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Joel Coen

Coenpalooza!
Director: Joel Coen

Some film only get better the more you see them - and this may be the best time Hollywood has given us in the last 20 years. It’s a whacky, warped slacker generation riff on Raymond Chandler, a shaggy dog story which delights in going sideways at every turn. Jeff Bridges is the Dude, and what he really wants is to get his rug back…

Coenpalooza!
Director: Joel Coen

Career criminal H.I. McDonnaugh (Nic Cage) marries police woman Ed (Holly Hunter), but sadly her womb is a barren place. Hi resolves to make off with one of the quintuplets born to local furniture tycoon Nathan Arizona - after all, how many babies does he need, really?

Coenpalooza!
Director: Joel Coen

What’s the rumpus? The Coens’ riff on Dashiell Hammett is one of their most flavourful achievements, an intricate, complex and compelling study of integrity among thieves set in the ethically compromised world of civic politics in the Prohibition era.

"A superb, languid fantasia on the theme of the gangster film that repays endless viewing." David Thomson, Have You Seen…?

"Maybe the greatest motion picture of the last 20 years." Jim Emerson, Scanners (2007)

"Elegantly profound, it’s a meditation on what doing the right thing might mean, with a spookily good, career-best performance from Byrne." Tim Robey, Daily Telegraph

Coenpalooza!
Director: Joel Coen

A curtain-raiser for tomorrow’s Coen Bros marathon: the brothers’ first movie, a delectably twisted film noir set in modern day (well, mid 80s) Texas, where Marty (Hedaya) doesn’t much care for the fact that his wife Abby (McDormand) is playing around behind his back. This is one of the great debut films, bursting with malicious wit and style, with an unforgettable performance from character actor M Emmett Walsh as a private dick with a very personal notion of ethics.

"It’s the boys’ most immediately gratifying movie: The goods are delivered in a hearse." Wesley Morris, San Francisco Examiner

"A tight, beautifully ugly neo-noir classic." Kim Morgan, Portland Oregonian

"As black, sinful and nasty as a weekful of Hitchcocks, this is as fresh and intoxicating now as it was back then. In a word: deadly." Ian Nathan, Empire

Coenpalooza!
Director: Joel Coen

“I gotta tell you, the life of the mind… There’s no roadmap for that territory… And exploring it can be painful.” John Turturro gives what may be the definitive portrait of a blocked - but still unbearably pompous - writer in this insider satire on Hollywood culture.

Jem Cohen

Vancity Theatre Screening
Director: Jem Cohen

When a Vienna museum guard befriends an enigmatic visitor, the grand Kunsthistorisches Art Museum becomes a mysterious crossroads which sparks explorations of their lives, the city, and the ways artworks reflect and shape the world.

"On the one hand a sad, poignant character study, "Museum Hours" is also a treatise on art history and a love letter to architectural wonder. A-" Eric Kohn, Indiewire

"Engaginly offbeat… Cerebral stuff, but delivered with warmth, wit and quiet confidence." Stephen Dalton, Hollywood Reporter

"Delightfully accessible…filled with gently moving wit." Ken Eisner, Georgia Straight

Vancity Theatre Screening
Director: Jem Cohen

When a Vienna museum guard befriends an enigmatic visitor, the grand Kunsthistorisches Art Museum becomes a mysterious crossroads which sparks explorations of their lives, the city, and the ways artworks reflect and shape the world.

"On the one hand a sad, poignant character study, "Museum Hours" is also a treatise on art history and a love letter to architectural wonder. A-" Eric Kohn, Indiewire

"Engaginly offbeat… Cerebral stuff, but delivered with warmth, wit and quiet confidence." Stephen Dalton, Hollywood Reporter

"Delightfully accessible…filled with gently moving wit." Ken Eisner, Georgia Straight

Gabriela Cowperthwaite

Vancity Theatre Screening
Director: Gabriela Cowperthwaite

In the first of a new series of environmental films copresented with Sea Shepherd, Vancity Theatre is proud to bring back one of our biggest hits from last year, the powerful expose of how orcas fare in captivity in aquatic parks like SeaWorld. One of those movies credited with changing hearts and minds, Blackfish is an unforgettable film. This screening will be introduced by special guests.

Vancity Theatre Screening
Director: Gabriela Cowperthwaite

Classified PG. Under-19s welcome with adult accompaniment.

Perhaps you remember Tilikum? The killer whale was a star attraction at Oak Bay, British Columbia’s Sealand of the Pacific park from 1983 to 1992 - when he was shipped out to SeaWorld in Orlando, Florida. The sale took place shortly after the tragic death of a trainer, Keltie Byrne, who slipped and fell into the pool. Although Tilikum was officially exonerated from the death, eye-witnesses tell a very different story. And as filmmaker Gabriela Cowperthwaite discovered, this was not to be the last human death associated with the bull orca.

