Dark, delirious and made under the sign of Scorsese, Rhymes for Young Ghouls is the angriest, punkiest, least "Canadian" Canadian movie you’ll see all year, and an electrifying feature debut from writer-director Jeff Barnaby. "Weed princess" Aila (the sensational Kawennahere Devery Jacobs) is used to looking out for herself on the Red Crow res, but when her old man gets out from prison things only get harder…
"It’s a tough, gritty piece of work, long on the violence but invested with the poetic sensibility you find in a Cormac McCarthy novel or Tom Waits song… [It] marks the arrival of a genuine cinematic intelligence, one sensitive to life’s more intimate, tender, even spiritual moments yet not averse to slamming the sledgehammer as circumstances require."—James Adams, Globe and Mail
’Exhibiting a vivid eye for potent imagery and a striking sense of the downtrodden vitriol [Rhymes For Young Ghouls] is a tremendously rousing film that announces the arrival of an exciting new voice in Canadian cinema." Scott A Gray, exclaim
"It has been years, probably since Xavier Dolan emerged with I Killed My Mother, since a Canadian director has debuted with a movie as impressive as Jeff Barnaby and Rhymes for Young Ghouls." Marina Antunes, Row Three
A meditative, free-associative but entirely engrossing contemplation of the nature of time by the innovative non-fiction filmmaker Peter Mettler. Detroit, Big Island, India and CERN are just some of his philosophical pit-stops. Go with the (lava) floe.
"Recalling the work of Terrence Malick, Werner Herzog and the late Chris Marker… The End of Time becomes immersive and hypnotic… a ravishingly beautiful experience." Stephen Dalton, The Hollywood Reporter.
"Peter Mettler’s poetic lens has inquired into everything from personal fulfillment (Gambling, Gods and LSD) to the Northern Lights (Picture of Light). Now he’s after his most elusive prey yet: the very human concept of time… [The End of Time] is of a piece with Patricio Guzmán’s Nostalgia for the Light, a film that similarly finds miraculous unity in seemingly random things." Peter Howell, Toronto Star.
Opening Night supported by First Weekend Club. Come early to enjoy a reception, Siobhan Devine's Vancouver-made short film OMG (starring Gabrille Rose and Matreya Fedor, and a post screening Q&A with director Sean Garrity.
At 41, Nicole is at a point in her life when she is asking is this all there is - or whether she still has more to offer? One day she gets a letter from an anonymous observer who seems to know her daily habits intimately. More than that - he seems to intuit a potential Nicole herself has buried deep inside. He has a plan for her, if she is interested… And so begins a dance that is by turns adventurous, romantic, erotic, reckless and potentially disastrous.
“The plot will creep under your skin and raise your pulse.”
Chris Knight, The National Post
"Tightly crafted… very gripping with a fabulous performance by Michelle Giroux." Brian D Johnson, City TV
“Garrity fashions something tense, steely, and affecting out of a premise that might’ve yielded an erotic fantasy if the events here weren’t so rooted.” Jason Anderson, The Grid
This wildly funny and original Vancouver satire focusses on a corrupt local politician with a strange neural complaint: he believes he’s the subject of a reality TV show (even though no one else can see the cameraman who dogs his every move).
“"Movies about movies" are tricky ground, but there are very few missteps here. The humor is pitch black, and had me laughing constantly.” —Zack Mosely, Quiet Earth
From the World Cup to the remote Buddhist kingdom of Bhutan, three students are on a quest. The catch is…the teacher. Soccer-obsessed, charismatic filmmaker, and citizen of the world, Khyentse Norbu may be one of the most eminent Tibetan Buddhist teachers, but it’s a job description he slyly seems to reject at every turn.
"Provocative and surprisingly fast-moving." Ken Eisner, Georgia Straight
This affecting portrait of three generations of Cree women smacks of authenticity and truth. It’s a low-key movie about mother-daughter relationships and the way past mistakes have a way of cycling back round again no matter how hard you try to run away from them. 5 Canada Screen Awards Nominations: Best Film, Screenplay, Actress, Supporting Actress and Editing.
"Beautifully shot, newcomers Gee and Eyre are revelations, and the central theme of cultural pride is stirring and urgent." Glenn Sumi, Now Toronto
"Finely crafted… A trio of gorgeous performances from the three female leads…" Katherine Monk, Canada.com
The latest in our irregular series of archival shows throws a well-earned spotlight on the late Phil Keatley, whose long career at the CBC ranged from the 1950s to the 70s. Keatley is probably best known for his work as a producer on The Beachcombers, but here we look back further, to three black and white dramas he produced in BC between 1958 and 1967.
