Don José (Jonas Kaufmann) is a young soldier in the army in Seville. He intends to marry Micaëla, a girl from his home village, but when he meets the sensual and high-spirited Carmen (Anna Caterina Antonacci), his head is soon turned…Spanish heat and gypsy passion are brought to the stage in Francesca Zambello’s vivid production of Bizet’s famous opera.
Sung in French with English subtitles
Acts One and Two will last for about 1 hour 50 minutes, followed by a 15 minute interval. Act Three will last for about 1 hour 5 mins.
Emilio Largo, the Number 2 at SPECTRE, has stolen two nuclear warheads. He threatens to destroy a city in the United States and England unless a ransom of $100 million in diamonds is paid. 007 heads out to the Bahamas to stop him.
"It’s a bird! It’s a plane! It’s a Super-Bond!" Hollywood Reporter
Powerful music, a gripping story and a tragic end: Puccini’s ever-popular Tosca performed with a fabulous cast. Among the star singers in this revival are Angela Gheorghiu, Jonas Kaufmann and Bryn Terfel. Jonathan Kent’s detailed production draws to the full on the historical backdrop of Rome in 1800, an atmospheric backdrop to the love of the beautiful diva Tosca, the idealism of her lover Cavaradossi and the deadly, destructive obsession of the malevolent Chief of Police, Scarpia.
Enter Timothy Dalton, a leaner, meaner 007. Bond is assigned to protect Georgi Koskov, an ex-KGB officer who is defecting to the British. Koskov is to escape during the intermission at the Bratislava concert hall, and must be protected from a KGB sniper. Bond sets up across the street, but decides against assassinating the sniper…
"Grips like wet rope" Brian Case, Time Out
Daniele Abbado explores themes of identity, exile and religion in a powerful staging of Verdi’s epic opera. War has broken out between the Babylonians and Israelites. The Israelites have captured Fenena, younger daughter of the Babylonian King, Nabucco. In revenge, Nabucco vows to destroy Jerusalem, aided by the vengeful Abigaille.
“Domingo’s career, 42 years at Covent Garden and counting, continues to be a wonder of the age.” The Guardian
Ernst Stavro Blofeld is hijacking American and Russian space shuttles, in an attempt to start a war between the two nations. Bond is sent to Japan to investigate, with the help of Tiger Tanaka, the head of station in Tokyo. Armed with over 100 trained ninjas, Bond infiltrates Blofeld’s volcano lair.
A lost key and an accidental touch of cold hands in the dark – so begins one of the great romances of all opera. In his depiction of the tender and ultimately tragic love between Mimì and Rodolfo, Puccini achieved an immediacy, warmth and humanity that have rarely been equalled.
"Irish step dancing receives exuberant treatment in the superbly crafted documentary Jig. This highly involving film deftly captures the unique physical, emotional and financial aspects of diving into competitive Irish dance, with the participants’ addictive immersion the overwhelming takeaway. […] As for the dancing itself, it’s nothing short of dazzling." Gary Goldstein, LA Times
"Irish step dancing […] receives exuberant treatment in the superbly crafted documentary Jig. This highly involving film deftly captures the unique physical, emotional and financial aspects of diving into competitive Irish dance, with the participants’ addictive immersion the overwhelming takeaway. […] As for the dancing itself, it’s nothing short of dazzling." Gary Goldstein, LA Times
"Amusing, heartbreaking and mind-boggling." The Boston Herald"
"Glorious! Spellbound meets Lord of the Dance." Easy Living
Matinee show Sun Sept 1 (only) All Ages Show, under 19s welcome
One-timer George Lazenby had the good fortune to star in one of the strongest all-round Bond movies. Director Peter Hunt ensures the action is tip top, but also finds emotional reserves the super spy usually keeps well hidden. With Diana Rigg as his lover, Tracy, and Telly Savalas as Blofeld.
Kasper Holten, ROH Director of Opera, presents a mesmerizing new production of Mozart’s sublime tragicomedy. The impulsive and charismatic Don Giovanni travels through Europe seducing women, accompanied by his long-suffering servant Leporello. When he commits murder, he unleashes vengeance from beyond the grave.
Set on the outskirts of Bradford in Northern England, the second feature from Clio Barnard (The Arbor) follows two young lads, Arbor (Conner Chapman) and Swifty (Shaun Thomas), and their dealings with a local scrap dealer. Boldly cinematic and featuring astonishing performances from the two leads, The Selfish Giant cements Barnard’s reputation as a visionary filmmaker.
