Search Vancity Theatre Films

Vancity Theatre Screening

Adam (Richard E Grant) is a rich industrialist, who aspires to a more cultured world. Spurred on by playful jibes that he’s little more than a city suit living the capitalist’s dream, this frustrated amateur opera singer decides to throw an opera in his lavish country retreat. Once his friends see him belting out the notes, he feels sure it will spell the end to their shallow taunts. In fact, it might even help him win the hand of a female conductor he’s been pursuing whom, it just so happens, is the first to be recruited for his showpiece.

Vancity Theatre Screening

Probably the most radical and powerful film you will experience this year, The Act of Killing is a searing expose of political amnesia and impunity in Indonesia, where the gangsters and thugs behind the murders of millions are celebrated as champions of free enterprise. It is also a surreal, provocative exploration of the psyches of these men - killers who proudly re-enact their atrocities for the camera, willing collaborators in their own cinematic bonfire of the vanities.

Vancity Theatre Screening

Probably the most radical and powerful film you will experience this year, The Act of Killing is a searing expose of political amnesia and impunity in Indonesia, where the gangsters and thugs behind the murders of millions are celebrated as champions of free enterprise. It is also a surreal, provocative exploration of the psyches of these men - killers who proudly re-enact their atrocities for the camera, willing collaborators in their own cinematic bonfire of the vanities.

Vancity Theatre Screening

Probably the most radical and powerful film you will experience this year, The Act of Killing is a searing expose of political amnesia and impunity in Indonesia, where the gangsters and thugs behind the murders of millions are celebrated as champions of free enterprise. It is also a surreal, provocative exploration of the psyches of these men - killers who proudly re-enact their atrocities for the camera, willing collaborators in their own cinematic bonfire of the vanities.

"I have not seen a film as surreal, and frightening in at least a decade… Unprecedented in the history of cinema." Werner Herzog

Vancity Theatre Screening

After Tiller intimately explores the highly controversial subject of third-trimester abortions in the wake of the 2009 assassination of practitioner Dr. George Tiller. The procedure is now performed by only four doctors in the United States, all former colleagues of Dr. Tiller, who risk their lives every day in the name of their unwavering commitment toward their patients. An informative, thought-provoking, and compassionate look at an incendiary topic.

Vancity Theatre Screening

A masterpiece of the Hollywood musical tradition, An American in Paris truly shines, remaining as fresh and exciting today as it was in 1951. Gene Kelly stars as Jerry Mulligan, an American expat trying to succeed as a painter in Paris. George and ira Gershwin provide the songs, and Minnelli pulls out all the stops for the climactic ballet against a series of Impressionist backdrops.

"Minnelli’s Technicolor musical, re-released in a gorgeous restoration, is fresher than ever." Geoffrey Macnab, The Independent

"Full of light and movement. Nothing of its kind from Hollywood had quite possessed its class, sense of style, and chic." Clive Herschhorn, The Hollywood Musical

Vancity Theatre Screening

Nunavut means "Our Land". But does that include us? After decades of what might generously be described as benign neglect, Canada seems more invested in the north than ever (no prizes for guessing why). Documentarian John Walker (A Drummer’s Dream) traces the long, often fractious relationship between the Inuit and the rest of the country, marvels at the beauty and hardship of this place, and reflects on his own experiences, revisiting the arctic for the first time since the 60s.

Vancity Theatre Screening

A new female doctor arrives at a provincial hospital in what is still East Germany. Barbara (Petzold’s regular star, Nina Hoss) is a transfer from Berlin, and immediately strikes her colleagues as distant and aloof. But there are reasons, as they suspect. Her small apartment is regularly searched, meanwhile her preference for cycling to and from work seems designed to make it more difficult for the Stasi to keep an eye on her…

"It’s one terrific film, as smart, thoughtful and emotionally involving as just about anything that’s out there." Kenneth Turan, LA Times

"Petzold handles personal, formal, and political concerns in such perfect balance, it’s difficult, and not especially desirable, to separate one from the next. The movie is dense but never feels it, assembled with easy mastery and engrossing throughout." Sam Adams, AV Club

"Barbara is a film about the old Germany from one of the best directors working in the new: Christian Petzold. For more than a decade Mr. Petzold has been making his mark on the international cinema scene with smart, tense films that resemble psychological thrillers, but are distinguished by their strange story turns, moral thorns, visual beauty and filmmaking intelligence." Manohla Dargis, New York Times

((Les salaux))
Vancity Theatre Screening

From its opening images of a young woman in high heels and nothing else walking through the streets of Paris at night, this hypnotic revenge thriller from master filmmaker Claire Denis is equal parts stark and voluptuous, brutal and sensual, raw and sophisticated.

