Lukas Moodysson (Together; Show Me Love) adapts his wife Coco’s graphic novel about three 13-year-old girls growing up in early ’80s Stockholm and forming their own punk band - the best band in the world!
"A gloriously funny coming-of-age comedy – although age itself is squeezed almost entirely into the margins, crowded out by the film’s raucous, window-rattling love of being young." Daily Telegraph
"A joyous, heart-swelling tale of youthful rebellion." Manohla Dargis, New York Times
"A joyous time capsule. Captures the DIY empowerment of punk rock and the bond of female friendships in one blissful swoop. For those of us who’ve been hoping that Lukas Moodysson would return to the tender touch of early movies like Show Me Love and Together, the wait is over." David Fear, The Village Voice
" A gloriously funny coming-of-age comedy – although age itself is squeezed almost entirely into the margins, crowded out by the film’s raucous, window-rattling love of being young." Robbie Colin, Daily Telegraph
One of the most popular movies at this year’s VIFF, this is both an acute psychological study and a deadpan comedy of manners, a portrait of a family riven by the father’s instinctive act of cowardice in the face of an avalanche during a skiing holiday. For all his attempts to pretend that nothing has happened, everything has changed. But what to do about it?
"An ice cold knockout. Brilliantly perceptive and frostily funny." Aaron Hills, Village Voice
"Damning, frequently hilarious study of imploding male ego." AV Club
"Visually stunning. Emotionally perceptive." Variety
11-year-old Aslan finds a wounded fighting dog left to die in a ditch. He adopts the dog - Sivas - and they become friends. Meanwhile, Osman, Aslan’s rival-in-love and son of the village head, clinches the role of Prince in the school play. As Osman gets closer to Ayşe, the “princess” of the village, Aslan tries to impress her with his newfound friend. And Sivas, having found a new lease on life, wins one fight after another, strengthening Aslan’s hand.
"[A] tough, imposing debut feature… distinguished by its muscular technical brio and rich, integral sense of place." Guy Lodge, Variety
"The best thing about Sivas is the sense of the uncomfortable age at which Aslan finds himself, no longer a true kid but not yet a full-fledged teenager either… And as Aslan, the nonprofessional Izci, often very intense, is a true find…" Boyd van Hoeij, Hollywood Reporter
Ali Aydın’s elegantly composed cinematic fete deservedly won him the “Lion of the Future” award at the 69th Venice Film Festival. Basri spends his life in self-imposed isolation following the disappearance of his only son and the subsequent death of his wife, his hope has failed to dwindle. For almost two decades, he has penned and sent monthly petitions to local authorities, much to their annoyance, to uncover the truth about his child.
"Unpretentious and satisfyingly complete… [Aydin] couldn’t have found a better vessel than Kesal, known for his collaborations as both actor and co-scripter with Nuri Bilge Ceylan… Kesal’s Basri is the kind of nondescript man no one notices - whether glimpsed on the street or in a cafe, few would spend time wondering about his backstory. Making this poignant figure a source of sympathy and depth with a minimum of information is a significant achievement for both [actor] and director." Jay Weissberg, Hollywood Reporter
In Turkish auteur Reha Erdem’s genre-defying film Singing Women a group of distressed women struggle with their tribulations, united by extraordinary reserves of energy, courage, hope and faith. As the women transform their tragedy with songs of rebellion and life, they also infect the frustrated, never grown-up child Adem with the joys of being human. The film follows them throughout their inspiring, humanistic journeys into the different dimensions of existence.
Thou Gild’st the Even is a fantastically surreal fable depicting the existential ennui of the super power possessing residents of a rural Aegean town. The film centers on Cemal (Ali Atay), a chronically anxious young man who falls deeply in love with the beguiling Yasemin (Demet Evgar) after a failed suicide attempt. Laden with a heavy Shakespearean influence that imbues magical realism into the quotidian life and bearing intense outbursts of sporadic violence that may even put Tarantino to shame, this film is a true cinematic gift to the sincere cinephile.
