Equal parts drama, comedy and thriller, The Landlords is a riveting film from actor-turneddirector, Edoardo Gabbriellini with a sensational cast including legendary real-life singer Gianni Morandi making a return to the big screen after 40 years. Cosimo (Valerio Mastandrea) and Elia (Elio Germano) are two young brothers dreaming of success in the construction business. They travel from Rome to a remote Apennines mountain village where they have been contracted to rebuild a villa for the retired singer Fausto Mieli, a divisive local figure who is planning a comeback concert.
Opening Night supported by First Weekend Club. Come early to enjoy a reception, Siobhan Devine's Vancouver-made short film OMG (starring Gabrille Rose and Matreya Fedor, and a post screening Q&A with director Sean Garrity.
At 41, Nicole is at a point in her life when she is asking is this all there is - or whether she still has more to offer? One day she gets a letter from an anonymous observer who seems to know her daily habits intimately. More than that - he seems to intuit a potential Nicole herself has buried deep inside. He has a plan for her, if she is interested… And so begins a dance that is by turns adventurous, romantic, erotic, reckless and potentially disastrous.
“The plot will creep under your skin and raise your pulse.”
Chris Knight, The National Post
"Tightly crafted… very gripping with a fabulous performance by Michelle Giroux." Brian D Johnson, City TV
“Garrity fashions something tense, steely, and affecting out of a premise that might’ve yielded an erotic fantasy if the events here weren’t so rooted.” Jason Anderson, The Grid
In this quirky ensemble comedy a wealthy but lonely man (Castellitto) creates his own family Christmas by writing a script and hiring professional actors to play it out. It’s the ultimate game of charades, a play for an audience of one.
* VIFC Guest + Volunteer Passes are not valid for Best Of Hot Docs Series
Filmmaker-historian Nelson George conducts a passionate archeology of funk music—the crucial bridge between ’60s soul and ’80s hip hop—replete with loving testimonials about Dayton, Ohio, and Detroit, Michigan, in their funk heydays, where in the basements of now-mythical music makers like Sly Stone and P-Funk, the funk explosion was catalyzed. With The Roots member Ahmir “Questlove” Thompson as our guide, and warm regaling from notable musicians such as Bootsy Collins, George Clinton, Sheila E. and Mike D of the Beastie Boys, we’re transported to the hippie-ish ’70s when a mad fever of savvy creativity saw the transmutation of jazz, soul and R&B into infectiously danceable funk.
"Not to spoil the ending, but director Nelson George absolutely does find the funk. 3 stars." Brad Wheeler, Globe & Mail
"A lesson every music fan should have." William Brownridge, Toronto Film Scene
Ernst Stavro Blofeld is hijacking American and Russian space shuttles, in an attempt to start a war between the two nations. Bond is sent to Japan to investigate, with the help of Tiger Tanaka, the head of station in Tokyo. Armed with over 100 trained ninjas, Bond infiltrates Blofeld’s volcano lair.
Matinee show Aug 25 (only) All Ages Show, under-19s welcome.
Evening show Aug 29 introduced by film scholar Michael van den Bos.
Roger Moore’s pick of his own Bond movies is a slick, spectacular, always fun concoction. When villain Karl Stromberg (Curt Jurgens) hijacks British and Soviet submarines, Bond is paired with Russian agent Anya Amasova (Barbarach Bach) to get to the bottom of his evil plan.
"Exceptional… Moore gives his best performance in the series… Film is a real treat - a well-acted, smartly cast, sexy, visually impressive, lavishly produced, powerfully directed mix of a spy romance and a war-mission film." Danny Peary, Guide for the Film Fanatic.
Probably inspired by the success of Star Wars, James Bond went into outer space in Moonraker, one of the most popular of the series. It’s got amazing aerial stunts, some of designer Adam’s most inspired sets, a creepy villain in Michel Lonsdale’s Hugo Drax and Richard Kiel is back as the giant, metal-toothed henchman Jaws.
