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Isabelle Clark and Daniel Costelle

Vancity Theatre Screening
Director: Isabelle Clark and Daniel Costelle

It was the "War to End All Wars", a global conflict with obscure causes and no great gains that claimed the lives of nearly 20 million soldiers and civilians. This monumental documentary uses expertly colorized archival footage to bring WWI to life with unprecedented immediacy and impact. Unfolding in five 52-minute episodes, packaged here in double bills, Apocalypse is a landmark commemoration of a vast man-made catastrophe.

Producer Josette D Normandeau will join us to introduce these special screenings, and participate in two panel discussions over the weekend.

Tickets are available for programs of two episodes back to back at our standard prices, or as a $21 ticket pack for all 5 episodes. Panel discussions are free on a first-come, first-served basis.

Friday June 13

6.30 Apocalypse FURY + Apocalypse FEAR 

Sat 14

1.30 Apocalypse FURY + Apocalypse FEAR followed by 1 hr break

4.30 Apocalypse HELL + Apocalypse RAGE

7.00-8.30 Panel: Cinema, War, Commemoration, Memory and the Archive

8.45 Apocalypse DELIVERANCE

Sun 15

5.00 Apocalypse HELL + RAGE

7.00 Panel: History Now: New Media and the Ever Present Past

8.30 Apocalypse DELIVERANCE

Saraswati Clere

Director: Saraswati Clere

The untold story of how the ancient male practice of yoga has been revolutionized by a dynamic generation of female teachers and students. Yogawoman reveals how yoga has utterly transformed the lives of thousands of over-stimulated, overscheduled, and multitasking modern women, and how they in turn have "feminised" yoga itself.

Ethan Coen

Coenpalooza!
Director: Ethan Coen

New Year’s Eve, 1958. What brings mailroom boy Norville Barnes to the very edge of suicide? An enormous stroke of luck seems to be the correct answer. When CEO and founder Warring Hudsucker (Charles Durning takes a dive from his office window), corporate honcho Sidney J Mussburger (Paul Newman) seizes the moment and sizes up Norville for an astronomical promotion.

"Criminally overlooked and sinfully wonderful Coen brothers comedy." Scott Weinberg, efilmcritic

Coenpalooza!
Director: Ethan Coen

Some film only get better the more you see them - and this may be the best time Hollywood has given us in the last 20 years. It’s a whacky, warped slacker generation riff on Raymond Chandler, a shaggy dog story which delights in going sideways at every turn. Jeff Bridges is the Dude, and what he really wants is to get his rug back…

Coenpalooza!
Director: Ethan Coen

Career criminal H.I. McDonnaugh (Nic Cage) marries police woman Ed (Holly Hunter), but sadly her womb is a barren place. Hi resolves to make off with one of the quintuplets born to local furniture tycoon Nathan Arizona - after all, how many babies does he need, really?

Coenpalooza!
Director: Ethan Coen

What’s the rumpus? The Coens’ riff on Dashiell Hammett is one of their most flavourful achievements, an intricate, complex and compelling study of integrity among thieves set in the ethically compromised world of civic politics in the Prohibition era.

"A superb, languid fantasia on the theme of the gangster film that repays endless viewing." David Thomson, Have You Seen…?

"Maybe the greatest motion picture of the last 20 years." Jim Emerson, Scanners (2007)

"Elegantly profound, it’s a meditation on what doing the right thing might mean, with a spookily good, career-best performance from Byrne." Tim Robey, Daily Telegraph

Coenpalooza!
Director: Ethan Coen

A curtain-raiser for tomorrow’s Coen Bros marathon: the brothers’ first movie, a delectably twisted film noir set in modern day (well, mid 80s) Texas, where Marty (Hedaya) doesn’t much care for the fact that his wife Abby (McDormand) is playing around behind his back. This is one of the great debut films, bursting with malicious wit and style, with an unforgettable performance from character actor M Emmett Walsh as a private dick with a very personal notion of ethics.

