Two women from opposite sides of Hitler’s Third Reich meet in Toronto, years after the Second World War–Mania, orphaned by the regime, and Johanna, possibly the Nazi guard who protected her. Weaving together their stories, this powerful documentary intimately explores their war experiences and witnesses their reunion more than half a century later.
Dark, delirious and made under the sign of Scorsese, Rhymes for Young Ghouls is the angriest, punkiest, least "Canadian" Canadian movie you’ll see all year, and an electrifying feature debut from writer-director Jeff Barnaby. "Weed princess" Aila (the sensational Kawennahere Devery Jacobs) is used to looking out for herself on the Red Crow res, but when her old man gets out from prison things only get harder…
"It’s a tough, gritty piece of work, long on the violence but invested with the poetic sensibility you find in a Cormac McCarthy novel or Tom Waits song… [It] marks the arrival of a genuine cinematic intelligence, one sensitive to life’s more intimate, tender, even spiritual moments yet not averse to slamming the sledgehammer as circumstances require."—James Adams, Globe and Mail
’Exhibiting a vivid eye for potent imagery and a striking sense of the downtrodden vitriol [Rhymes For Young Ghouls] is a tremendously rousing film that announces the arrival of an exciting new voice in Canadian cinema." Scott A Gray, exclaim
"It has been years, probably since Xavier Dolan emerged with I Killed My Mother, since a Canadian director has debuted with a movie as impressive as Jeff Barnaby and Rhymes for Young Ghouls." Marina Antunes, Row Three
Australia’s submission to the Academy Awards for Best Foreign Language Film (a co-production with Laos and Thailand) is both a rapturous crowdpleaser and a surprisingly resonant, tough little movie about the tensions between the traditional way of life of indigineous peoples and the energy development imperatives of government and industry.
Trust the French to come up with the best bebop movie. Sax legend Dexter Gordon is mesmerizing as American horn player, Dale Turner (a thinly veiled amalgam of Bud Powell and Lester Young) trying to shake his demons in 1959 Paris, with loving help from a local fan and his young daughter. Plagued by years of alcoholism and drug use, knowing the end is near; he plays every note of his memories and battles with dignity and wisdom, and then returns home to New York. The forlorn music includes early work of Monk and Bird, the standards of Gershwin and Porter. Gordon’s contribution aside, Herbie Hancock is on piano and others such as Freddie Hubbard, Bobby Hutcherson, Ron Carter and Billy Higgins all figure, with Lonette McKee on vocals. Hancock, who a star attraction at this year’s TD Vancouver International Jazz Festival, also composed the film’s beautiful score.
"This movie teaches you everything about jazz that you really need to know… It is about a few months in a man’s life, and about his music. It has more jazz in it than any other fiction film ever made, and it is probably better jazz; it makes its best points with music, not words.." Roger Ebert, Chicago Sun-Times
Samsara is a Sanskrit word that means “the ever turning wheel of life” and is the point of departure for the filmmakers as they search for the elusive current of interconnection that runs through our lives. Conceived as a guided meditation on the cycle of birth, death, and rebirth, Samsara is audiovisual poetry. Filmed over a period of five years in twenty-five countries on five continents, and brilliantly shot on 70mm film, Samsara transports us to the varied worlds of sacred grounds, disaster zones, industrial complexes, and natural wonders. From the filmmakers of Baraka.
In the first of a new series of environmental films copresented with Sea Shepherd, Vancity Theatre is proud to bring back one of our biggest hits from last year, the powerful expose of how orcas fare in captivity in aquatic parks like SeaWorld. One of those movies credited with changing hearts and minds, Blackfish is an unforgettable film. This screening will be introduced by special guests.
Set on the outskirts of Bradford in Northern England, the second feature from Clio Barnard (The Arbor) follows two young lads, Arbor (Conner Chapman) and Swifty (Shaun Thomas), and their dealings with a local scrap dealer. Boldly cinematic and featuring astonishing performances from the two leads, The Selfish Giant cements Barnard’s reputation as a visionary filmmaker.
"Devastating in its simplicity and honesty, The Selfish Giant is a colossus of feeling." Inkoo Kang, Village Voice
"Boldly, broodingly cinematic… jaggedly moving." Guy Lodge, Variety
"A film of such power and beauty that there will be no escaping it." David Thomson, New Republic
Set in Venice and Verona on the verge of Garibaldi’s expulsion of the Austrians in the 1860s, this has Valli as a countess seduced by feckless charmer Lt. Franz Mahler (Granger) into betraying everything she believes in. This classy, operatic melodrama enacts a ferociously unstable, masochistic relationship, a recurring pattern in Visconti’s work (see also The Damned and Death in Venice). Tennessee Williams and Paul Bowles are among six credited screenwriters.
A documentary tour of Latin America with two like-thinking artists. Singer-songwriters Joan Manuel Serrat, an icon for an entire generation, and his companeiro,Joaquín Sabina, el cuate, the affectionate Mexican word loosely translating as ’brother’.
