A love story unlike any you have seen before, the latest from gay provocateur Bruce La Bruce (No Skin Off My Ass) is at once his most mainstream, accessible movie, and arguably his most transgressive. After all, we’re not usually treated to the sight of an 18 year old male nurse hopping into bed with an octogenarian…
« Magnificent » – Le Monde
« Beautiful » – Libération
« Audacious » – Le Parisien
« Poignant » – L’Humanité
« Luminous » – Métro
« Tender and sensual » – 20 minutes
« A beautiful story » – Télérama
« Powerful » – Les Inrockuptibles
« Delicious » – Ciné Télé OBS
« A beautiful movie » – Rolling Stone
« Romantic and innocent » – Europe
A rebellious teenager (Tatiana Maslany, Grown Up Movie Star) forced to repeat her last year of high school is caught between adolescence and adulthood — and between two very different male admirers — in this charming and vibrant debut feature from writer-director Kate Melville.
“One of the smartest movies on youth I have seen since “Freaks & Geeks.” Jason Whyte, efilmcritic
“Smartly written and directed by Kate Melville, Picture Day is a well-executed coming-of-age drama that distinguishes itself with its strong sense of its characters and their emotional universe.” Adam Cook, Filmmaker Magazine
“Engaging, funny and evokes all the beautiful awkwardness and confidence of being a teenager … Kate Melville has tapped into something very funny, real, and uniquely female … Tatiana Maslany absolutely steals the film as Claire … One of the best teen films this country’s ever produced.” Katarina Gligorijevic, Toronto Film Scene
School’s out for summer, and son of a preacher man Vincent Furnier (better known as the rock n roll icon Alice Cooper) would like to remind you that there’s more to life than grades, grad and grind. Like sex, drugs and grand guignol, for example.
Olympia Dukakis gives an brilliant, barnstorming performance as a foul-mouthed lesbian, Stella, who isn’t about to let her lover of 31 years, Dot (Brenda Fricker), be carted off to an old folks’ home without a fight. Her plan? A daring rescue, followed by flight to Canada and marriage - an elopement. Ryan Doucette is the hitchhiker who helps them sneak over the border - the Brad Pitt to their septuagenarian Thelma and Louise.
In the land of the midnight sun, 14-year-old Tomas returns to the people and culture of an Inuk father he never knew. He and his mother, Anna, arrive in the small village of Igloolik in the heart of Nunavut following the mysterious death of his father. The second feature from the collective which made the acclaimed Before Tomorrow (2008).
"Experiences and milestones achieved amid laughter in the midnight sun punctuate Uvanga, which is bolstered by natural performances from local actors that draw us in while sharing the secrets of a place both strange and beautiful in its isolation." 3 stars (out of 4) — Linda Bernard, The Star
What if everything you thought you knew about drugs was wrong? What if society has misread - or been misled - about what science says about psychedelic substances? What if prohibition only exists to safeguard social inhibition (and big pharma profits)? Through interviews with the world’s foremost researchers, writers, psychologists and pioneers in psychedelic psychotherapy, Vancouver filmmaker Oliver Hockenhull explores the history of five powerful psychedelic substances (LSD, Psilocybin, MDMA, Ayahuasca and Cannabis) and their now established medicinal potential.
"Fuses science, art and spirituality into a seamless whole." Geoff Olson, Vancouver Courier
Summer war games between the neighbourhood kids turn deadly serious when jealousy and betrayal enter the mix, in this alternately hilarious and horrifying black comedy that mixes equal parts Lord of the Flies and Roald Dahl.
"Sharp, funny and edge-of-your-seat chilling, this darkly provocative actioner, starring a startlingly stellar all-kid ensemble cast, turns a neighbourhood woods game of Capture the Flag into a high-stakes round of no-holds-barred jungle warfare – with the rules about to be broken. The fantasy-tinged film nails the ferocious intensity of children’s games (the imaginary world feels real in the moment) while it plays with cinema conventions (coming-of-age stories, war tales, etc). An after-school special you won’t want to miss." 4 stars Globe & Mail
"I Declare War is everthing The Hunger Games attempts to be, but better - it says more with less, goes farther while staying smaller, and finds reality in a more fantastical scenario… A Lord Of The Flies for a new generation, I Declare War deserves to be seen by adults and needs to be seen by kids. We don’t often get action films of any kind that have this much to say, much less films that are this delicately balanced between mainstream appeal and realistic intensity. Smart, touching, and exciting, I Declare War is sure to be one of your favorites of this year or next." Renn Brown, CHUD
The “Gathering Festival” is a multidimensional and multi-day community festival that celebrates the diversity and unique make up of Vancouver’s Downtown South with four weeks of free public art workshops and programs leading to three days of celebrations at Emery Barnes Park (Davie and Seymour St.) around the summer solstice on Saturday June 21, 2014.
