Fifteen years and 9 Antarctic winters in the making, Powell’s film gives a glimpse into what it is like to spend a full year living and working in the harshest place on the planet, presenting a never-before-seen insider’s view of the frozen south. It’s a dazzling movie, but never more so than in long, endless nights of the Antarctic winter, when the sun never rises, time stands still, and the aurora australis puts on a private show of heavenly dimensions. "An extraordinary achievement that reinvigorates our sense of wonder about the natural world." NZ Herald
You’ll think twice before using that overworked word “awesome” again after seeing Anthony Powell’s film […] There are moments when what Powell’s cameras have captured will bring you to tears. Which is why you need to see it in the dark, on a big screen." Helene Wong, The NZ Listener
The most impressive debut feature of the year also happens to be the scariest. This tale of an anguished single mom (an incredible performance from Essie Davies), her monstrous six-year-old, and the storybook bogeyman who terrorizes their home is guaranteed to chill you to the bone.
"One of the strongest, most effective horror films of recent years - with awards-quality lead work from Essie Davis, and a brilliantly designed new monster who could well become the break-out spook archetype of the decade." Kim Newman, Empire
"Managing to scare an audience silly with original imagery and non-formulaic jolts is no mean feat […] Managing to move us at the same time is close to miraculous." Tim Robey, Daily Telegraph
"Deeply disturbing and unusually beatiful." Variety
Award winning Vancouver filmmaker Julia Kwan trains her eye on our own backyard, Chinatown, Pender, Hastings and Main St, and no matter how well you think you know this area, you’re bound to come away with new insights into the people and businesses that make up this once vibrant community. It’s a neighbourhood in transition, a culture in decline - or on the cusp of gentrification. This isn’t an advocacy doc, but a wise, ruminative portrait, an elegy perhaps, but also a celebration of entrepreneurial energy, resilience and creativity.
One of the most popular movies at this year’s VIFF, this is both an acute psychological study and a deadpan comedy of manners, a portrait of a family riven by the father’s instinctive act of cowardice in the face of an avalanche during a skiing holiday. For all his attempts to pretend that nothing has happened, everything has changed. But what to do about it?
"An ice cold knockout. Brilliantly perceptive and frostily funny." Aaron Hills, Village Voice
"Damning, frequently hilarious study of imploding male ego." AV Club
"Visually stunning. Emotionally perceptive." Variety
VIFF Vancity Theatre and the Cinematheque join together this weekend to celebrate the centenary of a cinema landmark. In the Land of the Head Hunters was the first feature film made in B.C. and is the oldest extant feature made in Canada. It’s also the first feature made with an entirely indigenous North American cast and arguably the first ever documentary feature. A portrait of the Kwakwaka’wakw (formerly Kwakiutl) people of northern Vancouver Island and the central coast, it was directed by Edward S. Curtis, the renowned American photographer of First Nations life.
Join us for a screening of this VIFF double prize-winning documentary followed by a panel discussion on food waste and other issues raised in the movie featuring producer Jen Rustemeyer and special guests.
Roger Ebert wasn’t just the most popular North American film critic of the late twentieth century, in part by seizing the opportunities afforded by TV, he was also one of the most insightful and articulate, a wonderful writer with an insatiable curiosity about the world, deep knowledge of cinema, and the passion to communicate it. This acclaimed film from Steve James (Hoop Dreams) captures yet another side of Roger: how he blossomed in the loving family he found late in life, despite the terrible struggle with cancer that ravaged his body and left him unable to speak.
"Life Itself is a work of deftness and delicacy, by turns a film about illness and death, about writing, about cinema and, finally, and very movingly a film about love." Geoffrey O’Brien, The New York Times
Two short films from the Vancouver based producer, writer, director Jonathan Kitzen, including last year’s Academy Award-winning non-fiction short subject The Lady in Number Six: Music Saved My Life (a portrait of 109 year old Holocaust survivor Alcie Herz Sommer), and his new film, Soldiers’ Stories, a war remembrance document that draws parallels between the Battle of the Somme in WWI and today’s conflicts. The latter is presented in 3D and introduced by Jonathan Kitzen.
Jonathan Kitzen will be in attendance and introduce the films
Former intelligence officer John Le Carre wrote his first espionage novel in 1962, just a year after the completion of the Berlin Wall, which loomed large in the book. That same wall - demolished 25 year ago, Nov 9, 1989 - also figures in the opening and closing scenes of Martin Ritt’s acclaimed film adaptation. It’s one of the key Cold War movies, the antithesis of James Bond escapism, and features arguably Richard Burton’s finest screen performance.
Discovered by a wood cutter inside a shining stalk of bamboo, a tiny girl lights up the life of this childless peasant and his wife - even though they’re perplexed by the lightning speed with which she grows into an exquisite young lady. Their "little princess" enthralls everyone she meets, and bestows such bounty on the family that they wood cutter moves them to a city mansion, where she is courted by the most eligible bachelors far and wide. A gem of a film from Studio Ghibli’s other master, Isao Takahata (Grave of the Fireflies).
“Princess Kaguya has the feel of a true Takahata film, from its unshrinking emotional fidelity to its sudden, exhilarating leaps into fantasy […] There is a deep wisdom in this film, but a deep sadness too. If it is Takahata’s farewell, it’s one that will have a long echo, just like his 1,000-year-old source.” Mark Schilling, Japan Times
"A visionary tour de force." Maggie Lee, Variety
A pinnacle of animation in the new millennium." Matt Patches, IGN Movies
"The films this year are the closest I could ever get to experiencing Vancouver in the 1930s to the 1960s without using a time machine," says historian Michael Kluckner, who has curated and will narrate an afternoon of vintage movies from the City of Vancouver Archives.
Pianist Wayne Stewart will provide accompaniment for the movies that were originally produced without sound
A belated return after its sell-out show two years ago, another chance to enjoy this compilation of archival footage. Using 50 years of material, local historian Michael Kluckner guides us on a moving image journey into Vancouver’s past. With musical accompaniment by jazz pianist Wayne Stewart, highlights include home movies, park board films, experimental films, and on-the-fly documentaries.
Thanks to an astonishing performance by Pierre Niney that masterfully mimics the iconic designer’s impish bearing and aura of genius, Yves Saint Laurent is reborn in this suitably stylish, well-tailored biopic. Lespert doesn’t hesitate in giving this great life and grand love affair the operatic treatment it deserves.