In the early 70’s, legendary rock photographer Bob Gruen and his wife Nadya toured with Ike & Tina Turner and filmed them performing, on the road, and behind the scenes. Now for the first time ever this footage is unveiled. This is a look inside a hardworking band as well as an iconic couple.

Note: shot on early video equipment in black and white, the film looks like what it is, an archival record. What it lacks in gloss it makes up for in intimacy.

Tracks include: River Deep, Mountain High; Shake A Tail Feather; Heard It Through the Grapevine; Proud Mary; I Want to Take You Higher.

"The band reminds you why it’s called "funk" with almost every note they play. Even considering the poor quality of some of the footage, there’s no disguising the fact their music wasn’t the safe anti-septic stuff being churned out by Motown for mass consumption. They were playing down and dirty funk and R&B, which makes even most of today’s rappers look tame in comparison…The music created by Ike and Tina Turner was some of the most amazing R&B/soul/funk produced in the late 1960s and early 1970s. Any opportunity to see them perform shouldn’t be missed." Richard Marcus

CANADIAN PREMIERE Imagine gold "as far as the eye can see". All you have to do is rip it out of the ground. But one man’s nirvana is another’s hell. Gold Fever witnesses the arrival of Goldcorp Inc to a remote Guatemalan village. 500 years after the conquistadors, and still reeling from decades of US-backed repression, Diodora, Crisanta and Gregoria are caught in the cross-hairs of another global frenzy for gold. Together with their community, they resist the threat to their ancestral lands in the face of grave consequences.

“Beautifully-made. Sobering and tragic, but ultimately empowering.”

The Yes Men

“Tests Guatemalan society’s willingness to confront what might be today’s biggest challenge: overcoming the social unrest caused by the massive extraction of natural resources.”

Uli Stelzner, Muestra de Cine Internacional Memoria Verdad Justicia

CANADIAN PREMIERE Imagine gold "as far as the eye can see". All you have to do is rip it out of the ground. But one man’s nirvana is another’s hell. Gold Fever witnesses the arrival of Goldcorp Inc to a remote Guatemalan village. 500 years after the conquistadors, and still reeling from decades of US-backed repression, Diodora, Crisanta and Gregoria are caught in the cross-hairs of another global frenzy for gold. Together with their community, they resist the threat to their ancestral lands in the face of grave consequences.

“Beautifully-made. Sobering and tragic, but ultimately empowering.”

The Yes Men

“Tests Guatemalan society’s willingness to confront what might be today’s biggest challenge: overcoming the social unrest caused by the massive extraction of natural resources.”

Uli Stelzner, Muestra de Cine Internacional Memoria Verdad Justicia

8 players with 703 years between them compete in the World over 80s Table Tennis Championships in Inner Mongolia. Terry (81) having been given a week to live, gets in sight of winning gold. Inge (89) has used table tennis to train her way out of the dementia ward she committed herself to. Australian legend Dorothy deLow is 100, and finds herself a mega celebrity in this rarefied world and Texan Lisa Modlich, a new-comer at 85 years old, is determined to do whatever it takes to win her first gold.

"It is about ageing, mortality, friendship, ambition and love. The stories stay with you for hours, weeks, after the credits have rolled. But perhaps its most powerful achievement is to leave us with a more humane conception of sport, and of life itself."

Matthew Syed - The Times

"What a heart-warmer… ’Inspirational’ barely covers it." Anthony Quinn, The Independent

"An unabashed crowdpleaser bouncing between sweetly satirical and sincerely moving." Total Film

8 players with 703 years between them compete in the World over 80s Table Tennis Championships in Inner Mongolia. Terry (81) having been given a week to live, gets in sight of winning gold. Inge (89) has used table tennis to train her way out of the dementia ward she committed herself to. Australian legend Dorothy deLow is 100, and finds herself a mega celebrity in this rarefied world and Texan Lisa Modlich, a new-comer at 85 years old, is determined to do whatever it takes to win her first gold.