This affecting portrait of three generations of Cree women smacks of authenticity and truth. It’s a low-key movie about mother-daughter relationships and the way past mistakes have a way of cycling back round again no matter how hard you try to run away from them. 5 Canada Screen Awards Nominations: Best Film, Screenplay, Actress, Supporting Actress and Editing.
"Beautifully shot, newcomers Gee and Eyre are revelations, and the central theme of cultural pride is stirring and urgent." Glenn Sumi, Now Toronto
"Finely crafted… A trio of gorgeous performances from the three female leads…" Katherine Monk, Canada.com
In 1945, 95% of the Jews in Poland were murdered during the Holocaust. In 2013, a Jewish museum is erected, a monument not just to the past, but to a New Poland. We Are Here is an important documentary looking at the complex and fragile Polish-Jewish relationship through the eyes of five Jews living in Poland today.
Set in the heart of the Middle Eastern community in Vancouver, Canada, Kayan is an intricate story of betrayal, belonging and love in all their complicated and often paradoxical glory. Hanin, a strong-minded Lebanese woman, tries her best to keep Kayan, her struggling restaurant, afloat. A subtle, authentic movie about an everyday twentyfirst century heroine trying to make ends meet in a place far from home, this offers a strikingly different perspective on our city.
Kayan offers a glancing impression of Middle Eastern diaspora life through a vivid rendering of a busy Lebanese restaurant in Vancouver. Iran-born helmer Maryam Najafi films an actual eatery, enlisting its staff and clientele to play themselves; their seamless perfs contribute to the pic’s docu-like veracity, led by thesp Oula Hamadeh’s magnetic presence in a complex leading role." Maggie Lee, Variety
Established in 2004, the Student Film Showcase showcases the finest in student films from universities and colleges from across Canada. With the participation of the Film School Consortium this TIFF event presents a range of student films in diverse forms - including animation, documentary, fiction and experimental work - that represent the burgeoning talent of our nation’s next generation of filmmakers.
Genius: The Kevin Aussant Story
Kevin — and his mother — always believed he’d become the greatest screenwriter of all time. Gifted and confident, but discouraged by his father, Kevin finally moves to the big city to pursue his dream in this quirky comedy about the unshakable power of creativity.
Placement of the Grain
Sculpted monochromatic figures mutate into eerie renderings that are simultaneously transfixing and disturbing; if the Quay Brothers and David Cronenberg had an animated cinematic lovechild, it might look like Placement of the Grain.
On a small farm, two young brothers spend their day picking produce, tormenting chickens, throwing eggs at trains, and hunting each other with foam-dart guns. Daily life in the countryside is given a sensitive, subtle and patient treatment by director Dylan Stirewalt.
It’s a beautiful day in the mountains as a young boy, Snorkly, joins a day-camp race and lies to get onto the team of his choice, The Fanny Pack. Team Work is an absurd, hilarious film — a cross between Robot Chicken and South Park, with a touch more heart.
The Toronto blackout of 2003 is the focus of this animated documentary, which stitches personal anecdotes together with handcrafted illustrations to recall a moment when the vibrant Big Smoke was transformed into a magical, mysterious place.
Lou pumps gas at the local truck ’n’ go, but dreams of one day escaping with her BFF Chantal to "blow up" in the big city. Funny and brutally honest, Firecrackers paints a picture of small-town life filled with truck-stop diners, deadbeat adults, and the teenagers who hope to escape from both.
Sun of a Beach
Shunned for shining a little too brightly, the poor sun feels alone in its search to connect and be wanted. Good intentions fire up the screen in this fun and cheerful animated vignette. SPF 30 recommended.
Walter Woodman, Patrick Cederberg
In a story that plays out entirely on a teenager’s computer screen, Noah follows its eponymous protagonist as his relationship takes a rapid turn for the worse in this fascinating study of behaviour (and romance) in the digital age.