"Blackfish has the capacity to stand the test of time as a gripping documentary synonymous with changing the way people see both killer whales and the multi-billion dollar industry that continues to exploit killer whales as playful tourist attractions" Daniel Pratt, exclaim

"A mesmerizing psychological thriller with a bruised and battered killer whale at its center." Variety

"Has the potential to take our society on the first step in the right direction." Alex Koehne, Twitch

Emanuele Crialese

Italian Film Festival
Director: Emanuele Crialese

When an elderly Sicilian fisherman rescues a boatload of African immigrants, he must decide whether to do what the law demands or what he knows to be right. A political powder keg sparks intense drama in Emanuele Crialese’s compelling and relevant piece of humanist filmmaking.

"Crialese is a sentimentalist at heart, but a fine one, and his compassion for the wretched of the earth is thrillingly amped by the movie’s ecstatic imagery. Like his neo-realist forebears before him, the director turns everyday activities and furtive acts — tending to a rotting boat, beating desperate refugees away from a tiny vessel, the tender ablutions of those same refugees on the shore — into a theater of danger, cruelty and sensual delight." Ella Taylor, NPR

"A stirring commentary on our better angels." Gary Goldstein, LA Times

Ana Lucia Cuevas

After Effects: Guatemala and El Salvador
Director: Ana Lucia Cuevas

A moving, thought-provoking and rare documentary by a Latin American woman, recording her return from exile and into the still dangerous and volatile political environment of contemporary Guatemala. Where over the course of four years, writer-director Ana Lucia Cuevas discovers, through the archived records of the perpetrators of the crimes themselves, the involvement of her own government and foreign Intelligence Services in the abduction, torture and murders of her brother and his young family.

"A powerful, personal story of state-sponsored terror in Guatemala and the lasting effects it has had on families, “The Echo of Pain of the Many” is a timely testament to the brave, untiring efforts of Guatemalans to demand justice and dent the country’s long-standing veil of impunity." Guatemala Solidarity Network

Anca Damian

Vancity Theatre Screening
Director: Anca Damian

When Claudiu Crulic, a young Romanian in Poland, was arrested for a crime he didn’t commit, he became a pawn in a Kafkaesque miscarriage of justice and went on a hunger strike to protest his treatment in jail. Anca Damian’s documentary is by turns chilling and heartbreaking, and also ironic, with black humour forcing through.

Crulic himself “narrates” the film posthumously, his words voiced by Vlad Ivanov, star of such Romanian New Wave titles as Police, Adjective and 4 Months, 3 Weeks and 2 Days—but what makes this extraordinary documentary even more compelling is its strong visual style: Damian uses handdrawn, cutout, and collage animation techniques to create a strikingly memorable film

"Technically a documentary, this brilliant medley of animation and cutouts, with slivers of live action tossed in, is creative interpretation at its most sublime. Crulic has a distinctly Eastern European dry humor, manifest in the drawings and in the rapid, highly detailed voiceovers (mostly in Romanian, with a few observational points made in English)…. Telling a tragic true story with almost lighthearted animation techniques is a brilliant choice that pays off." Howard Feinstein, Filmmaker

"Lean, astute… the variety of animation techniques - hand-drawn, cutout, stop-motion, and collage - indelibly convey the bureaucratic horrors the young man faced." Melissa Anderson, Village Voice

"Visually stunning… Magnificent." Anja Savic, Vancouver Weekly

Destin Daniel Cretton

Vancity Theatre Screening
Director: Destin Daniel Cretton

Grace (a breakthrough performance from former child star Brie Larson) is a twenty- something supervisor at a foster-care facility for at-risk teenagers. Passionate and tough, Grace is a formidable caretaker of the kids in her charge – and in love with her long-term boyfriend and co-worker, Mason (John Gallagher Jr.) One of the most acclaimed American films of the year, Short Term 12 may sound earnest in outline, but it looks and feels vividly true - not surprising, when you learn that writer-director Destin Cretton worked for two years in just such a care facility in San Diego.

100% Fresh, Top Critics, Rotten Tomatoes

"It’s one of the best movies of the year and one of the truest portrayals I’ve ever seen about troubled teens and the people who dedicate their lives to trying to help them." Richard Roeper, Chicago Sun-Times

"A compact masterpiece of storytelling that brims equally with ambition and humility. It is, by a wide margin, the best film I have seen so far this year." Christopher Orr, The Atlantic

Emma Davie

The Best of Hot Docs
Director: Emma Davie


TICKET PACKS
* VIFC Guest + Volunteer Passes are not valid for Best Of Hot Docs Series

A film about the thin space between life and death, this is the story of Neil Platt, whose perfectly ordinary, very happy existence was turned upside down when he developed ALS. Within one year Neil became paralysed from the neck down. As his body failed, he tried to make sense of his life and communicate in a letter meant for his one-year-old son.

