Search Films by Director

Dorothy Darr and Jeffrey Morse

Vancity Theatre Screening
Director: Dorothy Darr and Jeffrey Morse

Charismatic, ceaselessly evolving and crossing boundaries, reed man Charles Lloyd has been in the vanguard of jazz for over 50 years with his unique, flowing yet swinging sound. This intimate portrait, co-directed by his painter/filmmaker wife, conveys the astonishing range of Lloyd’s career, including his Memphis roots; his counterculture crossovers in the 1960s; seclusion in the 1970s; collaborations with Keith Jarrett, the Beach Boys, Burgess Meredith, Charles Bukowski, Michel Petrucciani etc; and the comeback that began in the late 1980s and is still going strong.

“One of the greatest saxophonists on the planet…never out of touch with his audience.”—BBC Radio 3

Jason DaSilva

Vancity Theatre Screening
Director: Jason DaSilva

Audiences named this heartbreaking and inspiring story of a young filmmaker struggling with the diagnosis of MS the best Canadian documentary at last year’s VIFF (duplicating its success at the Toronto Film Festival). It’s easy to see why: DaSilva is unflinching in his honesty and resolute in his determination to make the most of what he has.

"DaSilva’s experience behind a camera shows in his brisk pacing, clear narrative structure, and the awareness that a story of sickness needs lighthearted distractions… Fueled by […] uncompromising intelligence and unrelenting candor." Jeannette Catsoulis, New York Times

“DaSilva’s strength and resilience … shines through every frame of his story… It’s a lovely, inspiring film, deeply personal and honest.” Kim Voynar, Movie City News

When I Walk makes it very clear that Jason isn’t all alone despite his support system. Rather, his support system, including his mom, makes him who he is, even more than his malfunctioning legs and hands. His life isn’t his disease, and neither […] is his lovingly collaborative film." Noah Berlatsky, The Dissolve

Vittorio De Sica

(Ieri, oggi, domani)
Italian Film Festival
Director: Vittorio De Sica

A sparklingly original comedy that casts Marcello Mastroianni and Sophia Loren in three different stories set throughout Italy. In Naples, they are poor but resourceful, selling black market cigarettes on the streets. In Milan, Loren is costumed in Christian Dior and debates her preference for a Rolls Royce or her husband. And in Rome, Mastroianni is an industry scion who helps Loren’s prostitute set a wavering priest back onto the spiritual plane. Witty and unforgettable, this gem from master filmmaker Vittorio de Sica (Two Women, Marriage Italian Style) is picture-postcard beautiful and effortlessly hilarious.

Jonathan Demme

Music Mondays
Director: Jonathan Demme

Universally acclaimed as one of the best concert films ever made, Stop Making Sense documents the groundbreaking Talking Heads at their peak and was directed by Jonathan Demme. "A dose of happiness from beginning to end. Stop Making Sense is close to perfection."Pauline Kael, New Yorker Magazine

One of the most exciting concert films ever."David Ansen, Newsweek

"The overwelming impression throughout Stop Making Sense is of enormous energy, of life being lived at a joyous high."Roger Ebert

Music Mondays
Director: Jonathan Demme

Jonathan Demme returns to his favourite subject - Neil Young - for their third collaboration in six years. This is an intimate and intense account of Young returning to his homeland and performing a couple of blistering shows at Massey Hall in the spring of 2011.

"Shooting a couple of rapturously received gigs performed by a band-less Young at Toronto’s historic Massey Hall in May, 2011, Demme not only had his camera crew get up the singer’s nose (literally), he affixed small stationary cameras inside a piano, on the microphone stand and elsewhere to capture his subject’s every grimace, gliss of sweat and fleck of spittle….At film’s end, one is left in awe at the richness of Young’s oeuvre (which admittedly sometimes makes Bob Dylan’s seem like tidings of great joy), his stamina and his questing spirit." James Adams, Globe and Mail

"A feast for Neil Young lovers and initiates alike." Peter Rainier, Christian Sience Monitor

Daniel Dencik

Vancity Theatre Screening
Director: Daniel Dencik

Taking his cues from Mozart and Metallica, Daniel Dencik gives us a berth on a three-masted schooner exploring Greenland’s icy northeast coast. On board, a motley crew of artists, photographers, geologists, archaeologists, biologists and mariners. The vistas are stunning, and inspire contemplation of the Big Questions - if they don’t get eaten by Polar bears first ...

“A sublimely idiosyncratic odyssey. While the scientists unearth fascinating details of a lost world, the artists in the group mull over the cosmic, and existential, implications, lending the voyage a Beckett-like sense of the absurd ... But even if the film were silent, its eerie landscapes are so breathtaking, and serenely composed, that we’d still be entranced.”—Brian D. Johnson, Maclean's

"With a mood and setting worthy of a murder story by Jack London, this audience-friendly, atmospheric work could be remade as a thriller, although that’s really what it is already."—John Anderson, Variety

Merlin Dervisevic

Vancity Theatre Screening
Director: Merlin Dervisevic

In this dark, twisted BC mystery thriller, a man finds himself condemned to a special place in hell, blamed for his wife’s murder – a fact he refuses to accept. His punishment is to eternally re-live that last dreadful day - unless he can prove his innocence…?