"Devastating in its simplicity and honesty, The Selfish Giant is a colossus of feeling." Inkoo Kang, Village Voice
"Boldly, broodingly cinematic… jaggedly moving." Guy Lodge, Variety
"A film of such power and beauty that there will be no escaping it." David Thomson, New Republic
Sean Connery is back for a fast paced hunt through a diamond smuggling pipeline. MI6 arrests small time smuggler Peter Franks, and Bond takes his place, meeting courier Tiffany Case. He follow the trail of the diamonds, as everyone who touches them gets killed. The end of the pipeline is Blofeld, with another plan for world domination.
Puccini’s first triumph returns to Covent Garden for the first time in 20 years in a new staging by Jonathan Kent. The exciting Latvian soprano Kristine Opolais sings the title role. A consummate Puccini soprano, Opolais caused a sensation as Madama Butterfly in 2011, and with Manon Lescaut, the bold but impressionable heroine, we will see a very different side of her. She is matched in star power by Jonas Kaufmann as her lover, Des Grieux, and Christopher Maltman as her cynical brother Lescaut. Kent’s vision of a young girl who faces temptation in the big city will surely resonate with today’s audience.
Richard Eyre’s produciton of Verdi’s masterpiece has been one of the most successful opera stagings in the long and celebrated history of the Royal Opera House. We present the original, definitive incarnation of that production, starring the incomparable Renee Fleming as the ill-fated courtesan Violetta, oppose Joseph Calleja as Alfredo and Thomas Hapson as his unyielding father.
Roger Moore shows the right stuff in this slightly more realistic adventure. A ship containing an Automatic Targeting Attack Communicator (ATAC), which can control ballistic missile attacks, is sunk. Bond is sent to retrieve the ATAC before the Russians can.
Earlier this year, London’s Royal Academy of Arts mounted the first ever retrospective devoted to the portraiture of Edouard Manet. Spanning this enigmatic and, at times, controversial artist’s entire career Manet: Portraying Life brought together works from across Europe, Asia and the USA. Documentarian Phil Grabsky was granted exclusive access to explore the exhibition with the kind of intensive scrutiny (and learned insight) most art-lovers can only dream of.
"Once again the film proves that seeing an exhibition through a camera (especially an HD one) is far better than not seeing it at all." Roberta Smith, New York Times
Matinee show Aug 25 (only) All Ages Show, under-19s welcome.
Evening show Aug 29 introduced by film scholar Michael van den Bos.
Roger Moore’s pick of his own Bond movies is a slick, spectacular, always fun concoction. When villain Karl Stromberg (Curt Jurgens) hijacks British and Soviet submarines, Bond is paired with Russian agent Anya Amasova (Barbarach Bach) to get to the bottom of his evil plan.
"Exceptional… Moore gives his best performance in the series… Film is a real treat - a well-acted, smartly cast, sexy, visually impressive, lavishly produced, powerfully directed mix of a spy romance and a war-mission film." Danny Peary, Guide for the Film Fanatic.
007 turned 50 with rare panache: directed by Sam Mendes, this is a contender for one of the top Bonds ever. It’s not just the more probing, psychological script, but the nuanced, inspired performances by Judi Dench, Javier Bardem and Daniel Craig of course – and stunning cinematography by Roger Deakins. This is Bond resurrected, redeemed and reinvigorated, ready to face a new half century.
Guatemala, GB, USA
A moving, thought-provoking and rare documentary by a Latin American woman, recording her return from exile and into the still dangerous and volatile political environment of contemporary Guatemala. Where over the course of four years, writer-director Ana Lucia Cuevas discovers, through the archived records of the perpetrators of the crimes themselves, the involvement of her own government and foreign Intelligence Services in the abduction, torture and murders of her brother and his young family.
"A powerful, personal story of state-sponsored terror in Guatemala and the lasting effects it has had on families, “The Echo of Pain of the Many” is a timely testament to the brave, untiring efforts of Guatemalans to demand justice and dent the country’s long-standing veil of impunity." Guatemala Solidarity Network
Heavyweight German filmmaker von Trotta turns her attention to one of the pre-eminent thinkers of the twentieth century, Hannah Arendt, and in particular to the crucial time in 1961 when she reported on the trial of Nazi Adolf Eichmann for the New Yorker. It was Eichmann’s pathetic disavowals of the Final Solution policy he helped frame that inspired Arendt to coin her famous phrase, "the banality of evil."
"Trotta has made an extremely vivid cinematic essay, thrilling in its every minute, deeply moving in its seriousness and suitably unsettling." Elke Schmitter, Der Spiegel
"A thrilling lesson in courage." Deborah Young, Hollywood Reporter
"The best movie this critic has ever seen about the life and times of a writer." Brandon Harris, Filmmaker