A hitman for the Sicilian Mafia, Salvo is solitary, cold and ruthless. When he sneaks into a house on an assignment, he discovers Rita, an innocent young blind girl who must stand by powerlessly while her brother is assassinated. What follows is an intense exchange fueled by adrenaline and fear between the killer and his witness, one that changes their two lives in an instant. The darkness is lifted from Rita’s eyes just as Salvo decides, against his murderous instincts, to spare her life. From then on, both haunted by their brief encounter, these two damaged souls will attempt to navigate their dangerous next steps side by side.
“Moody… fully immersive… effortlessly intense.” Boyd van Hoeij, Variety
"A soulful romance, an existential action flick and something of a miracle movie - the appealing slow-burner "Salvo" hovers at the crossroads of genre." Manohla Dargis, The New York Times
"A sparse and languid Italian thriller that carries a debt to Melville." David Parkinson, Empire
Marking the 40th Anniversary of the release of this solid gold classic with a restored DCP screening, this is a rare chance to see one of the most acclaimed Hollywood movies of the last half century on the big screen. Jack Nicholson is LA private eye Jake Gittes, a two-bit snoop who stumbles on a crime (and a crook) so large it could be the last thing he ever learns.
"Flawless" Philip French, The Observer
"Unmissable." Peter Bradshaw, The Guardian
"Unforgettable." Neil Smith, Total Film
Fifteen years and 9 Antarctic winters in the making, Powell’s film gives a glimpse into what it is like to spend a full year living and working in the harshest place on the planet, presenting a never-before-seen insider’s view of the frozen south. It’s a dazzling movie, but never more so than in long, endless nights of the Antarctic winter, when the sun never rises, time stands still, and the aurora australis puts on a private show of heavenly dimensions. "An extraordinary achievement that reinvigorates our sense of wonder about the natural world." NZ Herald
You’ll think twice before using that overworked word “awesome” again after seeing Anthony Powell’s film […] There are moments when what Powell’s cameras have captured will bring you to tears. Which is why you need to see it in the dark, on a big screen." Helene Wong, The NZ Listener