Arguably the most popular building site in the world, the Sagrada Familia cathedral in Barcelona is still a work in progress, 125 years after the first stones were laid. Designed by the controversial Catalan genius Antonio Gaudi, the Sagrada is a testament to Faith ... Faith in God, in the natural forms that so inspired the architect, and also in man, for Gaudi always knew this work would have to be completed long after his life-time.
"This film is more than a documentary, it tells the story using beautiful and quiet images of the transformation of ideas, talks of human endeavour for perfection and in so doing, illustrates that the essential meaning of this edifice lies in its creation process and not only in its completion.
This creative process is illustrated in varying perspectives from inside the incomplete church as well as the complex structure of the exterior parts of the church.
The film gives cause for self-reflection on how the past and present are related, portraying people and destinies involved in the construction of the church and ultimately proves that something incomplete also has its own significance."—Jury citation, Erasmus Euro Media Awards
"Both exhaustive and astounding in its detective-like exploration of the history of the impossibly ornate Catalonian house of worship."—Jackson Scarlett, 7x7SF
Two couples are devastated to learn that their children were swapped at birth six years ago. Are blood ties thicker than the bond of child rearing? This masterly, very moving drama won the Jury Prize at the Cannes Film Festival and the Audience Award at last year’s VIFF.
"Sublimely moving."—Maggie Lee, Variety
’Powered by Kore-eda’s innate restraint and natural empathy, Like Father, Like Son takes these characters to places they never expected to be. It’s unnerving for them, of course, but watching so many hearts hanging in the balance is a rare privilege for us."—Kenneth Turan, LA Times
"Kore-eda has crafted a piercing, tender poem about the bittersweet ebb and flow of paternal love, and his status as Ozu’s heir becomes ever more assured."—Robbie Collin, The Telegraph