"It is the darkest movie - visually, psychologically and spiritually - that Denis has made. It’s also one of the rarest of cinematic objects - a completely contemporary, disturbingly relevant film noir." Amy Taubin, Sigh & Sound

"As black and sticky and inescapable as a tar pit - a movie whose darkness swallows its characters and the audience whole." **** Adam Nayman, Globe & Mail

Vancity Theatre Screening

The first in a double bill featuring two of the most highly acclaimed US features of the year, Before Midnight is Richard Linklater’s bittersweet study of a love affair languishing in middle-age - his follow up to generational touchstones Before Sunrise and Before Sunset.

Before Midnight is a wonderful paradox: a movie passionately committed to the ideal of imperfection that is itself very close to perfect." AO Scott, New York Times

Vancity Theatre Screening

"Don’t be afraid. A new world of sound awaits you…" This dense, resonant experimental thriller casts Toby Jones as a genius sound-mixer, a Brit invited to work on the post-production of an Italian horror movie in the late 1970s (something by Dario Argento, perhaps?). Almost from the first this unusual assignment comes with disturbing undertones of mystery and menace - as if the bloody supernatural thriller we hear being constructed (but almost never see) is spilling out into the sound studio…

"Utterly distinctive and all but unclassifiable, a musique concrète nightmare, a psycho-metaphysical implosion of anxiety, with strange-tasting traces of black comedy and movie-buff riffs. It is seriously weird and seriously good." Peter Bradshaw, The Guardian

"A delicately detailed immersion into the world of Z-grade Italian horror cinema that ultimately may or may not be a horror film itself, Peter Strickland’s “Berberian Sound Studio” is a tense, teasing triumph." Guy Lodge, Variety

"The creepiness builds with symphonic precision until reality truly is indistinguishable from fantasy." 4 stars. Keith Uhlich, Time Out New York

(Dupa dealuri)
Vancity Theatre Screening

The latest from 4 Months, 3 Weeks & 2 Days director Mungiu is a slow burning but utterly transfixing exorcism drama based on a news story from 2005. A novice nun in an Orthodox monastery in Romania, Voichita welcomes an old friend from their days in the orphanage - but she is taken aback when Alina tries to persuade to come away to Germany. Meanwhile the monastery’s stern priest becomes convinced Alina is a temptress possessed by the Devil.

"A quintessentially praiseworthy festival film: weighty in intent, unfamiliar enough in setting, rigorously masterful in execution… But what is remarkable about Beyond the Hills and the unexpected interrogations it awakens is the lingering sense of doubt it leaves you with. Not merely as to the virtues of organized religion—that would be too simple—but just as much the facile condemnation of it… It is a work that forces you into the not entirely pleasant yet oddly rewarding territory of moral uncertainty."—Joumane Chahine, Film Comment

"If you long for the bleak intelligence of an Ingmar Bergman film, where humankind is deeply flawed and God is indifferently silent and the landscape is cloaked in perpetual winter, then Beyond the Hills promises to be your cup of despair." 3 stars Rick Groen, Globe & Mail

"Riveting to watch and fascinating to think about afterwards." Philip French, The Observer

Vancity Theatre Screening

The third film in Micha X Peled’s Globalization trilogy (following Store Wars and China Blue) Bitter Seeds looks at the raw materials that feed our cycle of over-consumption, and specifically Monsanto’s push to supply cotton seeds to farmers in India - with devastating results. A staggering 250,000 Indian farmers have committed suicide over the past 16 years

"The crisis depicted in Bitter Seeds is all the more dire when you consider that half the world’s population are farmers. Peled could have turned his cameras… to any place that industrial agriculture has driven out the little guys. One reason the tiny Indian community of Telung Takli makes sense is Amberwar—a compelling central character whose personal story raises additional issues about gender, class and non-farming employment opportunities." Peter Debruge, Variety

“Films like this can change the world.” Alice Waters

“A tragedy for our times, beautifully told, deeply disturbing.” Michael Pollan


Filmmaker Micha X Peled is our guest to introduce specific screenings and participate in a FREE panel discussion exploring these issues on Sunday May 19, 8.30pm.