"It’s the boys’ most immediately gratifying movie: The goods are delivered in a hearse." Wesley Morris, San Francisco Examiner

"A tight, beautifully ugly neo-noir classic." Kim Morgan, Portland Oregonian

"As black, sinful and nasty as a weekful of Hitchcocks, this is as fresh and intoxicating now as it was back then. In a word: deadly." Ian Nathan, Empire

Coenpalooza!
Director: Ethan Coen

“I gotta tell you, the life of the mind… There’s no roadmap for that territory… And exploring it can be painful.” John Turturro gives what may be the definitive portrait of a blocked - but still unbearably pompous - writer in this insider satire on Hollywood culture.

Joel Coen

Coenpalooza!
Director: Joel Coen

New Year’s Eve, 1958. What brings mailroom boy Norville Barnes to the very edge of suicide? An enormous stroke of luck seems to be the correct answer. When CEO and founder Warring Hudsucker (Charles Durning takes a dive from his office window), corporate honcho Sidney J Mussburger (Paul Newman) seizes the moment and sizes up Norville for an astronomical promotion.

"Criminally overlooked and sinfully wonderful Coen brothers comedy." Scott Weinberg, efilmcritic

Coenpalooza!
Director: Joel Coen

Some film only get better the more you see them - and this may be the best time Hollywood has given us in the last 20 years. It’s a whacky, warped slacker generation riff on Raymond Chandler, a shaggy dog story which delights in going sideways at every turn. Jeff Bridges is the Dude, and what he really wants is to get his rug back…

Coenpalooza!
Director: Joel Coen

Career criminal H.I. McDonnaugh (Nic Cage) marries police woman Ed (Holly Hunter), but sadly her womb is a barren place. Hi resolves to make off with one of the quintuplets born to local furniture tycoon Nathan Arizona - after all, how many babies does he need, really?

Coenpalooza!
Director: Joel Coen

What’s the rumpus? The Coens’ riff on Dashiell Hammett is one of their most flavourful achievements, an intricate, complex and compelling study of integrity among thieves set in the ethically compromised world of civic politics in the Prohibition era.

"A superb, languid fantasia on the theme of the gangster film that repays endless viewing." David Thomson, Have You Seen…?

"Maybe the greatest motion picture of the last 20 years." Jim Emerson, Scanners (2007)

"Elegantly profound, it’s a meditation on what doing the right thing might mean, with a spookily good, career-best performance from Byrne." Tim Robey, Daily Telegraph

Coenpalooza!
Director: Joel Coen

A curtain-raiser for tomorrow’s Coen Bros marathon: the brothers’ first movie, a delectably twisted film noir set in modern day (well, mid 80s) Texas, where Marty (Hedaya) doesn’t much care for the fact that his wife Abby (McDormand) is playing around behind his back. This is one of the great debut films, bursting with malicious wit and style, with an unforgettable performance from character actor M Emmett Walsh as a private dick with a very personal notion of ethics.

"It’s the boys’ most immediately gratifying movie: The goods are delivered in a hearse." Wesley Morris, San Francisco Examiner

"A tight, beautifully ugly neo-noir classic." Kim Morgan, Portland Oregonian

"As black, sinful and nasty as a weekful of Hitchcocks, this is as fresh and intoxicating now as it was back then. In a word: deadly." Ian Nathan, Empire

Coenpalooza!
Director: Joel Coen

“I gotta tell you, the life of the mind… There’s no roadmap for that territory… And exploring it can be painful.” John Turturro gives what may be the definitive portrait of a blocked - but still unbearably pompous - writer in this insider satire on Hollywood culture.

Jem Cohen

Vancity Theatre Screening
Director: Jem Cohen

When a Vienna museum guard befriends an enigmatic visitor, the grand Kunsthistorisches Art Museum becomes a mysterious crossroads which sparks explorations of their lives, the city, and the ways artworks reflect and shape the world.

