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Duration: 103 mins
Country of Origin: USA, 2015
Series:
Cuba Now & Then

Showtimes

Jul 26 06:30 pm

Latin-inspired dancing at its best: In Club Havana, the intoxicating rhythms of the conga, rumba, mambo, and cha cha are brought to life by choreographer Pedro Ruiz, himself a native of Cuba. Hailed as a “masterpiece” by the Chicago Sun-Times, Gustavo Ramírez Sansano’s Carmen.maquia is a Picasso-inspired, contemporary take on Bizet’s classic opera about a passionate gypsy. Riveting from start to finish, the physically charged and sensual choreography fuses contemporary dance with nods to the Spanish paso doble and flamenco.

(Conducta)
Duration: 108 mins
Country of Origin: Cuba, 2014
Series:
Cuba Now & Then

Showtimes

Jul 23 07:00 pm
Jul 26 08:40 pm

In a vibrantly depicted Havana, 11-year-old Chala industriously cares for carrier pigeons and dogs on his apartment balcony. Trouble is, there’s easy money in dog fighting. The most important champion in his life however is his aging teacher, Carmela (the marvelous Alina Rodríguez), a woman who refuses to let the boy fall between the cracks and endures government reprisals as a result. Director Ernesto Daranas demonstrates equal bravery in confronting Cuba’s social ills.

Duration: 154 mins
Country of Origin: Canada, 2016
Series:
Community Events

Showtimes

Jul 27 07:00 pm
Jul 28 07:00 pm

From cave paintings to virtual reality, Beware of Images embarks on a fascinating journey through the history of mediated representation. Fast-paced and entertaining, this animated documentary aims to inform, while encouraging the audience to examine our relationship with past, present and future media technologies.

Director Sergio Toporek will be present for a Q&A session following both screenings.

((In association with the Lacan Salon and APW Conference on Love))
Duration: 100 mins
Country of Origin: GB,USA, 2004
Series:
Vancity Theatre Screening

Showtimes

Jul 31 07:00 pm

Widely disparaged by reviewers on its release (it rates just 39% on the aggregator site Rotten Tomatoes) and a box office failure, Birth is a sorely misunderstood film, and more than that, a surrealist masterpiece. Nicole Kidman plays a young Manhattan widow who is bemused, angered, appalled, and finally captivated and enraptured by the strange courtship of a ten-year-old boy (Vancouver’s Cameron Bright) who claims to be Sean, her late husband.

Copresented by the Lacan Salon and the APW Conference On Love, this screening will include remarks and discussion led by Christine Evans and Ona Nierenberg, PhD.