"Don’t be afraid. A new world of sound awaits you…" This dense, resonant experimental thriller casts Toby Jones as a genius sound-mixer, a Brit invited to work on the post-production of an Italian horror movie in the late 1970s (something by Dario Argento, perhaps?). Almost from the first this unusual assignment comes with disturbing undertones of mystery and menace - as if the bloody supernatural thriller we hear being constructed (but almost never see) is spilling out into the sound studio…
"Utterly distinctive and all but unclassifiable, a musique concrète nightmare, a psycho-metaphysical implosion of anxiety, with strange-tasting traces of black comedy and movie-buff riffs. It is seriously weird and seriously good." Peter Bradshaw, The Guardian
"A delicately detailed immersion into the world of Z-grade Italian horror cinema that ultimately may or may not be a horror film itself, Peter Strickland’s “Berberian Sound Studio” is a tense, teasing triumph." Guy Lodge, Variety
"The creepiness builds with symphonic precision until reality truly is indistinguishable from fantasy." 4 stars. Keith Uhlich, Time Out New York
The latest from 4 Months, 3 Weeks & 2 Days director Mungiu is a slow burning but utterly transfixing exorcism drama based on a news story from 2005. A novice nun in an Orthodox monastery in Romania, Voichita welcomes an old friend from their days in the orphanage - but she is taken aback when Alina tries to persuade to come away to Germany. Meanwhile the monastery’s stern priest becomes convinced Alina is a temptress possessed by the Devil.
"A quintessentially praiseworthy festival film: weighty in intent, unfamiliar enough in setting, rigorously masterful in execution… But what is remarkable about Beyond the Hills and the unexpected interrogations it awakens is the lingering sense of doubt it leaves you with. Not merely as to the virtues of organized religion—that would be too simple—but just as much the facile condemnation of it… It is a work that forces you into the not entirely pleasant yet oddly rewarding territory of moral uncertainty."—Joumane Chahine, Film Comment
"If you long for the bleak intelligence of an Ingmar Bergman film, where humankind is deeply flawed and God is indifferently silent and the landscape is cloaked in perpetual winter, then Beyond the Hills promises to be your cup of despair." 3 stars Rick Groen, Globe & Mail
"Riveting to watch and fascinating to think about afterwards." Philip French, The Observer
Some film only get better the more you see them - and this may be the best time Hollywood has given us in the last 20 years. It’s a whacky, warped slacker generation riff on Raymond Chandler, a shaggy dog story which delights in going sideways at every turn. Jeff Bridges is the Dude, and what he really wants is to get his rug back…
The third film in Micha X Peled’s Globalization trilogy (following Store Wars and China Blue) Bitter Seeds looks at the raw materials that feed our cycle of over-consumption, and specifically Monsanto’s push to supply cotton seeds to farmers in India - with devastating results. A staggering 250,000 Indian farmers have committed suicide over the past 16 years
"The crisis depicted in Bitter Seeds is all the more dire when you consider that half the world’s population are farmers. Peled could have turned his cameras… to any place that industrial agriculture has driven out the little guys. One reason the tiny Indian community of Telung Takli makes sense is Amberwar—a compelling central character whose personal story raises additional issues about gender, class and non-farming employment opportunities." Peter Debruge, Variety
“Films like this can change the world.” Alice Waters
“A tragedy for our times, beautifully told, deeply disturbing.” Michael Pollan
Filmmaker Micha X Peled is our guest to introduce specific screenings and participate in a FREE panel discussion exploring these issues on Sunday May 19, 8.30pm.
The panel will be moderated by Charlie Smith, Editor of the Georgia Straight.
Tzeporah Berman, Environmental activist and author of This Crazy Time, . Considered "Canada's Queen of Green."-Readers Digest, Tzeporah Berman has been successfully designing and managing green campaigns for nonprofits for the last two decades, leading Bill McKibben to call her "a modern environmental hero." She currently works as a strategic advisor for dozens of environmental organizations, First Nations and philanthropic advisors on clean energy, oilsands and pipelines. She is the former co-director of Greenpeace International's Global Climate and Energy Program, Executive Director and Co-founder of PowerUp Canadaand Co-founder and Campaign Director of ForestEthics.