The panel will be moderated by Charlie Smith, Editor of the  Georgia Straight.

Panelists include:

Tzeporah Berman, Environmental activist and author of This Crazy Time,  . Considered "Canada's Queen of Green."-Readers Digest, Tzeporah Berman has been successfully designing and managing green campaigns for nonprofits for the last two decades, leading Bill McKibben to call her "a modern environmental hero."  She currently works as a strategic advisor for dozens of environmental organizations, First Nations and philanthropic advisors on clean energy, oilsands and pipelines.  She is the former co-director of Greenpeace International's Global Climate and Energy Program,  Executive Director and Co-founder of PowerUp Canadaand Co-founder and Campaign Director of ForestEthics.

Gerardo Otero is Professor of sociology and an associated professor of the School of International Studies at Simon Fraser University. His latest edited book is Food for the Few: Neoliberal Globalism and Biotechnology in Latin America (University of Texas Press, 2008, reissued in paperback in 2010), which is forthcoming in Spanish as La dieta neoliberal. His latest article, “The Neoliberal Food Regime in Latin America,” was published in the Canadian Journal of Development Studies in 2012. In co-authorship with Gabriela Pechlaner and Efe Can Gürcan, he has a forthcoming article September 2013 in Rural Sociology: “The political economy of ‘food security’ and trade: uneven and combined dependency.”

Micha X Peled has made documentaries for broadcasters in the USA, Britain, France and Germany, winning over 20 awards along the way. His films were released theatrically in the U.S., Europe and Japan, and on DVDs in eight languages (officially). Micha made his first film in 1992, when his mother sent him the manuscript of her life story, which became Will My Mother Go Back to Berlin? When celebrated Los Angeles Times critic Charles Champlin wrote “it’s a damn good movie,” Micha believed him, quit his job to become a fulltime filmmaker, and never looked back. Not that it was all smelling the roses – he got out of Iran shortly before being exposed for filming illegally, in China his crew was arrested and his footage confiscated, and his shoot in Bombay’s central train station was cancelled when a terrorist group started shooting first. In New York the audience shouted, “Traitor” at the premier of You, Me, Jerusalem, which he co-directed with a Palestinian filmmaker. His Globalization Trilogy began in the U.S. with Store Wars: When Wal-Mart Comes to Town about a small town fighting to keep out the world’s largest retailer. It was followed by China Blue, the story of a teenage Chinese girl who leaves her village to get a job in a jeans factory and descends into sweatshop hell. After a fiction short, Delinquent, he completed the final film in the trilogy, Bitter Seeds. The film looks at the farmers' suicide crisis in India, through the story of one farmer who grows cotton exported to China's garment factories.

 

Vancity Theatre Screening

Classified PG. Under-19s welcome with adult accompaniment.

Perhaps you remember Tilikum? The killer whale was a star attraction at Oak Bay, British Columbia’s Sealand of the Pacific park from 1983 to 1992 - when he was shipped out to SeaWorld in Orlando, Florida. The sale took place shortly after the tragic death of a trainer, Keltie Byrne, who slipped and fell into the pool. Although Tilikum was officially exonerated from the death, eye-witnesses tell a very different story. And as filmmaker Gabriela Cowperthwaite discovered, this was not to be the last human death associated with the bull orca.

"Blackfish has the capacity to stand the test of time as a gripping documentary synonymous with changing the way people see both killer whales and the multi-billion dollar industry that continues to exploit killer whales as playful tourist attractions" Daniel Pratt, exclaim

"A mesmerizing psychological thriller with a bruised and battered killer whale at its center." Variety

"Has the potential to take our society on the first step in the right direction." Alex Koehne, Twitch

Vancity Theatre Screening

Opening Night supported by First Weekend Club. Come early to enjoy a reception, Siobhan Devine's Vancouver-made short film OMG (starring Gabrille Rose and Matreya Fedor, and a post screening Q&A with director Sean Garrity.

At 41, Nicole is at a point in her life when she is asking is this all there is - or whether she still has more to offer? One day she gets a letter from an anonymous observer who seems to know her daily habits intimately. More than that - he seems to intuit a potential Nicole herself has buried deep inside. He has a plan for her, if she is interested… And so begins a dance that is by turns adventurous, romantic, erotic, reckless and potentially disastrous.

“The plot will creep under your skin and raise your pulse.”