Eui Yong Zong
A sensitive documentary on the preservation of memories, Elizabeth follows Donald as he prepares to put to rest his companion of 18 years. This film is a raw, touching, and at times surprising portrait of grief and the difficulty of imagining life without a loyal partner.
Repurposing an old home movie clip of a family posing on a boat near port, Byron Chan loops the footage and reconfigures history in this captivating formal study of analogue archival material reshaped in the modern age.
Eileen H. Peng
A Brothers Grimm-inspired fairy tale given a striking animation treatment, Godfather Death tells the story of a young doctor whose godfather was — fittingly — Death. Empowered by his godfather’s gift of a potion that cures all disease, the doctor soon learns that the balance of life cannot be cheated.
Toronto artisan Ross Stuart has been hand-crafting banjos and ukuleles for years, but has found it hard to turn his work into a sole source of income. Rosbilt is as much a polished portrait of an honest, outspoken and hard-working man as it is an examination of artistic output as livelihood.
Basilisk, a greedy land-based creature with eyes only for a pot of gold, is on the run trying to track down his prize. A colourful, vivid animation reminiscent of the great Hayao Miyazaki, Basilisk and its animator Mami Thompson are names to watch out for
Nunavut means "Our Land". But does that include us? After decades of what might generously be described as benign neglect, Canada seems more invested in the north than ever (no prizes for guessing why). Documentarian John Walker (A Drummer’s Dream) traces the long, often fractious relationship between the Inuit and the rest of the country, marvels at the beauty and hardship of this place, and reflects on his own experiences, revisiting the arctic for the first time since the 60s.
One billion people on our planet—one in six—live in shantytowns, slums or squats. Slums: Cities of Tomorrow challenges conventional thinking to propose that slums are in fact the solution, not the problem, to urban overcrowding.
"3/4: The film challenges the ingrained prejudice that leads many urban governments to withhold basic services from squatters and force them into apartment blocks." Globe and Mail
"A celebration of the perseverance and creativity of some of the poorest people in the world." Pretty Clever Films
There are men, and then there are men with beards. how your true face to the world. It’s not as easy as it looks! In fact for many men growing a beard is a challenge and even a rite of passage, a time when they reclaim their masculinity despite suspicion and derision from colleagues, bosses, friends and loved ones. If the results can be hairy - especially when confronted with a bowl of soup - they can also prove revelatory, opening up new channels of self expression and even sensuality.
VANCOUVER PREMIERE - The school of Japanese asceticism called Shugendo is a blend of Shinto, Daoism and Buddhism. Followers practice arduous rituals in wildernesses and are deeply committed to protecting the natural environment. The film is a poetic and intimate journey into a rarely seen world between the developed and the wild, between the present and the infinite.
“Beautifully filmed, aesthetically pleasing, and religiously challenging." Paul Swanson
Part Hitchcockian mystery thriller, part quirky new-wave comedy, this free-wheeling Quebecois audience-pleaser riffs on our brave new digitally interconnected world with nimble wit and an underlying seriousness. A coat-check girl follows a misplaced key into a turpid conspiracy and finds romance - and political engagmnent - en route.
"A genre mashup that keeps audiences amused from beginning to end." Boyd van Hoeij, Variety
For his first North American movie the acclaimed French filmmaker Laurent Cantet (The Class; Time Out) came to Canada to film Joyce Carol Oates’ novel about a girl gang in the 1950s. Inspired by their leader, "Legs", the gang fights back against disciplinarian school masters, abusive employers, predatory males and neglectful parents - eventually establishing their own quasi-"collective". "A frequently thrilling evocation of teen lives." Empire
"A frequently thrilling evocation of teen lives. Proof that The Class and Time Out were no pan flashes. 4/5" Angie Errigo, Empire
"Impressively directed and superbly written, this is a riveting and emotionally engaging drama with some thought-provoking ideas and terrific performances from its young cast of unknowns. Highly recommended." Matt Turner, View
"As beautiful as it is surprising, Cantet’s Foxfire girls appear like the ancestors of Pussy Riot." Les Inrockuptibles
The intense, remarkable life of the Chilean singer-songwriter Violeta Parra is explored with sensitivity and exquisite lightness of touch in Andrés Wood’s [drama]. Featuring a searching central performance from Francisca Gavilán, this beautifully lensed portrait moves elegantly back and forth in time to limn the life of a woman who perpetually struggled to find her place.—Variety. Winner, World Cinema Jury Prize: Dramatic, Sundance 2012.