Gerardo Otero is Professor of sociology and an associated professor of the School of International Studies at Simon Fraser University. His latest edited book is Food for the Few: Neoliberal Globalism and Biotechnology in Latin America (University of Texas Press, 2008, reissued in paperback in 2010), which is forthcoming in Spanish as La dieta neoliberal. His latest article, “The Neoliberal Food Regime in Latin America,” was published in the Canadian Journal of Development Studies in 2012. In co-authorship with Gabriela Pechlaner and Efe Can Gürcan, he has a forthcoming article September 2013 in Rural Sociology: “The political economy of ‘food security’ and trade: uneven and combined dependency.”
Micha X Peled has made documentaries for broadcasters in the USA, Britain, France and Germany, winning over 20 awards along the way. His films were released theatrically in the U.S., Europe and Japan, and on DVDs in eight languages (officially). Micha made his first film in 1992, when his mother sent him the manuscript of her life story, which became Will My Mother Go Back to Berlin? When celebrated Los Angeles Times critic Charles Champlin wrote “it’s a damn good movie,” Micha believed him, quit his job to become a fulltime filmmaker, and never looked back. Not that it was all smelling the roses – he got out of Iran shortly before being exposed for filming illegally, in China his crew was arrested and his footage confiscated, and his shoot in Bombay’s central train station was cancelled when a terrorist group started shooting first. In New York the audience shouted, “Traitor” at the premier of You, Me, Jerusalem, which he co-directed with a Palestinian filmmaker. His Globalization Trilogy began in the U.S. with Store Wars: When Wal-Mart Comes to Town about a small town fighting to keep out the world’s largest retailer. It was followed by China Blue, the story of a teenage Chinese girl who leaves her village to get a job in a jeans factory and descends into sweatshop hell. After a fiction short, Delinquent, he completed the final film in the trilogy, Bitter Seeds. The film looks at the farmers' suicide crisis in India, through the story of one farmer who grows cotton exported to China's garment factories.
Barbara Steele became an icon for horror fans with her double role in this Mario Bava’s unforgettable debut feature. She plays both the innocent Katia, and the witch-vampiress Asa Vajda, who returns to life in 1830, 200 years after she was tortured and executed.
Shot in black and white by the former cinematographer, this gothic classic has an extraordinary creepy atmosphere and shots that imprint themselves on the back of your skull, almost with the force of that mask of death which gave the film its original Italian title.
"One of the movies that remain with me probably stronger than anything is Black Sunday… there’s a lot of old films – [Bava’s] in particular – where the vibe and the feeling is what it’s about… [t]he feeling’s a mixture of eroticism, of sex, of horror and starkness of image, and to me that is more real than what most people would consider realism in films…" Tim Burton
Classified PG. Under-19s welcome with adult accompaniment.
Perhaps you remember Tilikum? The killer whale was a star attraction at Oak Bay, British Columbia’s Sealand of the Pacific park from 1983 to 1992 - when he was shipped out to SeaWorld in Orlando, Florida. The sale took place shortly after the tragic death of a trainer, Keltie Byrne, who slipped and fell into the pool. Although Tilikum was officially exonerated from the death, eye-witnesses tell a very different story. And as filmmaker Gabriela Cowperthwaite discovered, this was not to be the last human death associated with the bull orca.
"Blackfish has the capacity to stand the test of time as a gripping documentary synonymous with changing the way people see both killer whales and the multi-billion dollar industry that continues to exploit killer whales as playful tourist attractions" Daniel Pratt, exclaim
"A mesmerizing psychological thriller with a bruised and battered killer whale at its center." Variety
"Has the potential to take our society on the first step in the right direction." Alex Koehne, Twitch
In this brilliant retake on the Grimm fairytale, Blancanieves (Snow White) escapes her wicked stepmother to become a famous matador. Propelled by the Flamenco rhythms of Alfonso de Villalonga’s score, this is one tribute to silent film that has the verve and passion of a musical.
