An eco-animated gem, this fable about a small boy tracing his missing father’s footsteps from a rural cabin to the big city (and beyond) doesn’t need words to spell out its message about the devastating impact of globalization. But Ale Abreu’s film is also a breathtakingly beautiful and inventive example of the animator’s art, a film of kaleidoscopic visual rhapsodies and delightfully curious investigations into shape and colour, transforming both natural and industrial landscapes into dazzling child’s-eye tableaux. With an infectious Brazilian-inflected score by Ruben Feffer and Gustavo Kurlat.
If you attended any film at VIFF last year you will recall the clip of the balding gentleman who blows raspberries into his microphone. Fair warning: this is not your Vegas stand up shtick. Rather, it’s a poke in the eye and the ear and the chest, an anti-entertainment that may be the bravest, ballsiest movie to come out of the US last year.
Arising from the Embargo Collective II project, this feature-packaged collection of five short films is based on Lars von Trier’s The Five Obstructions. Five Canadian Indigenous female filmmakers challenged one another with creative restrictions pushing their artistic form,