In this dramatic, firsthand account of activists on the front line of the climate fight, one man risks it all to stop the tar sands of the Keystone XL oil pipeline from crossing his land. Shot in the forests, pastures, and living rooms of rural East Texas, Above All Else follows David Daniel, a retired stunt man and high-wire artist, as he rallies neighbors and activists to join him in a final act of brinkmanship: a tree-top blockade of the controversial pipeline. What begins as a stand against corporate encroachments on one man’s land becomes a rallying cry for climate protesters nationwide.
"An inspiring, dramatic, and very timely eco-doc." Hollywood Reporter
Welles and Joseph Cotten penned the screenplay (adapted from an Eric Ambler spy story), and while the Great Man didn’t take a directing credit - bowing to his friend and collaborator Norman Foster - the expressionist noir stylings are very much in line with what you would expect from the man who made The Lady from Shanghai, Mr Arkadin, and Touch of Evil. Almost inevitably, the film was butchered in post production, first by RKO (who cut out 20 minutes) and then by the censors. All the same it’s enormous fun, a B movie thriller with sly wit, invention and panache to spare.
1942 was the year everything went wrong for Orson Welles. He couldn’t fight for The Magnificent Ambersons because he was in Brazil at the behest of Nelson Rockefeller, working on a pan-American propaganda piece, an anthology film mixing documentary and fiction to be called "It’s All True". That film was never finished, and Welles’ Hollywood career never recovered - but Bill Krohn’s reconstruction explains why it was such an important project, and recovers more footage than anyone could have imagined.