“This film is a wonderment! A striking… full-bodied, visually stunning film.” Roger Ebert, Chicago Sun-Times
“An original! Inventive… Contemporary… Imaginative… Charming… and Clever!” David Rooney, The Hollywood Reporter
“Daringly original! A gorgeously shot extravaganza has the cojones to think outside the box and comes out on top.” Boyd Van Hoeij, indiewire
Opening Night supported by First Weekend Club. Come early to enjoy a reception, Siobhan Devine's Vancouver-made short film OMG (starring Gabrille Rose and Matreya Fedor, and a post screening Q&A with director Sean Garrity.
At 41, Nicole is at a point in her life when she is asking is this all there is - or whether she still has more to offer? One day she gets a letter from an anonymous observer who seems to know her daily habits intimately. More than that - he seems to intuit a potential Nicole herself has buried deep inside. He has a plan for her, if she is interested… And so begins a dance that is by turns adventurous, romantic, erotic, reckless and potentially disastrous.
“The plot will creep under your skin and raise your pulse.”
Chris Knight, The National Post
"Tightly crafted… very gripping with a fabulous performance by Michelle Giroux." Brian D Johnson, City TV
“Garrity fashions something tense, steely, and affecting out of a premise that might’ve yielded an erotic fantasy if the events here weren’t so rooted.” Jason Anderson, The Grid
A curtain-raiser for tomorrow’s Coen Bros marathon: the brothers’ first movie, a delectably twisted film noir set in modern day (well, mid 80s) Texas, where Marty (Hedaya) doesn’t much care for the fact that his wife Abby (McDormand) is playing around behind his back. This is one of the great debut films, bursting with malicious wit and style, with an unforgettable performance from character actor M Emmett Walsh as a private dick with a very personal notion of ethics.
"It’s the boys’ most immediately gratifying movie: The goods are delivered in a hearse." Wesley Morris, San Francisco Examiner
"A tight, beautifully ugly neo-noir classic." Kim Morgan, Portland Oregonian
"As black, sinful and nasty as a weekful of Hitchcocks, this is as fresh and intoxicating now as it was back then. In a word: deadly." Ian Nathan, Empire
Join Canada’s foremost James Bond expert Murray Gillespie for a friendly 007 trivia competition in our atrium lounge. Compete individually or in teams. Prizes to be won! Admission Free but VIFC membership is required (costs $12 but comes with a free movie ticket).
A bluegrass musician and his wife learn their young daughter has cancer in Felix van Groeningen’s masterful evocation of the power of music to convey both joy and sadness. "An immaculately observed, desperately moving story of love, loss, and bluegrass music…"—Indiewire
"Innately understands that sorrow truthfully communicated and shared can be cathartic, rather than depressing." Jessica Kiang, The Playlist
"A gloriously devastating bluegrass masterpiece… Something of a miracle…. Earnest, warm and utterly human." Kurt Halfyard, Twitch
"Intensely moving." David Rooney, Hollywood Reporter
Two brothers, orphaned as children: Tomas is now a drifting and withdrawn young man who has an instinctive compassion for others; his older brother Rafael is a university philosophy professor, detached and alone. Their struggles with each other and the world around them take a dramatic turn when they find themselves at a rural Zen center.
An ambitious and imaginative film that uses animation and contemporary voices including poets Jane Hirshfield and US Poet Laureate W.S. Merwin, and Buddhist scholar Robert Thurman to explore the life and meaning of the man who became “awake,” and who continues to inspire the diverse Buddhist traditions all over the world.
Filmed in a documentary style in Rome’s high security Rebibbia prison, the movie chronicles a production of Shakespeare’s Julius Caesar performed by the inmates just a few miles from where the Roman emperor was assassinated. The actors are real life murderers, mafiosi and drug dealers, and their performances slip subtly between Shakespeare’s text and their own contemporary argot, blurring the lines (literally) between past and present, art and life… But complicating things even further, the Tavianis scripted everything, off-stage as well as on, so what we take for "reality" is every bit as artificial as the play itself - and just as true.