Lav Diaz

Vancity Theatre Screening
Director: Lav Diaz

In the northern Philippine province of Luzon, a law-school dropout commits a horrific double murder; a gentle family man takes the fall and receives a life sentence, leaving behind a wife and two kids. A careful rethinking of Dostoevsky’s Crime and Punishment shot in blazing color, this tour de force offers a masterful recapitulation of Diaz’s longstanding obsessions: cultural memory, national guilt, and the origin of evil. "A masterpiece. An astonishing work of life, death and art."—Wesley Morris

"Its very existence is an exhilarating triumph over complacency... there is an almost inexhaustible humanism at the heart of this remarkable film."—A.O. Scott, The New York Times

“The lights came up, I stood with tears in my eyes, and clapped as loudly as I ever have for any movie in my life.”—Wesley Morris, Grantland

“A mesmerising experience that grows deeper and broader the longer it goes on”—Kieran Corless, Sight and Sound

Xavier Dolan

(Tom à la ferme)
Vancity Theatre Screening
Director: Xavier Dolan

Dolan’s fourth feature is his most accomplished yet, a slippery, probing thriller with a Hitchcockian score by Gabriel Yared and enough tortuous psychological coupling and decoupling to make Rainer Werner Fassbinder’s head spin. As the eponymous Tom, Dolan comes to bury his lover at the farm where the latter grew up, only to find that the bereaved mother (Roy) knows nothing of her son’s sexuality - a lie that his brother is determined to keep up.

"In Quebec, no one can hear you scream… A tense, potent pleasure: imagine a Claude Chabrol thriller half-drunk on its own feints and seductions… By far his best film." Robbie Colin, Daily Telegraph

"Taut, creepy, compelling and sexy." Ben Walters, Time Out London

Trish Dolman

Vancity Theatre Screening
Director: Trish Dolman

A compelling, provocative portrait of the inspiring, controversial whale activist Paul Watson, and his relationship in two environmental movements West Coasters know very well: Greenpeace, which he left,and Sea Shepherd, which he founded. 

Director Trish Dolman will introduce the film via skype. Filmmaker Kevin Eastwood will be in attendance for this special screening, along with Sea Shepherd cofounder Ron Precious and Paul Watson for a Q&A via skype.

"Compelling… haunting… captivating." Variety

"[A] thoroughly thought-provoking and emotionally poignant portrait of a Canadian outlaw." 4/5 Katherine Monk, Vancouver Sun

Clive Donner

Woody Allen: Spring Collection
Director: Clive Donner

What’s old, pussycat? Allen’s first produced screenplay did not turn out the way he wanted, but this swung-out nineteen sexties farce is at the very least a fascinating time capsule, so chauvinist it would make Austin Powers blush. But get a load of that cast! Peters O’Toole and Sellers, Romy Schneider, Paula Prentiss, Ursula Andress and Woody too.

Dominic Dromgoole

Shakespeare’s Globe on Screen
Director: Dominic Dromgoole

Shakespeare’s masterpiece of the turbulence of war and the arts of peace tells the romantic story of Henry’s campaign to recapture the English possessions in France.

"Jamie Parker makes a fantastic Henry V."—The Independent

"Bold and enthralling."—The Times

Shakespeare’s Globe on Screen
Director: Dominic Dromgoole

Bringing the pinnacle of English theatre to cinema audiences around the world, Globe on Screen presents brand new productions of Shakespeare’s plays presented in the famous Globe theatre in London, recreating the space and audience experience the Bard would have envisaged.

Shakespeare’s teasing, glittering, hilarious and amazingly inventive play showcases some of his most dazzling dramatic poetry with its seriousness only fleetingly glimpsed beneath the dreamlike surface.

"The Globe at its crowdpleasing best ... Hilarious and hearty."Time Out London

Andrew Droz Palermo

Vancity Theatre Screening
Director: Andrew Droz Palermo

Against the odds, the American Dream endures in small towns like Rich Hill, Missouri — but as this poetic, poignant doc makes clear, life is anything but easy for teenage boys growing up in a place where the tracks don’t seem to have a "right" side.

Winner: Grand Jury Prize for Documentary, Sundance Film Festival

"A truly moving and edifying film, Rich Hill is the type of media object that could and should be put in a time capsule for future generations."—Katie Walsh, The Playlist (Indiewire)

"Open-hearted ... deeply empathetic."—Peter Debruge, Variety

"Often heartbreaking."—Duane Byrge, Hollywood Reporter

Tracy Droz Tragos

Vancity Theatre Screening
Director: Tracy Droz Tragos

Against the odds, the American Dream endures in small towns like Rich Hill, Missouri — but as this poetic, poignant doc makes clear, life is anything but easy for teenage boys growing up in a place where the tracks don’t seem to have a "right" side.

Winner: Grand Jury Prize for Documentary, Sundance Film Festival

"A truly moving and edifying film, Rich Hill is the type of media object that could and should be put in a time capsule for future generations."—Katie Walsh, The Playlist (Indiewire)

"Open-hearted ... deeply empathetic."—Peter Debruge, Variety

"Often heartbreaking."—Duane Byrge, Hollywood Reporter

Clarissa Duque