What would happen if you could take your quiet desperation and channel it into song? Office drudge Carol does just that, and what starts as an exercise in therapeutic self-expression turns out to have serious drawbacks. In short order she is visited by the cops, fired, and worst of all, becomes the fixation of her ex-boss, "Asshole Dave", who quits to pursue his own rock-n-roll dream, and insists on Carol coming along. This oddball musical comedy comes from the peculiar mind of Vancouver filmmaker Kris Elgstrand (Doppelganger Paul).
"Bushnell and Dryborough make for a wonderful comedic odd couple, delivering what finally amounts to a heartfelt search for self-improvement." — Andrew Parker, Dork Shelf
"Often gob-smackingly good... Strangely beautiful... Uber-quirky." — Susan G Cole, Now magazine
An Israeli woman seeking to finalize a divorce (gett) from her estranged husband finds herself effectively put on trial by her country’s religious marriage laws, in this powerhouse courtroom drama from sibling directors Shlomi and Ronit Elkabetz. Winner of the Israeli Film Academy Ophir Award for Best Picture and propelled by the craft of Ronit Elkabetz (Late Marriage; The Band’s Visit), one of Israeli cinema’s most acclaimed actresses, Gett: The Trial of VIvian Amsalem is an uncompromising, heart-rending portrait of a woman’s struggle to overcome an unmoving patriarchy and live a life of her own design.
“Expertly written, brilliantly acted…The beautifully modulated script, ripe with moments of liberating humor, builds to a crescendo of indignation, allowing Elkabetz several cathartic outbursts, but they’re no more riveting than the actress’ silences.” — Jay Weissberg, Variety
"The action quivers with tension, impatience, comic heat, and, beneath it all, an irrepressible rage." — Anthony Lane, The New Yorker
"Hypnotic ... Gripping cinema from start to finish." — Manohla Dargis, New York Times
Richard Eyre’s produciton of Verdi’s masterpiece has been one of the most successful opera stagings in the long and celebrated history of the Royal Opera House. We present the original, definitive incarnation of that production, starring the incomparable Renee Fleming as the ill-fated courtesan Violetta, oppose Joseph Calleja as Alfredo and Thomas Hapson as his unyielding father.