Search Vancity Theatre Films

Cinema Salon

Larry (Randy Quaid), a young seaman, gets royally shafted after stealing $40 from the charity box of his officer’s wife. Eight years in prison is the ludicrous sentence and two navy “lifers”(Jack Nicholson and Otis Young) take Larry from Norfolk, VA to Portsmouth, NH with cultural stops in New York City and Boston. They can’t believe the severe sentence, however they can sure as hell help to bring some fun into Larry’s last week…

Vancity Theatre Screening

David Lean’s sweeping, four-hour desert epic demands to be seen on the big screen. The late, great Peter O’Toole landed the role of his lifetime as the British cartographer who united the Arab tribes to fight the Turks in WW1. Screening in a restored DCP version.

"A miracle… The first film I saw that made me want to be a moviemaker." Steven Spielberg

((Lecciones para una guerra))
After Effects: Guatemala and El Salvador

Between 1982 and 1996, the Ixil and Quiché people took refuge in the mountains as a last resort to save themselves from the massacres carried out by the Guatemalan Army, which took the lives of more than 200,000 indigenous people. After those fourteen years, the communities ended up settling in the northeastern part of the range, an area currently under siege due to the wealth of natural resources to be found there. Lessons for a War is a celebration of the resistance of people preparing to defend themselves against another coming war. A chant of hope of a community that will not give up.

Black History Month

The racial fault lines running deep through the American psyche are painfully exposed in Jason Osder’s riveting account of the stand off in 1985 between the Philadelphia Police Department and the black liberation group MOVE, which resulted in the death of 11 victims. "The force and intrigue of a courtroom thriller… it ripples with urgency and moral complexity."—Screen

"The force and intrigue of a courtroom thriller… it ripples with urgency and moral complexity."—Screen

"The brilliantly edited tapestry of actions and reactions exposes a pattern of prejudice and fear capable of infinitely repeating itself." Ronnie Scheib, Variety

"Quietly terrifying." Stuart Klawans, The Nation

007 Reloaded: Bond vs Bond

Timothy Dalton’s second (and last) Bond movie is one of the least typical but also one of the most satisfying on its own terms. It’s a revenge movie, for one thing, with Bond going AWOL to take on a ruthless Mexican drug baron (Robert Davi).

The Best of Hot Docs


TICKET PACKS
* VIFC Guest + Volunteer Passes are not valid for Best Of Hot Docs Series

How does a poor, single, African-American mother from segregated 1950s America wind up as one of the world’s most notorious jewel thieves? Stylish recreations, an extensive archive and candid interviews reveal how "Diamond Doris" managed to jet-set her way into any Cartier or Tiffany’s from Monte Carlo to Japan and walk out with small fortunes.

"Unsurprisingly, Payne’s life story is currently set to be made into a film starring Halle Berry, who has her work cut out for her if she’s going to inhabit the devilishly charming Miss Doris Payne, international criminal." Scott A Gray, exclaim

"4 stars, Must See!" Now magazine

“Is The Life and Crimes of Doris Payne Essential Hot Docs Viewing? Absolutely. You won’t find a more charming, befuddling subject of a film at this year’s fest.” Kristal Cooper, Toronto Film Scene

Vancity Theatre Screening

The latest from master director Abbas Kiarostami (Certified Copy; Close Up; A Taste of Cherry) is a strange, seductive and beguiling love story set in modern Tokyo. Akiko is a beautiful student who moonlights as a prostitute, unbeknownst to her boyfriend. A liaison with an elderly academic brings all manner of complication to all their lives…

"Every shot — everything you see, and everything you don’t — imparts a disturbing and thrilling sense of discovery." AO Scott, New York Times

"A sly, teasing riff on the heart’s irrational stirrings… You emerge elated and slightly dazed…. But the movie’s sense of immutable desire resonates well after the lights have come up." Scott Foundas, Village Voice

Witches

Vancouver’s Funerary Call performs a new, specially commissioned live score for this mind-blowing 1922 cult classic. Grave robbing, torture, possessed nuns and a satanic Sabbath are just a few of the ingredients that make up Benjamin Christensen’s witches’ brew of superstition, sorcery, surrealism and enlightenment.