"Among the year’s most moving films." Neil Young, Hollywood Reporter

"Alternately heartbreaking and disarmingly sardonic." Basil Tsiokos, Indiewire

Vittorio De Sica

(Ieri, oggi, domani)
Italian Film Festival
Director: Vittorio De Sica

A sparklingly original comedy that casts Marcello Mastroianni and Sophia Loren in three different stories set throughout Italy. In Naples, they are poor but resourceful, selling black market cigarettes on the streets. In Milan, Loren is costumed in Christian Dior and debates her preference for a Rolls Royce or her husband. And in Rome, Mastroianni is an industry scion who helps Loren’s prostitute set a wavering priest back onto the spiritual plane. Witty and unforgettable, this gem from master filmmaker Vittorio de Sica (Two Women, Marriage Italian Style) is picture-postcard beautiful and effortlessly hilarious.

Johanna Demetrakas

IBFF 2013 Vancouver (International Buddhist Film Festival)
Director: Johanna Demetrakas

Chogyam Trungpa, renowned Tibetan Buddhist leader, shattered notions about how an enlightened teacher should behave when he renounced his monk’s vows & eloped with a sixteen year-old aristocrat. Twenty years after his death, Trungpa’s name still evokes admiration and outrage. What made him tick? And just what is enlightenment, anyway?

Jacques Demy

DEMY MONDE: The Cinema of Jacques Demy
Director: Jacques Demy

Lola in LA, Demy’s first (and only) Hollywood movie improves with age. Gary Lockwood is the aimless young architect who falls under the spell of a French photographic model (Anouk Aimee). "A marvel of tone and decor…forges the impossible bridge between Quentin Tarantino’s in-jokey cinematic universe of intertwined characters and events, and the recently-completed Before trilogy of Richard Linklater, Julie Delpy, and Ethan Hawke." Next Projection

"A marvel of tone and decor…forges the impossible bridge between Quentin Tarantino’s in-jokey cinematic universe of intertwined characters and events, and the recently-completed Before trilogy of Richard Linklater, Julie Delpy, and Ethan Hawke." Next Projection

"One of the great movies about LA." Geoff Andrew, Time Out Film Guide

DEMY MONDE: The Cinema of Jacques Demy
Director: Jacques Demy

During a workers’ strike in Nantes in 1955, steel worker François Guilbaud rents a room from a sympathetic widow. He has a pregnant girlfriend but falls out of love with her when he meets Edith Leroyer, a beautiful, working class girl who is unhappily married to a rich but impotent and neurotic merchant. Edith likes to walk around town naked with only a fur coat on, as a tarot card reader told her she would find love with a passing sailor. Every line of dialogue is sung.

"This unheralded latter-day masterpiece has been infuriatingly hard to see since its fleeting theatrical release in France. [Michel Colombier’ contributes a wall to wall score often staggering in its intensity and romantic longing." Mondo Digital

"A masterly effort to understand what is profound, what lies beneath, life’s melody." Armond White, New York Film Critics Choice

"Une chambre en ville is unquestionably a daring experiment in cinematic form, and possibly the most honest and revealing of all Demy’s films." Jamie Travers, French Film Guide

(Les parapluies de Cherbourg)
DEMY MONDE: The Cinema of Jacques Demy
Director: Jacques Demy

Demy’s first fully-fledged musical is a simple love story in which a shop girl (Catherine Deneuve, in her first major role) pledges herself to a mechanic, but marries another after he goes off to the Algerian war, leaving her pregnant. The script is entirely sung – you could even call it a soap opera. And like the best opera, it’s absolutely overwhelming.

"Surely one of the most romantic films ever made." AO Scott, New York Times

"With this most rapturous of melodramas Demy incorporates song and dance in the service not of escape but of realism. The effect is as riveting as it is profoundly moving." Joshua Klein, 1001 Movies You Must See Before You Die

(Les jeunes filles du Rochefort)
DEMY MONDE: The Cinema of Jacques Demy
Director: Jacques Demy

Emboldened by the success of The Umbrellas of Cherbourg, Demy determines to repeat the trick, on a grander scale, but in a lighter, more joyful vein, with virtually non-stop dancing, sisters Deneuve and Dorleac, George Chakiris, and even Gene Kelly himself. Miraculously, The Young Girls of Rochefort transcends its elaborate design to surprise and entrance. It’s one of the most sublime musicals you will ever see.

"Masterpiece. My favourite musical." Jonathan Rosenbaum, Chicago Reader

"Nothing rivals the musical in its ability to externalise emotions like love, longing and ecstatic joie de vivre… for Demy’s lovers, there really is heaven on earth." Geoff Andrew, Defining Moments in Movies

"The movie equivalent of finest vintage Champagne." Trevor Johnston, 1000 Films to Change Your Life

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