A man (played by avant garde filmmaker James Benning), father of two sons by two wives, calls his fractured family to his disheveled home. He informs them of his state of health, and requests their help in committing suicide. The film reveals the impact on the family as they confront their father/husband. The means by which this evoked is visual and poetic, expressed tonally rather than as plot.
American filmmaker Jon Jost is an uncompromising artist whose work stands apart not only from the Hollywood mainstream, but also from the off-Hollywood pseudo-independent sector. Jost has been remarkably prolific since switching from 35mm film to digital video in the late 90s - his website lists 20 feature length works in as many years. Distribution of this late work has been piecemeal at best, but judging by the two films we are screening this evening it deserves to be widely seen, enjoyed, and discussed. Both are narrative features, and even if Jost employs very different storytelling strategies from those we are used to these remain direct, accessible portraits of the emotional landscape in the American heartlands, distilled and dissected with singular clarity and insight. We are delighted to welcome Jon Jost to VIFF Vancity Theatre for these shows and acknowledge the support of Cineworks.
In the tradition of Crouching Tiger, Hidden Dragon, Hero, and The Grandmaster, The Assassin is a martial arts movie recalibrated as an exquisite work of art. It is the Tang Dynasty: 10-year-old Nie Yinniang is abducted by a nun who initiates her into the martial arts. One day, she is sent back by her mistress to the land of her birth, with orders to kill the man to whom she was promised. "Heart-stoppingly beautiful." Robbie Colin, Daily Telegraph
The night of September 26, 2014, in the city of Iguala, Guerrero, in Mexico, more the 100 young students were attacked by police forces, resulting in 3 students dying, more then 20 injured, and 43 kidnapped by the police. The Mexican military is also implicated in this crime. In their testimony two student survivors of the Iguala massacre reconstruct the climate of impunity, corruption, and criminality that exists, not only in the state of Guerrero but in the entire country. Copresented with Solidaridad con Ayotzinpa Vancouver/Vancouver Solidarity with Ayotzinapa