Shakespeare’s “Julius Caesar” usually runs about two-and-a-half hours uncut. Italian directors Paolo and Vittorio Taviani’s tale of a prison-based production of the classic runs 74 minutes. Yet the film gets on screen not only the play’s bloody, double-dealing, hungry essence, but the redemptive potential of art […] Such is literature’s power that the cast is more at ease portraying ancient Romans than speaking as versions of themselves. Muses the man playing Julius Caesar, “To think I found this so boring in school.” Farrah Smith Nehme, New York Post
"At once ancient and dangerously new." Anthony Lane, New Yorker
This wildly funny and original Vancouver satire focusses on a corrupt local politician with a strange neural complaint: he believes he’s the subject of a reality TV show (even though no one else can see the cameraman who dogs his every move).
“"Movies about movies" are tricky ground, but there are very few missteps here. The humor is pitch black, and had me laughing constantly.” —Zack Mosely, Quiet Earth
In one of her most profound performances Juliette Binoche plays sculptress Camille Claudel some years after she has been committed to an asylum by her family. Pinning her hopes on a longed-for visit from her brother, Camille enjoys a degree of trust and respect from the nuns, but her composure is fragile, and she remains bitter and paranoid when the subject of her old lover Auguste Rodin comes up. Most tragically of all, she refuses to return to her work. Dumont’s film is restrained, sometimes harrowing, but singularly authentic and deeply felt - an experience you will not soon forget.
“I wait for each new film by Luc and Jean-Pierre Dardenne, Abbas Kiarostami, Claire Denis and Bruno Dumont. I enjoy all sorts of films, but those are the people that really interest me. I admire the Dardenne brothers tremendously, but I feel closest, in my work, to Dumont. Dumont’s films are basically existential works, philosophical films, not political ones. I think of my own films that way.” Michael Haneke (Amour).
"A mesmerizingly intense yet controlled lead by Juliette Binoche." Jonathan Romney, Screen International
"Heartbreaking." Guy Lodge, Variety
In a reboot of the series, Casino Royale opens with Bond (Daniel Craig) gaining his 00 status, by killing two enemy agents, and earning his license to kill. Bond must win a high stakes poker game against terrorist financer Le Chiffre, to bankrupt him so that he will be murdered by his bankers.
During a workers’ strike in Nantes in 1955, steel worker François Guilbaud rents a room from a sympathetic widow. He has a pregnant girlfriend but falls out of love with her when he meets Edith Leroyer, a beautiful, working class girl who is unhappily married to a rich but impotent and neurotic merchant. Edith likes to walk around town naked with only a fur coat on, as a tarot card reader told her she would find love with a passing sailor. Every line of dialogue is sung.
"This unheralded latter-day masterpiece has been infuriatingly hard to see since its fleeting theatrical release in France. [Michel Colombier’ contributes a wall to wall score often staggering in its intensity and romantic longing." Mondo Digital
"A masterly effort to understand what is profound, what lies beneath, life’s melody." Armond White, New York Film Critics Choice
"Une chambre en ville is unquestionably a daring experiment in cinematic form, and possibly the most honest and revealing of all Demy’s films." Jamie Travers, French Film Guide
Filmed inside the war zone of northern Uganda over a period of three years, this is the story of a group of former child soldiers as they undergo trauma therapy and emotional healing while in a rehabilitation centre. Having been abducted from their homes and forced to become fighters by the Lord’s Resistance Army - a quasi religious militia led by self-proclaimed prophet and war criminal Joseph Kony - the children struggle to confront years of brutal abuse.
The great Argentinean actor Ricardo Darin (The Secret In Their Eyes) stars as a taciturn hardware storekeeper, Roberto, who takes pity on a newly-arrived Chinese immigrant, dumped on the side of the road by an unscrupulous taxi driver. No good deed goes unpunished, and Roberto’s solitary life is turned upside down.
"This is a gem of a film that once seen, will never be forgotten." Louise Keller, Urban Cinefile
"It is hardly possible to suggest how involving this story becomes… To a degree unusual in most films, I became involved in the fates of these men…I cared." 4 stars, Roger Ebert, Chicago Sun-Times
"A Spanish Amelie… Delightful… that rare gem." Adam Fresco, Flicks