"It is about ageing, mortality, friendship, ambition and love. The stories stay with you for hours, weeks, after the credits have rolled. But perhaps its most powerful achievement is to leave us with a more humane conception of sport, and of life itself."

Matthew Syed - The Times

"What a heart-warmer… ’Inspirational’ barely covers it." Anthony Quinn, The Independent

"An unabashed crowdpleaser bouncing between sweetly satirical and sincerely moving." Total Film

"For the fans left bereft by his 2012 death, it’s impossible to imagine a more exquisite, honest, and beautifully detailed documentary about the life of Levon Helm than Jacob Hatley’s Ain’t in It for My Health. This film seems as much man as it does movie, capturing the many sides of The Band’s former drummer: his modesty, his humor, his anger about how his group fell apart. And, without getting all gooey, the doc shows how Helm handled the cancer that hovered over his final decade. Finally, this unassuming little flick makes a sham out of drugs-a-go-go melodramatic crap like Walk the Line—maybe because Hatley never forgets he’s making a movie about a goddamn musician. This is one of the most fully rounded, unsentimental portraits of an artist you’ll ever see on film." Peter Gesternzang, Village Voice

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Director Cullen Hoback will host a Q+A following the screening.

How much of yourself have you already given away on the internet? Nobody really reads the terms and conditions routinely applied to almost every digital service agreement, but if we did, what would we find there? Cullen Hoback’s scary doc has answers to the questions you don’t even want to Google.

"This documentary should be mandatory viewing for everyone who uses the internet." John Ford, Slug Magazine

"If you believe the privacy promises of online giants like Google and Facebook, then Cullen Hoback’s doc will remove the scales from your eyes and your hand away from your mouse." Peter Howell, The Toronto Star

"Witty yet chilling." Brian D Johnston, Macleans

In this hit documentary, Italian journalists/filmmakers Ragazzi and Hofer wonder if those roads leading to Rome don’t also look like escape routes. There is an opportunity to move to Berlin - where rents are a third of the price, there’s less unemployment, and less homophobia too. Also Berlusconi doesn’t live there. Even so, Luca is loathe to leave. So they hop into a vintage FIAT 500 and set off to take stock of "the real Italy", with a pilgrimage to visit George Clooney’s Lake Como villa on the side.

"Effervescent." John Anderson, Variety

*** (3 stars out of 4) Rick Groen, Globe & Mail

A group of senior citizens averaging eighty-one years old embark on what may be the most daring adventure of their lives: a thirteen-day tour entirely on motorcycle around the island of Taiwan. A number in the group have heart problems, two have had cancer, four need hearing aids, five have high pressure, and by professional medical opinion, two-thirds of the group are not qualified to undertake this risky endeavour. Defying society’s expectations, the seventeen Grandriders personally delivers the message of "aging should never stop one from daring to dream" to the hearts of everyone they meet throughout their 1178 kilometer long journey.

A convenience store sitting beside the elementary school is not only the afterschool heaven for the kids, but also a warm neighbourhood cove. Aunt A-Mian, who runs the convenience store alone, attentively takes care of every hungry child, and facilitates the town’s folks’ lives. Aunt A-Mian’s tea-stewed eggs are like warmer packs - warming up people’s hearts. Midori, the old postman, and the melancholy kid, Yabi, both treated the convenience store as their homes, keeping A-Mian company. A-Mian’s lived like this every day until one day when a foreign reverend arrived. At last, the secret hidden behind A-Mian’s smile is about to be revealed…

Joy and sorrow: These are the first words uttered in Huezo’s film, and the emotional key notes in one of the most moving documentaries of recent times. On the surface The Tiniest Place is the story of Cinquera, a village literally wiped off the official map during El Salvador’s 12-year civil war. But on a deeper level it is a story about the ability to rise, to rebuild and reinvent oneself after a tragedy.