"Irresistibly entertaining." Frank Rich, Time
"A minor masterpiece." James Monaco, The Connoisseur’s Guide to the Movies
"One of the most buoyant Bond films of all." Vincent Canby, New York Times
Enter Timothy Dalton, a leaner, meaner 007. Bond is assigned to protect Georgi Koskov, an ex-KGB officer who is defecting to the British. Koskov is to escape during the intermission at the Bratislava concert hall, and must be protected from a KGB sniper. Bond sets up across the street, but decides against assassinating the sniper…
"Grips like wet rope" Brian Case, Time Out
Timothy Dalton’s second (and last) Bond movie is one of the least typical but also one of the most satisfying on its own terms. It’s a revenge movie, for one thing, with Bond going AWOL to take on a ruthless Mexican drug baron (Robert Davi).
Roger Moore shows the right stuff in this slightly more realistic adventure. A ship containing an Automatic Targeting Attack Communicator (ATAC), which can control ballistic missile attacks, is sunk. Bond is sent to retrieve the ATAC before the Russians can.
Roger Moore’s seventh and final Bond movie is absurd - but how to resist a film where the baddie is an industrialist intent on destroying Silcon Valley to create a monopoly on microchip technology (Bill Gates, meet Max Zorin)?
"A View to a Kill, is an especially satisfying encounter. Opening with a breathtaking ski chase in Siberia, A View to a Kill is the fastest Bond picture yet. Its pace has the precision of a Swiss watch and the momentum of a greyhound on the track. There is a spectacular chase up and down the Eiffel Tower and through Paris streets, which Bond finishes in a severed car on just two wheels. But none of the action prepares the viewer for the heart-stopping climax with Zorin’s dirigible tangled in the cables on top of San Francisco’s Golden Gate Bridge." Lawrence O’Toole, Maclean’s
Oscar Godoy’s debut feature Ulysses is a classic migrant’s tale; Julio (Jorge Roman) may be a Peruvian man looking for a new life in Santiago de Chile, but Godoy is taking on a universal narrative here. With its alienating city scapes and anonymous shopping malls, Santiago could be any city in the world, likewise Ulysses is mining a cinematic seam which is intriguing, but also very familiar.
Senegalese kora and western trumpet make fabulous music together! Volker Goetze’s enthralling documentary melds dazzling visuals and haunting songs to serve up a feast for the senses. Griot introduces us to Goetze’s own soulful trumpet stylings and the extraordinary voice and calabash harp artistry of Ablaye Cissoko.
"Stunning… beautiful." Globe & Mail
A mysterious and engaging journey through sound, song, story, ritual, performance, nature, tradition and Japanese Buddhism… A fearless merging of medieval and modern, beautifully filmed with a variety of cinematic techniques on location in Japan. “Kanzeon” is another way of saying Kannon (Chinese: Kuanyin), the embodiment of compassion, and can also be written in Japanese as “to see sounds.”
"Stunning to look at… mesmerising musical sequences”
Frances Morgan, Sight and Sound
"A stunning new British documentary.”
Jasper Sharp, Midnight Eye
Earlier this year, London’s Royal Academy of Arts mounted the first ever retrospective devoted to the portraiture of Edouard Manet. Spanning this enigmatic and, at times, controversial artist’s entire career Manet: Portraying Life brought together works from across Europe, Asia and the USA. Documentarian Phil Grabsky was granted exclusive access to explore the exhibition with the kind of intensive scrutiny (and learned insight) most art-lovers can only dream of.
"Once again the film proves that seeing an exhibition through a camera (especially an HD one) is far better than not seeing it at all." Roberta Smith, New York Times
An ambitious and imaginative film that uses animation and contemporary voices including poets Jane Hirshfield and US Poet Laureate W.S. Merwin, and Buddhist scholar Robert Thurman to explore the life and meaning of the man who became “awake,” and who continues to inspire the diverse Buddhist traditions all over the world.
Italian-born Massimo and Lella Vignelli are among the world’s most influential designers. Throughout their long career, their motto has been, ’If you can’t find it, design it.’ From graphics to interiors to products and corporate identities, the film brings us into the work and everyday moments of the Vignellis’ world, capturing their intelligence and creativity, as well as their humanity, warmth, and humor.