This curious hommage to German Expressionism is both a uniquely perverse enterprise and a real hoot. It’s a Kafkaesque comedy based on Allen’s earlier one-act play, unpromisingly titled "Death". Allen himself plays Kleinman, a clerk in an unnamed central European country who is reluctantly pulled into a vigilante hunt for a serial killer.
Grace (a breakthrough performance from former child star Brie Larson) is a twenty- something supervisor at a foster-care facility for at-risk teenagers. Passionate and tough, Grace is a formidable caretaker of the kids in her charge – and in love with her long-term boyfriend and co-worker, Mason (John Gallagher Jr.) One of the most acclaimed American films of the year, Short Term 12 may sound earnest in outline, but it looks and feels vividly true - not surprising, when you learn that writer-director Destin Cretton worked for two years in just such a care facility in San Diego.
100% Fresh, Top Critics, Rotten Tomatoes
"It’s one of the best movies of the year and one of the truest portrayals I’ve ever seen about troubled teens and the people who dedicate their lives to trying to help them." Richard Roeper, Chicago Sun-Times
"A compact masterpiece of storytelling that brims equally with ambition and humility. It is, by a wide margin, the best film I have seen so far this year." Christopher Orr, The Atlantic
VANCOUVER PREMIERE - The school of Japanese asceticism called Shugendo is a blend of Shinto, Daoism and Buddhism. Followers practice arduous rituals in wildernesses and are deeply committed to protecting the natural environment. The film is a poetic and intimate journey into a rarely seen world between the developed and the wild, between the present and the infinite.
“Beautifully filmed, aesthetically pleasing, and religiously challenging." Paul Swanson
It’s the camping trip from hell! Produced by Edgar Wright, the latest from Down Terrace and Kill List director Ben Wheatley is another pitch black comedy on English manners and psychopathology, the missing link between Mike Leigh and Hammer Horror. Chris and Tina depart on what is supposed to be a romantic caravan trip (or "erotic odyssey" as Tina prefers to think of it). Alas, litterbugs, obnoxious hikers and condescending tourists interrupt their idyll at every turn, reminding us of Sartre’s famous truism, "hell is other people".
"This sardonic depiction of Britain, as a land where a thin veneer of strained politesse and fussy specificity of tastes masks a throbbing heart of darkness, makes for Ben Wheatley’s best film yet." Jesse Cataldo, Slant
"A black comic state of the nation address." Kim Newman, Empire
"Dark, gruesome, blithely amoral and thoroughly entertaining." Sheila O’Malley, RogerEbert.com
007 turned 50 with rare panache: directed by Sam Mendes, this is a contender for one of the top Bonds ever. It’s not just the more probing, psychological script, but the nuanced, inspired performances by Judi Dench, Javier Bardem and Daniel Craig of course – and stunning cinematography by Roger Deakins. This is Bond resurrected, redeemed and reinvigorated, ready to face a new half century.
A homegrown Sugarman, little-known Canadian actor Rob Stewart had no idea that a dumb, short-lived cop show he made 20 years ago was a cultural phenomenon in Serbia. Throughout the war years, Tropical Heat was far and away the most popular series on Serbian TV screens, and Stewart’s character Nick Slaughter became an icon for dissidents protesting the Milosevic regime. Venturing to Eastern Europe for the first time, Stewart discovers the extent of a fame he never knew he had.
"A winner!" National Post
"Heart and heft." Globe & Mail
"A real find… truly bizarre." The Star
Hot from its premiere at the Sundance Film Festival, a sneak peek at Foo Fighters’ leader Dave Grohl’s documentary about the legendary Los Angeles recording studio Sound City.
Vancouver's premier event on advanced imaging & visual effects
A Canadian-made “porno chic” movie? It never happened! So historians say. But tonight’s screening proves otherwise as the never-released and unknown sexually-explicit [or: ‘X-rated’] horror-spoof Sexcula—-made entirely in British Columbia back in ’73—-screens in a World-Premiere of its original, unplayed 16mm answer-print. Produced with the help of Canadian film tax credits (that’s right—-taxpayers backed a porn movie—only in Canada!), Sexcula is one of the oddest entries in the colourful catalog of “Canuxploitation.”. Special guests to be announced.
Matinee show Aug 25 (only) All Ages Show, under-19s welcome.
Evening show Aug 29 introduced by film scholar Michael van den Bos.
Roger Moore’s pick of his own Bond movies is a slick, spectacular, always fun concoction. When villain Karl Stromberg (Curt Jurgens) hijacks British and Soviet submarines, Bond is paired with Russian agent Anya Amasova (Barbarach Bach) to get to the bottom of his evil plan.
"Exceptional… Moore gives his best performance in the series… Film is a real treat - a well-acted, smartly cast, sexy, visually impressive, lavishly produced, powerfully directed mix of a spy romance and a war-mission film." Danny Peary, Guide for the Film Fanatic.
The inimitable Stevie Nicks has entranced millions of fans worldwide with her poetic lyrics, sultry singing and featherand-lace style. In 2010 Nicks embarked on the recording of a new solo album, In Your Dreams, produced by former Eurythmics mastermind Dave Stewart. With cameras in tow, documentarian Stewart and diva Nicks set up shop in her home studio and reveal their collaborative creative process.