One of the most acclaimed — and revelatory — music documentaries in the last few years, this Academy Award-winning film investigates, the life, work and mysterious disappearance of the 70s singer-songwriter Rodriguez. Screening in tribute to director Malik Bendjelloul, who committed suicide earlier this year.
"A hugely appealing documentary about fans, faith and an enigmatic Age of Aquarius musician who burned bright and hopeful before disappearing."—Manohla Dargis, New York Times
"All you really have to know about this surprising and emotive music doc is that you should see it."—Trevor Johnston, Time Out
One of Almodovar’s very best, this strange and lustrous love story involves two men and two comatose women (one of them a bullfighter). It sounds weird because it is weird - yet by the end it also feels very true, very natural, and totally heartfelt.
"Talk to Her is totally in love with passion, and with love."—The New York Times
"Talk to Her is very much a subversive film, one that takes its time creeping in under your skin. But once there, it’s determined to stay awhile, to entice the mind into playing seditious games."—Kenneth Turan, LA Times
"Pure cinematic intoxication, a wildly inventive mixture of comedy and melodrama, tastelessness and swooning elegance."—Liam Lacey, Globe and Mail
Walking the Camino: Six Ways to Santiago follows various pilgrims, from ages 3 to 73, as they attempt to cross an entire country on foot—with only a backpack, a pair of boots and an open mind. Driven by an inexplicable calling and a grand sense of adventure, we witness the Camino’s magnetic and miraculous power to change lives. Each pilgrim throws themselves heart and soul into their incredibly challenging trek to Santiago de Compostela, and most importantly, their personal journey to themselves.
"Driving both the filmmaker and her subjects is wonder and wanderlust. Their enthusiasm for the Camino is contagious ..."—Diana Clarke, Village Voice
Jonathan Demme returns to his favourite subject - Neil Young - for their third collaboration in six years. This is an intimate and intense account of Young returning to his homeland and performing a couple of blistering shows at Massey Hall in the spring of 2011.
"Shooting a couple of rapturously received gigs performed by a band-less Young at Toronto’s historic Massey Hall in May, 2011, Demme not only had his camera crew get up the singer’s nose (literally), he affixed small stationary cameras inside a piano, on the microphone stand and elsewhere to capture his subject’s every grimace, gliss of sweat and fleck of spittle ... At film’s end, one is left in awe at the richness of Young’s oeuvre (which admittedly sometimes makes Bob Dylan’s seem like tidings of great joy), his stamina and his questing spirit." — James Adams, Globe and Mail
"A feast for Neil Young lovers and initiates alike." — Peter Rainier, Christian Sience Monitor
Over the past two decades, acclaimed documentary filmmaker Doug Block has supported his career with a side business of videotaping weddings. Long curious about how their marriages have turned out, he tracks down and interviews some of the more memorable of his 112 wedding couples - with funny, insightful and moving results.
"Quirky, entertaining, and heartwarming."—Toronto Film Scene
"Simple in execution, but unmistakably rich in dialogue of the complexities of married life, Doug Block has lensed a wonderfully playful, startlingly tragic film that will surely move anyone who’s ever been in love and question anyone considering marriage themselves."—Jordan M Smith, Ion cinema
"Block finds the extraordinary in the patient observation of everyday life."—Michel Gondry
Imagine Luis Bunuel’s Discreet Charm of the Bourgeoisie crossed with Shane Carruth’s Primer and Lars von Trier’s Melancholia... Or just imagine a dinner party with friends, a dinner party that starts out quite normally, but which takes a dramatic turn towards the surreal when the power goes out – apparently connected to the proximity of a passing comet. Two guests venture out to the one house in the vicinity which mysteriously still has power. Before the night is done everyone present will have to rethink what they’re doing there, their longest and most intimate relationships, and indeed, who they really think they are…
"You walk away from it with your brain on fire."—Bilge Ebiri, New York Magazine
"The result is an uncommonly clever genre movie, reliant not on special effects—of which there are basically none—but on heavy doses of paranoia."—AA Dowd, AV Club
"No budget filmmaking at its most delectably inventive."—Mike D’Angelo, The Dissolve
This extraordinary documentary - one of the most popular films at VIFF last year - shuttles from New York to France to Chicago as it traces the life story of the late Vivian Maier, a career nanny whose previously unknown cache of 100,000 photographs has earned her a posthumous reputation as one of America’s most accomplished and insightful street photographers.
"Compelling... haunting... captivating." — Variety
"Poignant, informative, occasionally disturbing." — Globe and Mail
USA, France, South Korea
In a future where a failed global-warming experiment kills off most life on the planet, a class system evolves aboard the Snowpiercer, a bullet train that travels around the globe via a perpetual-motion engine. From acclaimed director Bong Joon-ho (The Host; Mother; Memories of Murder) comes the coolest action pic of the summer, a class allegory delivered with slambang violence, visual panache, and delirious conviction - and starring Captain America himself!
"Politically provocative and visually spectacular Snowpiercer — the best action film of 2014, and probably the best film, period." — Andrew O’Hehir, Salon
"Watching it, I was reminded of the first time I experienced The Matrix or District 9. Snowpiercer sucks you into its strange, brave new world so completely, it leaves you with the all too rare sensation that you’ve just witnessed something you’ve never seen before ... and need to see again and again. A" — Chris Nashawaty, Entertainment Weekly
"Gets at a kind of daring, giddy excitement that plays like something our movies have lost." — Joshua Rothkopf, Time Out New York