
The global hunger for cheap resources has been another cause of violence, and a war over bananas has taken on a life of its own. The society suffers from the aftermath of the 36-year civil war. Mass graves are found in the mountains, former rebels mourn their comrades, and a war criminal has nightmares about all the things he’s done. Peace continues to elude Guatemala.
Earlier this year, London’s Royal Academy of Arts mounted the first ever retrospective devoted to the portraiture of Edouard Manet. Spanning this enigmatic and, at times, controversial artist’s entire career Manet: Portraying Life brought together works from across Europe, Asia and the USA. Documentarian Phil Grabsky was granted exclusive access to explore the exhibition with the kind of intensive scrutiny (and learned insight) most art-lovers can only dream of.
"Once again the film proves that seeing an exhibition through a camera (especially an HD one) is far better than not seeing it at all." Roberta Smith, New York Times
Johannes Vermeer is a fascinating painter whose life and works are explored here in amazing detail. Filmed in London’s National Gallery, New York’s Met and other galleries in the USA and the Netherlands, this stunning film delves into a breath-taking collection of Vermeer’s finest pieces and delivers a detailed biography of the artist, his life and times.
"Grabsky’s film is comprehensive, smart and highly informative."—The Art Newspaper
"A treat for the eyes"—Globe and Mail
"Stunning paintings in high-definition glory on the big screen"—This is London
40 years ago, William Friedkin’s The Exorcist redefined screen terror with its slow but atmospheric build up mounting to a sustained crescendo of graphic, visceral horror. Audiences had never seen special effects like these before, and reacted with panic and revulsion - as if Satan himself was at loose in this film.
"A credible portrait of the modern, urban world ripped apart by an obscene, ancient evil… the graphic desecration of everything considered wholesome and good about the fading American Dream - the home, the family, the church, and, most shockingly, the child." Mark Kermode
Taking his cues from Mozart and Metallica, Daniel Dencik gives us a berth on a three-masted schooner exploring Greenland’s icy northeast coast. On board, a motley crew of artists, photographers, geologists, archaeologists, biologists and mariners. The vistas are stunning, and inspire contemplation of the Big Questions - if they don’t get eaten by Polar bears first ...
“A sublimely idiosyncratic odyssey. While the scientists unearth fascinating details of a lost world, the artists in the group mull over the cosmic, and existential, implications, lending the voyage a Beckett-like sense of the absurd ... But even if the film were silent, its eerie landscapes are so breathtaking, and serenely composed, that we’d still be entranced.”—Brian D. Johnson, Maclean's
"With a mood and setting worthy of a murder story by Jack London, this audience-friendly, atmospheric work could be remade as a thriller, although that’s really what it is already."—John Anderson, Variety
Paris, 1911: When a pterodactyl hatches in a museum and begins terrorising the town, clueless detective Caponi (Lellouche) seeks the connection between the prehistoric menace, a mad old professor (Nercessian) conducting resurrection experiments and intrepid reporter Adèle Blanc-Sec (Bourgoin), whose pursuit of ancient artefacts is a desperate personal mission…
A whimsical, madcap action adventure romp in the spirit of Indiana Jones from the director of The Fifth Element, Nikita and Leon: The Professional.
"This is utterly delightful from start to finish, thanks to a witty script, gorgeous production design, enjoyably pacey direction and a wonderful performance from Louise Bourgoin. Highly recommended and one of the best films of the year. Don’t leave before the end credits." Matthew Turner, This Is London