"A unique film for its boldness in dealing with its taboo subject, for its amazing visual inventiveness, and also for its complex structure." Fernando Martin Pena, Defining Moments in Movies

"A truly unique work that still holds the power to unnerve even in today’s jaded era." Jyotsna Kapur, 1001 Movies You Must See Before You Die

"An amazing experience. The film is overflowing with dark fairytale imagery, incredible makeup effects (especially Christensen himself in the role of a leering Lucifer) and shocking portrayals of torture that still make viewers cringe over 90 years later." Gregory Burkart, Fearnet.com

Special Presentation

The music that German-born and New York City-based trumpeter Volker Goetze and Senegalese vocalist and kora player Ablaye Cissoko create transcends both geographic and musical boundaries. When the duo first came together for their 2008 debut, Sira, their collaboration resulted in a unique musical synthesis that fused the timeless tradition of the storyteller/griot with a modern perspective. On their Motema Music label debut, Amanke Dionti, Goetze and Cissoko again set out on a spiritual sonic journey, one that ranges from the desert and coast of West Africa to the urban landscapes of New York and Paris and which addresses themes of our ancient spiritual roots, and our hurried, dehumanized modern strife. In the tradition of the griot, Cissoko attempts to mend our souls with music, and with Goetze as his partner and champion, he succeeds, as their music is truly soul soothing.

Vancity Theatre Screening

Part Hitchcockian mystery thriller, part quirky new-wave comedy, this free-wheeling Quebecois audience-pleaser riffs on our brave new digitally interconnected world with nimble wit and an underlying seriousness. A coat-check girl follows a misplaced key into a turpid conspiracy and finds romance - and political engagmnent - en route.

"A genre mashup that keeps audiences amused from beginning to end." Boyd van Hoeij, Variety

007 Reloaded: Bond vs Bond

Enter Timothy Dalton, a leaner, meaner 007. Bond is assigned to protect Georgi Koskov, an ex-KGB officer who is defecting to the British. Koskov is to escape during the intermission at the Bratislava concert hall, and must be protected from a KGB sniper. Bond sets up across the street, but decides against assassinating the sniper…

"Grips like wet rope" Brian Case, Time Out

Copacabana Social Club

The "Brazilian Beatles", Os Mutantes combined rock, psychedelia and South American sounds to spearhead the Tropicalia movement. A singer-songwriter who also played bass and the keyboards, Arnaldo Baptista gave the band its pulse - guitarist Sergio Dias was his brother, and lead singer Rita Lee became his wife. In 1973, though, everything fell apart, marriage, band, and eventually Baptista’s health (copious binges on LSD did not help). Yet against the odds Baptista has been able to recover his creativity and his career. This intimate documentary has a powerful, sometimes painful story to tell. Baptista is joined by collaborators and admirers Gilberto Gil, Sean Lennon, Devendra Banhart and Roberto Menescal.

"A magnificent documentary." Claudio Carvalho

DEMY MONDE: The Cinema of Jacques Demy

Lola, a cabaret dancer, is raising a boy whose father, Michel, left seven years ago. She is waiting for him. She sings, dances and occasionally dallies with passing sailors. Roland Cassard, a childhood friend whom she meets by chance, falls deeply in love with her. But she is waiting for Michel…

"Magical… Lola is imbued with a poignant awareness of the transcience of happiness and the difficulties and unlikelihood of love." Geoff Andrew, 1001 Movies You Must See Before You Die

"Taps deep into a dreamy and wistful romantic spirit." Blake Lucas, Defining Moments in Movies

(Sheng gang qi bing)
Foreign Spoils - Gangsters Abroad

Curated by photographer Greg Girard, who will introduce the films: House of Bamboo & Long Arm of the Law The Walled City of Kowloon was an amazing and forbidding part of Hong Kong, and who better to introduce these films in which it features so centrally than photographer Greg Girard, whose book City of Darkness: Life in Kowloon Walled City is itself now legendary.