"Thou Gilds’t the Even is a beautiful shimmery thing, shot in black and white of the lush variety. Infused throughout with wit, deadpan humor, and charming visual effects, the movie is quite unlike anything else you’ll see this year." Brandy Dean, Pretty Clever Films
"The real strength of Ünlü’s films lies in their ability to create a dramatic impact despite all their absurdity and the constant bombardment of over-the-top jokes. In Thou Gild’st the Even, Ünlü is at his best creating an utter sense of desolation even during the funniest moments, and interrupting the most dramatic scenes with unexpected jokes." Berke Göl, FIPRESCI
"Moving at a staccato rhythm, Unlu’s film benefits from a cast that intuitively seems to blend into their parts." Dan Fainaru, Screen
Turkey’s 2014 Oscar Submission for Best Foreign Language Film. centers on two friends, Muzaffer (Kıvanç Tatlıtuğ) and Rüştü (Mert Fırat), both young aspiring poets in 1940s Turkey. The arrival of Suzan (Belçim Bilgin), the beautiful and affluent new girl in town, prompts them to wage a bet. Each will pen a poem and submit it blindly for the girl to make her choice. As the friends both start falling for Suzan, they must also endure the problems of disease, poverty and compulsory work in the mines at the time of the Second World War. Based on a true story.
"A sumptuously mounted and well-acted period drama… The idea that love and poetry feed off of each other is illustrated beautifully." Boyd van Hoeij, Hollywood Reporter
"With its lively pace… likable performers and lush picture-postcard look, The Butterfly’s Dream is to poetry what Titanic was to nautical disasters." Dennis Harvey, Variety
"Irresistibly lyrical." Indiewire
On a hot summer’s night in Istanbul; Ece (Nehir Erdoğan) pays a visit to Cenk (İlker Kaleli) and once buried feelings are suddenly reignited. Moments later they notice a thief, a young boy, who escapes into the darkness. The evening takes a turn for the worse following the sudden appearance of yet another thief…
A huge hit in Turkey this year, Coming Soon is a love letter to the golden days of Turkish Cinema and an homage to all those earning their livelihoods in the film industry. Ex-film extra Zafer (Cem Yılmaz) decides to alter his ways when his wife Arzu (Tülin Özen) suddenly walks out on their marriage. Promising to abandon his world of petty crime primarily revolving around DVD piracy, Zafer, with the help of some eccentric film industry pals, sets out to realize an age-old film project collecting dust since the 70s…
Set in a conservative 1970s Turkish town, Whisper If I Forget tells the captivating story of Hanife (Işıl Yücesoy), a young taciturn nurse with a penchant for poetry, and her unruly, polar opposite sister Hatice (Farah Zeynep Abdullah), an aspiring chanteuse. Their lives are changed forever with the arrival of Tarık (Mehmet Günsür), the easy-on-the-eyes son of the newly appointed district governor.
The documentary Turkish Passport tells the story of the diplomats posted to Turkish embassies and consulates in several European countries who saved numerous Jews during the Second World War.
Three award-winning short films from Turkey: Silent (12 min) Dir Rezan Yesilbas; Country (22 min) Dir Onur Yağız; Uncle Seref and His Shadow (15 min) Dir Buğra Dedeoğlu
Two documentary short features. My Child (82 mins) is about very courageous and inspiring group of mothers and fathers in Turkey who are parents of lesbian, gay, bisexual, trans-gender individuals. They have not only gone through the difficult path of accepting their children for who they are but also have taken the next step to share their experiences with other LGBT families and the public. Taşkafa (66 min) is a feature documentary film about memory and the most necessary forms of belonging, both to a place and to history, through a search for the role played in the city by Istanbul’s street dogs and their relationship to its human populations
If this isn’t quite all you wanted to know about Nick Cave but were afraid to ask, at least it’s all the great Australian singer-songwriter, novelist, screenwriter, actor is ready to share - which is more than enough to be getting on with. It’s part personal inventory, part artistic manifesto, part fantasy, part rock show, and pure Nick Cave.