A Canadian-made “porno chic” movie? It never happened! So historians say. But tonight’s screening proves otherwise as the never-released and unknown sexually-explicit [or: ‘X-rated’] horror-spoof Sexcula—-made entirely in British Columbia back in ’73—-screens in a World-Premiere of its original, unplayed 16mm answer-print. Produced with the help of Canadian film tax credits (that’s right—-taxpayers backed a porn movie—only in Canada!), Sexcula is one of the oddest entries in the colourful catalog of “Canuxploitation.”. Special guests to be announced.
When livestock begin dying and people become mysteriously ill after gas leaks in Peace River Country in northwestern BC, a series of bombs are set off on the pipelines in reaction. "Trouble in the Peace" follows Karl Mattson, an enigmatic and reclusive cowboy, as he struggles to make sense of what’s happening to his town and the people in it. Feeling scared and alone, he embarks on a unique course of action in an attempt to save his family and unite the community.
There are men, and then there are men with beards. how your true face to the world. It’s not as easy as it looks! In fact for many men growing a beard is a challenge and even a rite of passage, a time when they reclaim their masculinity despite suspicion and derision from colleagues, bosses, friends and loved ones. If the results can be hairy - especially when confronted with a bowl of soup - they can also prove revelatory, opening up new channels of self expression and even sensuality.
Nunavut means "Our Land". But does that include us? After decades of what might generously be described as benign neglect, Canada seems more invested in the north than ever (no prizes for guessing why). Documentarian John Walker (A Drummer’s Dream) traces the long, often fractious relationship between the Inuit and the rest of the country, marvels at the beauty and hardship of this place, and reflects on his own experiences, revisiting the arctic for the first time since the 60s.
Two women from opposite sides of Hitler’s Third Reich meet in Toronto, years after the Second World War–Mania, orphaned by the regime, and Johanna, possibly the Nazi guard who protected her. Weaving together their stories, this powerful documentary intimately explores their war experiences and witnesses their reunion more than half a century later.
A homegrown Sugarman, little-known Canadian actor Rob Stewart had no idea that a dumb, short-lived cop show he made 20 years ago was a cultural phenomenon in Serbia. Throughout the war years, Tropical Heat was far and away the most popular series on Serbian TV screens, and Stewart’s character Nick Slaughter became an icon for dissidents protesting the Milosevic regime. Venturing to Eastern Europe for the first time, Stewart discovers the extent of a fame he never knew he had.
"A winner!" National Post
"Heart and heft." Globe & Mail
"A real find… truly bizarre." The Star
If you think Amour was too sentimental, then this extraordinary documentary from Brian Cassidy and Melanie Shatzky (Frances) is just what you crave: the filmmakers spent years visiting a nursing home, charting the progress of senility, dementia, and of course death among the residents. All this narrated with bleak, wrily philosophical humor by one of their number. The film is not journalistic, but poetic, a "dirge", in the words of the filmmakers - and one you will not forget in a hurry.
"The Patron Saints was the single best film I saw during the festival run of Putty Hill." - Matt Porterfield
"Mainly, this observational realism serves the filmmakers exceedingly well, creating a humane, almost elegiac atmosphere, with occasional flashes of black humour, all of it heightened by a soundtrack of choral music that culminates in Arvo Part’s ethereal version of My Heart’s in the Highlands." Kate Taylor, Globe & Mail
"Bleak, moving, expressionistic." NOW magazine
* VIFC Guest + Volunteer Passes are not valid for Best Of Hot Docs Series
In 1968, homosexuality was illegal in NYC. Gay bars were dark, dirty, dangerous and mostly controlled by the syndicate. But then along came Steve Ostrow, opera singer and entrepreneur, with a grand vision. From the minute Ostrow opened the elegant Continental Bath and Health Club in the legendary Ansonia Hotel, it was a beacon for the hip, the beautiful and the infamous. With a cabaret stage featuring red hot performers like Bette Midler and Labelle, straight high society, celebs and hunky men in towels jammed into the same room, bringing gays into the open and ultimately playing a critical role in overturning anti-gay laws.
"Documentary gold. 4 stars." Glenn Sumi, Now magazine
"Intimate and fascinating… a slice of social and pop history that demands to be consumed." David Voigt, Examiner
"It’s a great story made even greater by Malcolm Ingram’s first-rate feature." Greg Klymkiw.