"A profound expression of the twin powers of life and death…The subject of the Central American wars of recent decades has rarely received such a level of artistic treatment onscreen." Robert Koehler, Variety

"Unforgettable…One of the finest docs I’ve seen over the past year." Howard Feinstein, Filmmaker Magazine

"Superb. 10/10." —Cynthia Fuchs, PopMatters

Both a tribute to one of the twentieth century’s most extravagant and influential personalities, and simultaneously a chronicle of the impact of fashion in the 1950s, 60s and 70s, this portrait of the irrepressible editor of Vogue and Harper’s Bazaar is an eye-opener, just like its subject.

"Makes a compelling case for the late Diana Vreeland as the 20th century’s pre-eminent tastemaker, not to mention one of its most extravagant personalities." Joe Morgenstern, Wall Street Journal

"4 out of 5… Captivating… Insightful." Carolyne Zinko, San Francisco Chronicle

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In 1968, homosexuality was illegal in NYC. Gay bars were dark, dirty, dangerous and mostly controlled by the syndicate. But then along came Steve Ostrow, opera singer and entrepreneur, with a grand vision. From the minute Ostrow opened the elegant Continental Bath and Health Club in the legendary Ansonia Hotel, it was a beacon for the hip, the beautiful and the infamous. With a cabaret stage featuring red hot performers like Bette Midler and Labelle, straight high society, celebs and hunky men in towels jammed into the same room, bringing gays into the open and ultimately playing a critical role in overturning anti-gay laws.

"Documentary gold. 4 stars." Glenn Sumi, Now magazine

"Intimate and fascinating… a slice of social and pop history that demands to be consumed." David Voigt, Examiner

"It’s a great story made even greater by Malcolm Ingram’s first-rate feature." Greg Klymkiw.

For over forty years, America’s "War on Drugs" has accounted for 45 million arrests, made America the world’s largest jailer, and damaged poor communities at home and abroad. Yet for all that, drugs in America are cheaper, purer, and more available today than ever before. Perhaps it’s time to call a ceasefire?

"Searing… One of the most important pieces of non-fiction to hit the screen in years." LA Times

"Fearless… A model of the ambitious, vitalizing activist work that exists to stir the sleeping to wake." New York Times

Jean Pierre Jeunet, the wizard who gave us Amelie and Delicatessen conjures another buoyant medley of slapstick, whimsy and satire in this infinitely inventive contemporary fantasy. Dany Boon is the Chaplinesque hero with a bullet in his brain who falls in with a band of urban outsiders and takes revenge on the weapons manufacturers who put it there.

"A fun-house of mirrors that is lovely to get lost in." Betsy Sharkey, LA Times

"Micmacs is like a Buster Keaton or Harold Lloyd movie where everybody is Buster or Harold, yet they all work in harmony." Peter Howell, Toronto Star

With astonishing prescience (or luck) Bobbi Jo Hart started following aspiring pianist Marika Bournaki from the age of 12. She was already a prodigy, but over the course of a decade Hart was able capture her development as an artist (she has played Carnegie Hall several times) and as a person - as well as the toll her discipline took on her childhood and her family.

"A fascinating exercise… classical music abounds - Schumann, Rachmininoff, Bach - and it’s an aural delight." 3 stars Rick Groen, Globe & Mail

Voted the fifth greatest concert film of all time by readers of Rolling Stone magazine, Rattle and Hum follows U2 on their US concert tour in support of the Joshua Tree album. Songs include Pride (In the Name of Love), Desire, I Still Haven’t Found What I’m Looking For, and Bullet the Blue Sky.

The latest in our irregular series of archival shows throws a well-earned spotlight on the late Phil Keatley, whose long career at the CBC ranged from the 1950s to the 70s. Keatley is probably best known for his work as a producer on The Beachcombers, but here we look back further, to three black and white dramas he produced in BC between 1958 and 1967.

Two women from opposite sides of Hitler’s Third Reich meet in Toronto, years after the Second World War–Mania, orphaned by the regime, and Johanna, possibly the Nazi guard who protected her. Weaving together their stories, this powerful documentary intimately explores their war experiences and witnesses their reunion more than half a century later.