LONG ARM OF THE LAW Regarded as one of the top ten Chinese films ever made, this electrifying thriller was at the forefront of the "heroic bloodshed" films that dominated the Hong Kong industry in the 1980s. The story concerns a group of mainlanders, ex army men, looking to make a big score in Hong Kong.

Vancity Theatre Screening

Left to fend for themselves after their SS officer father and mother, staunch Nazi believers, are interred by the victorious Allies at the end of World War II, five German children undertake a harrowing journey that exposes them to the reality and consequences of their parents’ actions. Led by the eldest sibling, 14-year old Lore (striking newcomer Saskia Rosendahl), they set out on a journey across a devastated country to reach their grandmother in the north.

"A lyrical, deeply affecting study into a rarely seen legacy of the Holocaust." - Megan Lehmann, The Hollywood Reporter

"Intense and emotional. Saskia Rosendahl is mesmerizing." - Kenneth Turan, Los Angeles Times

"Shortland’s brilliant new film is an unsettling coming-of-age story that renders its judgement on Germany’s crimes and strange aftermath of the war." - George Robinson, The Jewish Week

Vancity Theatre Screening

In honour of the late Lou Reed - another chance to see Julian Schnabel’s film of his transcendent Berlin cycle of songs, complete wth Sharon Jones and Antony Hegarty on backing vocals.

WOODY ALLEN 4 SEASONS: Woody in Winter

In his sixth film as director, Allen poked fun at his intellectual heroes, the heavyweight Russian novelists Tolstoy and Dostoevsky in particular, but also Chekov, Ingmar Bergman and Nabakov. At the same time this tale of a cowardly Russian philosopher caught up in the fight against Napoleon bows in the direction of Bob Hope and the Marx Brothers. It is one of Allen’s funniest movies.

Vancouver Opera Presents

"Absolutely dazzling film entertainment, so full of beauty, intelligence, wit, and fun that it becomes a testimonial not only to man’s possibilities but also to his high spirits. All of the best Bergman films have been about some aspect of love (often its absence), but The Magic Flute is virtually an act of it. […] Bergman hasn’t set out to interpret The Magic Flute but rather to present it as it originally was, bursting with the life of an exquisite stage production as it would look within the physical limitations of an eighteenth-century court theatre."

– Vincent Canby, The New York Times

"Ingmar Bergman said that making this film ’was the best time of my life: you can’t imagine what it is like to have Amadeus Mozart’s music in the studio every day.’ Actually, watching the movie, one can. He has treated Mozart’s peerlessly silly masterpiece with elegance and supreme affection. He emphasizes the theatricality of the piece, using space as stage space but with the camera coming in close. We get the pixilated feeling that we’re near enough to touch the person who is singing; we might be dreamers sailing invisibly among the guests at a cloud-borne party. The English translation of Bergman’s adaptation (he clarifies the text) has considerable grace, and the titles are unusually well placed in the frame; the story comes across even more directly than when you hear the opera sung in English."

– Pauline Kael

Vancity Theatre Screening

When 14-year-old Laura Dekker announced her intention to become the youngest woman ever to sail around the world single-handedly there was an uproar. The child welfare authorities in her native Holland even applied to block her trip on legal grounds. But their case was rejected, and Laura set off soon afterwards on her beloved boat Guppy, with no safety boat or backup, but a video camera to record her odyssey. This film is the result of that impulse - a first-person mariner’s eye-view of a vast blue world

007 Reloaded: Bond vs Bond

Bond goes to Thailand in Roger Moore’s second outing (after Live and Let Die). Christopher Lee (Ian Fleming’s cousin) is excellent as the villain, Scaramanga, and he brings out what may be Moore’s strongest performance.

Pages