Chris Knight, The National Post

"Tightly crafted… very gripping with a fabulous performance by Michelle Giroux." Brian D Johnson, City TV

“Garrity fashions something tense, steely, and affecting out of a premise that might’ve yielded an erotic fantasy if the events here weren’t so rooted.” Jason Anderson, The Grid

Vancity Theatre Screening

Critics have been pulling out comparisons to the Coens for this lean, mean revenge thriller, a scintillating debut by writer-director Jeremy Saulnier (it’s currently 100% Fresh on Rotten Tomatoes). Living a seemingly pointless existence, Dwight suddenly snaps into action when he learns of the imminent release of state prisoner, Will Cleland. With a score to settle he returns to his home town, swapping the big blue for bloodshed. Delighting lovers of genre film and American Indie, Blue Ruin’s filmmaking is clean and efficient but the killing isn’t. Thrilling, devastating and even humiliating at times, Dwight’s plight manages to hit the sweet spot between idiot and amateur, predator and prey.

"Easily the most suspenseful American film of the year, a thriller that feels like lightning across a quiet night sky; sudden, terrifying, and excitingly singular." Gabe Toro, The Playlist

"Intelligent and thrilling. Recalls the dark wit of the Coens." 4 stars Total Film

"A feral and staggeringly well-conceived revenge saga." David Ehrlich, Film.com

Vancity Theatre Screening

A bluegrass musician and his wife learn their young daughter has cancer in Felix van Groeningen’s masterful evocation of the power of music to convey both joy and sadness. "An immaculately observed, desperately moving story of love, loss, and bluegrass music…"—Indiewire

"Innately understands that sorrow truthfully communicated and shared can be cathartic, rather than depressing." Jessica Kiang, The Playlist

"A gloriously devastating bluegrass masterpiece… Something of a miracle…. Earnest, warm and utterly human." Kurt Halfyard, Twitch

"Intensely moving." David Rooney, Hollywood Reporter

(Cesare deve morire)
Vancity Theatre Screening

Filmed in a documentary style in Rome’s high security Rebibbia prison, the movie chronicles a production of Shakespeare’s Julius Caesar performed by the inmates just a few miles from where the Roman emperor was assassinated. The actors are real life murderers, mafiosi and drug dealers, and their performances slip subtly between Shakespeare’s text and their own contemporary argot, blurring the lines (literally) between past and present, art and life… But complicating things even further, the Tavianis scripted everything, off-stage as well as on, so what we take for "reality" is every bit as artificial as the play itself - and just as true.

Shakespeare’s “Julius Caesar” usually runs about two-and-a-half hours uncut. Italian directors Paolo and Vittorio Taviani’s tale of a prison-based production of the classic runs 74 minutes. Yet the film gets on screen not only the play’s bloody, double-dealing, hungry essence, but the redemptive potential of art […] Such is literature’s power that the cast is more at ease portraying ancient Romans than speaking as versions of themselves. Muses the man playing Julius Caesar, “To think I found this so boring in school.” Farrah Smith Nehme, New York Post

"At once ancient and dangerously new." Anthony Lane, New Yorker

Vancity Theatre Screening

This wildly funny and original Vancouver satire focusses on a corrupt local politician with a strange neural complaint: he believes he’s the subject of a reality TV show (even though no one else can see the cameraman who dogs his every move).

“"Movies about movies" are tricky ground, but there are very few missteps here. The humor is pitch black, and had me laughing constantly.” —Zack Mosely, Quiet Earth

Vancity Theatre Screening

In one of her most profound performances Juliette Binoche plays sculptress Camille Claudel some years after she has been committed to an asylum by her family. Pinning her hopes on a longed-for visit from her brother, Camille enjoys a degree of trust and respect from the nuns, but her composure is fragile, and she remains bitter and paranoid when the subject of her old lover Auguste Rodin comes up. Most tragically of all, she refuses to return to her work. Dumont’s film is restrained, sometimes harrowing, but singularly authentic and deeply felt - an experience you will not soon forget.

“I wait for each new film by Luc and Jean-Pierre Dardenne, Abbas Kiarostami, Claire Denis and Bruno Dumont. I enjoy all sorts of films, but those are the people that really interest me. I admire the Dardenne brothers tremendously, but I feel closest, in my work, to Dumont. Dumont’s films are basically existential works, philosophical films, not political ones. I think of my own films that way.” Michael Haneke (Amour).

"A mesmerizingly intense yet controlled lead by Juliette Binoche." Jonathan Romney, Screen International

"Heartbreaking." Guy Lodge, Variety

Pages