“Probably best music doc I’ve ever seen… so much more than music. Beautifully made” Wendy Mitchell, Screen International
“Incredible. Puts most music films to shame. So inventive and inspiring.” Dave Calhoun, Time Out
“Probably best music doc I’ve ever seen… so much more than music. Beautifully made” Wendy Mitchell, Screen International
"Revelatory, and wonderful." Stephanie Zacherek, Village Voice
Arguably the most underrated US movie of the year, the latest from James Gray (Two Lovers) is a romantic epic set in New York in the 1920s. Marion Cotillard is superb as the Polish woman torn between Joaquin Phoenix’s dubious fixer, Bruno, and his cousin, an illusionist (Jeremy Renner).
"The film is earnestly and unabashedly melodramatic to an extent that may baffle audiences accustomed to clever, knowing historical fictions. But it also has a depth and purity of feeling that makes other movies feel timid and small by comparison." AO Scott, The New York Times
"You may often find yourself second-guessing the film, questioning how—and if—it will all come together. But by the time of the intense and impassioned climax, a storm of emotion is ensured: a great movie rising before you like a delusion, like a dream." Keith Uhlich, Time Out New York
A dozen years in the making, Richard Linklater’s masterpiece chronicles the evolution of a boy into a young man, from six to 18. It is the ultimate coming-of-age movie, and one of the most audacious cinematic feats of the decade.
Street style photographer Ari Seth Cohen and director Lina Plioplyte dive into the personal lives of New York City’s most fashionable women over 60. In an industry obsessed with youth, these older women dispel conventional ideas about beauty and aging and prove that with age comes grace, confidence, boldness, flair and new, unimagined opportunities for fame and fortune.
"Inspired by Ari Seth Cohen’s blog by the same name, "Advanced Style" is a love letter to older women who’ve elevated dressing to an art form." Moira MacDonald, Seattle Times
"The way the women occupy Cohen and Plioplyte’s spotlight is a lesson in aging well, a lesson that begins with the refusal to play by the rule that says to grow older, especially for women, is to fade into the shadows." Sherri Linden, LA Times
"These women are living life to the fullest - and they are inviting us to do the same." David Lewis, San Francisco Chronicle
It is not often that a documentary merits comparison with The Grapes of Wrath, but The Overnighters evokes Steinbeck (and John Ford) in its compassionate portrait of economic migrants flooding into North Dakota to grasp their slice of the oil boom. Shunned as interlopers by most, these newcomers are welcomed into the Concordia Lutheran Church by a remarkable Pastor - whose Christian charity affronts his congregation and community.
"One could draw numerous lessons from this moving and almost operatic documentary… Jesse Moss spins a gripping saga that seems to capture the American zeitgeist in uncanny fashion, and it’s all true." Andrew O’Hehir, Salon.com
At first galvanizing in its depiction of survival amid dire circumstances, The Overnighters transforms into a devastating portrait of communal unrest." Eric Kohn, Indiewire
"Starkly bleak and devastatingly humane… an indelible American documentary." Katie Walsh, The Playlist
Dearly beloved, we are gathered here today to celebrate the 30th Anniversary of the breakout debut movie from the Minneapolis maestro, Prince Nelson Rogers. Purple Rain is everything you could want from a rock film, and more - it’s sexy, sassy, slick and it captures the young Prince in the raw.
Welcome to London’s famous National Gallery, as seen by America’s foremost observational filmmaker, Fred Wiseman (La Danse; At Berkeley). Wiseman gives us a guided tour of masterpieces by Turner, Rembrandt, Vermeer, Caravaggio and Da Vinci, but also shows what’s going on behind the scenes at one of the world’s premier art institutions.
"A great, great film. Wiseman’s technique is simple, refined, and blissfully pure. The real joy of his film is that it never needs to strain for effect; it sits back. It’s like being lulled with intelligence." Tim Robey, The Telegraph (UK)
"One of the greatest [films] I have seen all year… Magnificent… Wiseman’s touch is deft but light here, and the experience of watching National Gallery is pleasurable and immersive because he’s a wonderful storyteller. It is also unexpectedly moving." Manohla Dargis, The New York Times
"One of Wiseman’s richest and most thought-provoking films." Budd Wilkins, Slant