Marlon Brando’s definitive performance as Terry Malloy, a New York dockworker (and once a promising boxer) who loses faith in his union and his smarter but corrupt older brother Charlie (Rod Steiger) after a whistleblower is murdered. Directed on location with staggering fervor by Elia Kazan, On the Waterfront transcends its blunt ideological premise through the sensitivity of its playing… Without this movie we’d probably never have had Mean Streets or Raging Bull, The Godfather or The Wire.
Back by popular demand, the City of Vancouver Archives returns to the big screen with an archival presentation originally screened in 2013. Experience Vancouver’s outdoor pastimes in the 1940s. Flash back to the 1960s with a rain dance in Kitsilano. Take a bicycle ride though Vancouver in the 1970s. Witness the city’s transition leading up to Expo ’86.
With commentary provided by historian Michael Kluckner, this screening includes home movies, City-commissioned films, television shows produced by local stations and the community, and local advertisements. Those movies originally produced without sound will be accompanied live by pianist Wayne Stewart.
Render’s focus is on innovative and cutting-edge music videos that push the creative boundaries of the art form. Check renderfestival.com for program updates.
In one of the year’s best, but underseen, music docs, James D Cooper tells the story of The Who through the eyes of the men who discovered, mentored and managed them: Kit Lambert and Chris Stamp.
"Illuminates the glory and tumult of the band’s rise with unexpected candor.. it’s the rare truthful and beautiful film about the rock ’n’ roll life." Alan Scherstuhl, Village Voice
A kind of reverse angle on Lawrence of Arabia, this 1916 desert adventure epic takes the perspective of a young Bedouin boy (Theeb, or "Wolf") who tags along when his older brother is compelled to guide a British army officer through dangerous terrain to the next oasis.
"A classic adventure film of the best kind." Variety
When a drifter discovers a very special pair of sunglasses, it gives him a whole new perspective on life. See, these are a kind of x-ray specs. They reveal the true nature of the world we live in: the power elite is in fact an alien race, feeding off our apathy through the promotion of rampant consumerism. Far-fetched? Tell that to Donald Trump…
Millions know their voices, but no one knows their names. Morgan Neville shines a spotlight on the untold true story of the backup singers behind some of the greatest musical legends of the 21st century.
During the Golden Age of Mexican cinema, Canadian-born cinematographer Alex Phillips (Ontario, 1900) and Spanish-born film director Luis Buñuel (Aragón, 1900), became symbols for Mexican cinema. They worked together twice: on Ascent to Heaven (1952, screens at 6.30pm) and Robinson Crusoe (1954, 8.15pm).
Tickets for this co-presentation are available exclusively through www.vlaff.org and on the door. Vancity Theatre memberships do apply.
The latest screening from the City of Vancouver Archives features newly digitized films that focus on the city’s transportation, landmarks, industry, and domestic and public spheres. From Vancouver’s last interurban streetcar ride to its first Grey Cup Parade, from Obon in Oppenheimer Park to barrelmaking on False Creek, spend a Sunday afternoon reliving Vancouver’s past from the 1920s to the 1960s.
Local historian and artist Michael Kluckner will provide commentary during the projection. The silent films will be accompanied live by renowned jazz pianist, Wayne Stewart.
Winner of the awards for Best Canadian Film and Best BC film at VIFF 2014, and subsequently named the Best BC Film by the Vancouver Film Critics Circle and at the LEO awards, Violent is the debut feature from Andrew Huculiak, drummer for the Vancouver-based band We Are the City. In Bergen, Norway, Dagny (the incandescent Dagny Backer Johnsen), sets out on her life’s journey, and feelings of togetherness and isolation, love and solitude rise to the surface.