"On the one hand a sad, poignant character study, "Museum Hours" is also a treatise on art history and a love letter to architectural wonder. A-" Eric Kohn, Indiewire

"Engaginly offbeat… Cerebral stuff, but delivered with warmth, wit and quiet confidence." Stephen Dalton, Hollywood Reporter

"Delightfully accessible…filled with gently moving wit." Ken Eisner, Georgia Straight

Vancity Theatre Screening
Director: Jem Cohen

When a Vienna museum guard befriends an enigmatic visitor, the grand Kunsthistorisches Art Museum becomes a mysterious crossroads which sparks explorations of their lives, the city, and the ways artworks reflect and shape the world.

"On the one hand a sad, poignant character study, "Museum Hours" is also a treatise on art history and a love letter to architectural wonder. A-" Eric Kohn, Indiewire

"Engaginly offbeat… Cerebral stuff, but delivered with warmth, wit and quiet confidence." Stephen Dalton, Hollywood Reporter

"Delightfully accessible…filled with gently moving wit." Ken Eisner, Georgia Straight

Gia Coppola

Vancity Theatre Screening
Director: Gia Coppola

Based on James Franco’s short stories, Palo Alto marks the directorial debut of Gia Coppola, granddaughter of Francis and niece of Sofia. It’s the latter who seems to have exerted the most immediate influence. A shimmering, limpid film about California teens coasting towards they know not what, Palo Alto may not break new territory but it certainly surveys the landscape with fresh insight and humanity.

"A knockout." Gavin Smith, Film Comment

Palo Alto is one of the best movies ever made about high school life in America , blurring the lines between how unique it is to be a teenager, and how universal it is to feel like one." David Ehrlich, Film.com

"The best feature film directed by someone named Coppola in a number of years." Todd McCarthy, Hollywood Reporter

Don Coscarelli

Vancity Theatre Screening
Director: Don Coscarelli

Elvis lives! Well, if a nursing home in east Texas can be called "living". With his buddy JFK (Ossie Davies) by his side, the King fights off an ancient Egyptian mummy and gets his mojo back. Don Coscarelli’s cult comedy maybe out to lunch in the story department, but it’s also endearingly serious about Elvis, decrepitude, and the horrors of institutionalized care.

"It has the damnedest ingratiating way of making us sit there and grin at its harebrained audacity, laugh at its outhouse humor, and be somewhat moved (not deeply, but somewhat) at the poignancy of these two old men and their situation."—Roger Ebert, Chicago Sun-Times

Petra Costa

Vancity Theatre Screening
Director: Petra Costa

This dreamy, lyrical work is both a love letter and a suicide note, a tone poem created by Brazilian fillmmaker Petra Costa in mourning for her older sister Elena, an actress and dancer who moved to New York in search of a stardom that eluded her — despite the radiant fragments collated here.

"With its free-floating imagery, Elena unfolds like a cinematic dream whose central image is water, which symbolizes the washing away of grief."Stephen Holden, The New York Times

 

“Filmmaking at its finest. Stunningly beautiful, achingly emotional … A mesmerizing, artful and emotional piece of filmmaking that consistently surprises and awes.”The Playlist/IndieWire

 

Ben Cotner

Vancity Theatre Screening
Director: Ben Cotner

A behind-the-scenes look inside the case to overturn California’s ban on same-sex marriage. Shot over five years, the film follows the unlikely team that took the first federal marriage equality lawsuit to the U.S. Supreme Court.

"The stirring new documentary The Case Against 8, showcasing the lawyers and plaintiffs who challenged California’s 2008 gay marriage ban, is the best kind of popular history, a film that trembles with tears and hope, and I dare you to get through it without bawling some yourself."—Alan Scherstuhl, Village Voice

“Cotner and White’s handling of a hugely divisive topic is masterful ... Regardless of where you fall on the political spectrum, The Case Against 8 is essential viewing.”—National Post

"The film fascinates in part because the legal team behind the couples—and the American Foundation for Equal Rights that supported them—included Republican stalwart Ted Olson and Democrat David Boies, who had squared off in the famous Bush vs. Gore case, the 2000 battle over whether there should be a recount in Florida. Here they’re warm and toasty together and passionately committed to a progressive cause.”—Now magazine

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