Matinee show Aug 25 (only) All Ages Show, under-19s welcome.
Evening show Aug 29 introduced by film scholar Michael van den Bos.
Roger Moore’s pick of his own Bond movies is a slick, spectacular, always fun concoction. When villain Karl Stromberg (Curt Jurgens) hijacks British and Soviet submarines, Bond is paired with Russian agent Anya Amasova (Barbarach Bach) to get to the bottom of his evil plan.
"Exceptional… Moore gives his best performance in the series… Film is a real treat - a well-acted, smartly cast, sexy, visually impressive, lavishly produced, powerfully directed mix of a spy romance and a war-mission film." Danny Peary, Guide for the Film Fanatic.
007 turned 50 with rare panache: directed by Sam Mendes, this is a contender for one of the top Bonds ever. It’s not just the more probing, psychological script, but the nuanced, inspired performances by Judi Dench, Javier Bardem and Daniel Craig of course – and stunning cinematography by Roger Deakins. This is Bond resurrected, redeemed and reinvigorated, ready to face a new half century.
Probably inspired by the success of Star Wars, James Bond went into outer space in Moonraker, one of the most popular of the series. It’s got amazing aerial stunts, some of designer Adam’s most inspired sets, a creepy villain in Michel Lonsdale’s Hugo Drax and Richard Kiel is back as the giant, metal-toothed henchman Jaws.
"Irresistibly entertaining." Frank Rich, Time
"A minor masterpiece." James Monaco, The Connoisseur’s Guide to the Movies
"One of the most buoyant Bond films of all." Vincent Canby, New York Times
n the 19th Bond adventure, 007 (Pierce Brosnan) must resolve a potentially deadly power struggle between two unstable nations, with control of the world’s oil supply as the ultimate prize.
Roger Moore’s seventh and final Bond movie is absurd - but how to resist a film where the baddie is an industrialist intent on destroying Silcon Valley to create a monopoly on microchip technology (Bill Gates, meet Max Zorin)?
"A View to a Kill, is an especially satisfying encounter. Opening with a breathtaking ski chase in Siberia, A View to a Kill is the fastest Bond picture yet. Its pace has the precision of a Swiss watch and the momentum of a greyhound on the track. There is a spectacular chase up and down the Eiffel Tower and through Paris streets, which Bond finishes in a severed car on just two wheels. But none of the action prepares the viewer for the heart-stopping climax with Zorin’s dirigible tangled in the cables on top of San Francisco’s Golden Gate Bridge." Lawrence O’Toole, Maclean’s
Filmed at London’s O2 in October 2012, the film captures the stunning Back to Front live show - primarily showcasing the best selling album So - but also contains interviews with the man himself and all the touring band to give the viewer an intimate portrait of Peter and a not-to-be-missed cinematic experience.
Set list includes: Red Rain, Sledgehammer, Don’t GIve Up, Big Time, In Your Eyes, Solsbury Hill and Biko.
Timothy Dalton’s second (and last) Bond movie is one of the least typical but also one of the most satisfying on its own terms. It’s a revenge movie, for one thing, with Bond going AWOL to take on a ruthless Mexican drug baron (Robert Davi).
Candida Brady’s documentary looks at the growing global crisis of trash, highlighting how human health and the environment are threatened by the pollution from burning and discarding waste. Visually and emotionally the film is both horrific and beautiful: an interplay of human stories and ecological disruption. But it ends on a message of hope: showing how the risk to our survival can be averted through sustainable pathways that provide economic solutions while protecting our air, water and food resources
"Crucial viewing for realists and alarmists both." 5 stars! Joe Neumeier, NY Daily News
8 players with 703 years between them compete in the World over 80s Table Tennis Championships in Inner Mongolia. Terry (81) having been given a week to live, gets in sight of winning gold. Inge (89) has used table tennis to train her way out of the dementia ward she committed herself to. Australian legend Dorothy deLow is 100, and finds herself a mega celebrity in this rarefied world and Texan Lisa Modlich, a new-comer at 85 years old, is determined to do whatever it takes to win her first gold.
"It is about ageing, mortality, friendship, ambition and love. The stories stay with you for hours, weeks, after the credits have rolled. But perhaps its most powerful achievement is to leave us with a more humane conception of sport, and of life itself."
Matthew Syed - The Times
"What a heart-warmer… ’Inspirational’ barely covers it." Anthony Quinn, The Independent
"An unabashed crowdpleaser bouncing between sweetly satirical and sincerely moving." Total Film
David Lean’s sweeping, four-hour desert epic demands to be seen on the big screen. The late, great Peter O’Toole landed the role of his lifetime as the British cartographer who united the Arab tribes to fight the Turks in WW1. Screening in a restored DCP version.
"A miracle… The first film I saw that made me want to be a moviemaker." Steven Spielberg
Bond goes to Thailand in Roger Moore’s second outing (after Live and Let Die). Christopher Lee (Ian Fleming’s cousin) is excellent as the villain, Scaramanga, and he brings out what may be Moore’s strongest performance.
