Told in fourteen fixed-angle, single shot, individual tableaus that parallel Christ’s journey to his own crucifixion,Stations ... is both an indictment of fundamentalist faith and the articulation of an impressionable teen’s struggle to find her own path in life. Though from the outside Maria lives in the modern world, her family and her heart are faithful to a Catholic radicalism that requires sacrifice and devotion at every turn.
"This brilliant and subtle comedy about teenage martyrdom argues that extremism has no place in the modern world." — David Jenkins, Little White Lies
"Passionate, generous, witty; Dietrich Bruggemann’s study of a fanatical Catholic family renews one’s faith in the power of slow art movies to change the world." — London Evening Standard
This multi-narrative drama chronicles the life of a small town in the badlands of Alberta over the course of one year. The intertwining stories in writer/director Kyle Thomas’ first feature film combine to evoke the "dirty realism" of Raymond Carver and to render a rich portrait of rural life in central Alberta. The soundtrack features music by Dan Mangan, Rae Spoon, and Eamon McGrath.
"A superb first feature, and it will be fascinating to see where this new talent turns his lens next." 3 /1/2 out of 4 — Chris Knight, National Post
Powerful music, a gripping story and a tragic end: Puccini’s ever-popular Tosca performed with a fabulous cast. Among the star singers in this revival are Angela Gheorghiu, Jonas Kaufmann and Bryn Terfel. Jonathan Kent’s detailed production draws to the full on the historical backdrop of Rome in 1800, an atmospheric backdrop to the love of the beautiful diva Tosca, the idealism of her lover Cavaradossi and the deadly, destructive obsession of the malevolent Chief of Police, Scarpia.
Richard Eyre’s produciton of Verdi’s masterpiece has been one of the most successful opera stagings in the long and celebrated history of the Royal Opera House. We present the original, definitive incarnation of that production, starring the incomparable Renee Fleming as the ill-fated courtesan Violetta, oppose Joseph Calleja as Alfredo and Thomas Hapson as his unyielding father.
Andrei Serban’s staging of Puccini’s final opera is a glorious pageant of rich colour, dance and drama. Turandot is a tale of disguised identities, riddles, ritual executions and powerful, triumphant love.
Paris in 1855, when the opera was first performed, provides the starting point for the interpretation by celebrated Norwegian born director Stefan Herheim. The opera ballet plays a significant role too, with Johann Kobborg choreographing for dancers from the Royal Ballet and Royal Danish Ballet. The story is set to impassioned and dramatic music, rich in showpiece arias and ensembles with striking choruses. Antonio Pappano conducts a world-class cast including Erwin Schrott, Bryan Hymel and Lianna Haroutounian in The Royal Opera’s first ever staging of Verdi’s grand opera.
Winner of the awards for Best Canadian Film and Best BC film at VIFF 2014, and named the Best BC Film by the Vancouver Film Critics Circle, Violent is the debut feature from Andrew Huculiak, drummer for the Vancouver-based band We Are the City. The story takes us to Bergen, Norway, and the protagonist is young Dagny (the incandescent Dagny Backer Johnsen), whose reminiscences of the five people who loved her most rise to the surface at the same time as she experiences a resonant epiphany.
A girl’s best friend is her dog in this exuberantly odd political parable from Hungary. When a new law places onerous taxes on the owners of mutts, the streets of Budapest start to fill up with abandoned dogs - including Hagen, beloved pet of 13-year-old Lili. While the child defies her father and the odds to try to track down her dog, Hagen suffers a series of grueling adventures involving various ill-intentioned individuals. "Fierce and beautiful." — The New York Times
“A fierce and beautiful Hungarian parable about a girl, her dog, and the uprising that’s sparked after they are separated ... When the dogs break free and run through the streets in White God, demolishing barriers and biting the hands that have hit them, the movie takes a leap into bold political metaphor, offering up a memorable image of the great unwashed gone (literally) barking mad.” — Manhola Dargis, The New York Times
“White God confirms Mundruczó’s position as one of Europe’s most exciting, unpredictable and technically competent directors. In a world where so many filmmakers seem to rework the same material over and over, he is a true wild card — a filmmaker with ‘un certain regard’ if ever there was one.” — Nick Roddick, Sight & Sound
“Thrillingly strange ... tense, stunningly staged set-pieces recall the uncanny power of Hitchcock’s The Birds [...] A risky shift toward the poetically aberrant that would not work if Mundruczo’s storytelling weren’t so rousing and emotionally purposeful — not to mention morally challenging, as man and dog are accorded equally flawed, vengeful psychologies in the film’s universe.” — Guy Lodge, Variety
Like 50 Feet From Stardom this is the story of unsung heroes, the session musicians who made the 60s swing. Guaranteed, you will never hear pop from that era the same way again. Touching on everyone from the Beach Boys to Elvis, Sinatra to Sonny & Cher, this is an astonishing glimpse behind the scenes at the hey day of American pop. "Wonderful, touching and hilarious." Elvis Costello
"A treasure trove of witness-at-creation anecdotes and enduringly potent ’60s pop classics, The Wrecking Crew is a well-nigh irresistible treat for aficionados of music from the era when acts like the Beach Boys, the Association and the Monkees were topping the charts. Pic celebrates a loose-knit group of largely unknown (except by industry insiders) session musicians, many of whom supplied the defining licks and backbeats — and in some cases, actually played instruments for band members — on legendary recordings." Joe Leydon, Variety