The most radical, underground movie to creep into the mainstream in some time, Jonathan Glazer’s first since Birth might have been called "The Woman Who Fell to Earth". That woman is Scarlett Johansson, simultaneously deglamourized and highly sexualized. In a mesmerically choreographed series of incidents she picks up random men and destroys them. It’s a dispassionate, alien-ated view of sexual attraction and human connection, and unlike anything you have seen before.
"It sure as hell got under mine. Jonathan Glazer’s sci-fi horror is loosely adapted, or atmospherically distilled, by Walter Campbell from the 2000 novel by Michel Faber. The result is visually stunning and deeply disturbing: very freaky, very scary and very erotic." Peter Bradshaw, The Guardian
Arguably the most underrated US movie of the year, the latest from James Gray (Two Lovers) is a romantic epic set in New York in the 1920s. Marion Cotillard is superb as the Polish woman torn between Joaquin Phoenix’s dubious fixer, Bruno, and his cousin, an illusionist (Jeremy Renner).
"The film is earnestly and unabashedly melodramatic to an extent that may baffle audiences accustomed to clever, knowing historical fictions. But it also has a depth and purity of feeling that makes other movies feel timid and small by comparison." AO Scott, The New York Times
"You may often find yourself second-guessing the film, questioning how—and if—it will all come together. But by the time of the intense and impassioned climax, a storm of emotion is ensured: a great movie rising before you like a delusion, like a dream." Keith Uhlich, Time Out New York