"Don’t be afraid. A new world of sound awaits you…" This dense, resonant experimental thriller casts Toby Jones as a genius sound-mixer, a Brit invited to work on the post-production of an Italian horror movie in the late 1970s (something by Dario Argento, perhaps?). Almost from the first this unusual assignment comes with disturbing undertones of mystery and menace - as if the bloody supernatural thriller we hear being constructed (but almost never see) is spilling out into the sound studio…
"Utterly distinctive and all but unclassifiable, a musique concrète nightmare, a psycho-metaphysical implosion of anxiety, with strange-tasting traces of black comedy and movie-buff riffs. It is seriously weird and seriously good." Peter Bradshaw, The Guardian
"A delicately detailed immersion into the world of Z-grade Italian horror cinema that ultimately may or may not be a horror film itself, Peter Strickland’s “Berberian Sound Studio” is a tense, teasing triumph." Guy Lodge, Variety
"The creepiness builds with symphonic precision until reality truly is indistinguishable from fantasy." 4 stars. Keith Uhlich, Time Out New York
Paris in 1855, when the opera was first performed, provides the starting point for the interpretation by celebrated Norwegian born director Stefan Herheim. The opera ballet plays a significant role too, with Johann Kobborg choreographing for dancers from the Royal Ballet and Royal Danish Ballet. The story is set to impassioned and dramatic music, rich in showpiece arias and ensembles with striking choruses. Antonio Pappano conducts a world-class cast including Erwin Schrott, Bryan Hymel and Lianna Haroutounian in The Royal Opera’s first ever staging of Verdi’s grand opera.
Don José (Jonas Kaufmann) is a young soldier in the army in Seville. He intends to marry Micaëla, a girl from his home village, but when he meets the sensual and high-spirited Carmen (Anna Caterina Antonacci), his head is soon turned…Spanish heat and gypsy passion are brought to the stage in Francesca Zambello’s vivid production of Bizet’s famous opera.
Sung in French with English subtitles
Acts One and Two will last for about 1 hour 50 minutes, followed by a 15 minute interval. Act Three will last for about 1 hour 5 mins.
Powerful music, a gripping story and a tragic end: Puccini’s ever-popular Tosca performed with a fabulous cast. Among the star singers in this revival are Angela Gheorghiu, Jonas Kaufmann and Bryn Terfel. Jonathan Kent’s detailed production draws to the full on the historical backdrop of Rome in 1800, an atmospheric backdrop to the love of the beautiful diva Tosca, the idealism of her lover Cavaradossi and the deadly, destructive obsession of the malevolent Chief of Police, Scarpia.
Johannes Vermeer is a fascinating painter whose life and works are explored here in amazing detail. Filmed in London’s National Gallery, New York’s Met and other galleries in the USA and the Netherlands, this stunning film delves into a breath-taking collection of Vermeer’s finest pieces and delivers a detailed biography of the artist, his life and times.
"Grabsky’s film is comprehensive, smart and highly informative."—The Art Newspaper
"A treat for the eyes"—Globe and Mail
"Stunning paintings in high-definition glory on the big screen"—This is London
Daniele Abbado explores themes of identity, exile and religion in a powerful staging of Verdi’s epic opera. War has broken out between the Babylonians and Israelites. The Israelites have captured Fenena, younger daughter of the Babylonian King, Nabucco. In revenge, Nabucco vows to destroy Jerusalem, aided by the vengeful Abigaille.
“Domingo’s career, 42 years at Covent Garden and counting, continues to be a wonder of the age.” The Guardian
A lost key and an accidental touch of cold hands in the dark – so begins one of the great romances of all opera. In his depiction of the tender and ultimately tragic love between Mimì and Rodolfo, Puccini achieved an immediacy, warmth and humanity that have rarely been equalled.
Woody goes to Wimbledon (well, nearly) in his first foray to the British Isles—a torrid suspense movie which adds a downpour or two to A Place in the Sun. Jonathan Rhys Meyers is the tennis pro torn between the socially superior Emily Mortimer and sexy (but penurous) Scarlett Johansson.
"Allen’s best since Crimes and Misdemeanors ..."—Roger Ebert
November 7, 2008, the Danish (Bahamas-registered) cargo vessel CEC Future was boarded by Somali pirates. For 70 days the international crew was held captive at gunpoint while the pirates and the Danish owners negotiated.
This evening Vancity Theatre presents two films inspired by this story, one a documentary (Stolen Seas), the other a dramatic feature (A Hijacking) written and directed by Tobias Lindholm, whose last film was The Hunt.
Assembled from three years’ worth of visits to the dangerous "hot zone" off the coast of Somalia, Payne’s riveting film gives us both the wider context that explains the piracy from all sides, and takes right inside the actual hijacking, incorporating footage shot by the Somalis during the incident.
"Riveting…a dense, sometimes dangerous 90-minute immersion in a world where lawlessness applies to all sides." Peter Debruge, Variety
"A documentary of such ambitious scope you might need a remote control and a notebook to keep up with it." Omer M Mozaffar, Chicago Sun-Times