Produced by Fernando Meirelles (Blindness, City of God), the film focuses on the musical portion of the turbulent, inspiring cultural movement headed by Gilberto Gil and Caetano Veloso in the late 1960s. With a psychedelic aesthetic much in vogue at the time, the film mixes archival footage (some rarely seen), with interviews, animation, and cool graphics.
Join us for the opening of The Copacabana Social Club Series with a special event featuring the film Tropicalia, live music, food and a free Caipirinha!
Doors open at 7.00pm, Film at 7.30, followed by music and mixer. Tickets $20 ($22 non-members). No student/senior discounts, guest or volunteer passes apply.
Part Hitchcockian mystery thriller, part quirky new-wave comedy, this free-wheeling Quebecois audience-pleaser riffs on our brave new digitally interconnected world with nimble wit and an underlying seriousness. A coat-check girl follows a misplaced key into a turpid conspiracy and finds romance - and political engagmnent - en route.
"A genre mashup that keeps audiences amused from beginning to end." Boyd van Hoeij, Variety
Why does the law bestow on private corporations the rights of individuals citizen, but few of the responsibilites? Since its supremely successful release in 2002 this homegrown documentary has only (and sadly) grown more timely. Screening here in a newly revised 2 hour cut specifically aimed at educational distribution networks.
"A cogent, compelling, powerful argument, and a terrific movie."—Glenn Kenny, Premiere
With astonishing prescience (or luck) Bobbi Jo Hart started following aspiring pianist Marika Bournaki from the age of 12. She was already a prodigy, but over the course of a decade Hart was able capture her development as an artist (she has played Carnegie Hall several times) and as a person - as well as the toll her discipline took on her childhood and her family.
"A fascinating exercise… classical music abounds - Schumann, Rachmininoff, Bach - and it’s an aural delight." 3 stars Rick Groen, Globe & Mail
Introduced by UBC Film professor Ernest Mathijs, author of the first book length study of the movie, a rare chance to see arguably the best Canadian horror movie of the new millennium in 35mm. Emily Perkins and Katherine Isabelle star.
A meditative, free-associative but entirely engrossing contemplation of the nature of time by the innovative non-fiction filmmaker Peter Mettler. Detroit, Big Island, India and CERN are just some of his philosophical pit-stops. Go with the (lava) floe.
"Recalling the work of Terrence Malick, Werner Herzog and the late Chris Marker… The End of Time becomes immersive and hypnotic… a ravishingly beautiful experience." Stephen Dalton, The Hollywood Reporter.
"Peter Mettler’s poetic lens has inquired into everything from personal fulfillment (Gambling, Gods and LSD) to the Northern Lights (Picture of Light). Now he’s after his most elusive prey yet: the very human concept of time… [The End of Time] is of a piece with Patricio Guzmán’s Nostalgia for the Light, a film that similarly finds miraculous unity in seemingly random things." Peter Howell, Toronto Star.
Herman Wallace has spent 40 years imprisoned in solitary confinement in a six-foot-by-nine-foot cell for a crime many believe he never committed. The injustice of solitary confinement and the transformative power of art are explored in Herman’s House, a feature documentary from first-time director Angad Singh Bhalla, that follows the unlikely friendship between Jackie Sumell a New York artist, and Herman Wallace, one of America’s most famous inmates, as they collaborate on an acclaimed art project.
"Conceptually inventive, poetic and original, Herman’s House achieves a great feat in constructing a compelling narrative about a man we never meet and goals that aren’t quite reached… In the end, none can contain this unique and moving story, and we are left with our own imaginations, completely activated by this magnificent film." Ezra Winton, Art Threat
"As powerful as it is heartrending." Serena Whitney, Exclaim
Opening Night supported by First Weekend Club. Come early to enjoy a reception, Siobhan Devine's Vancouver-made short film OMG (starring Gabrille Rose and Matreya Fedor, and a post screening Q&A with director Sean Garrity.
At 41, Nicole is at a point in her life when she is asking is this all there is - or whether she still has more to offer? One day she gets a letter from an anonymous observer who seems to know her daily habits intimately. More than that - he seems to intuit a potential Nicole herself has buried deep inside. He has a plan for her, if she is interested… And so begins a dance that is by turns adventurous, romantic, erotic, reckless and potentially disastrous.
“The plot will creep under your skin and raise your pulse.”
Chris Knight, The National Post
"Tightly crafted… very gripping with a fabulous performance by Michelle Giroux." Brian D Johnson, City TV
“Garrity fashions something tense, steely, and affecting out of a premise that might’ve yielded an erotic fantasy if the events here weren’t so rooted.” Jason Anderson, The Grid
This wildly funny and original Vancouver satire focusses on a corrupt local politician with a strange neural complaint: he believes he’s the subject of a reality TV show (even though no one else can see the cameraman who dogs his every move).
“"Movies about movies" are tricky ground, but there are very few missteps here. The humor is pitch black, and had me laughing constantly.” —Zack Mosely, Quiet Earth
What if everything you thought you knew about drugs was wrong? What if society has misread - or been misled - about what science says about psychedelic substances? What if prohibition only exists to safeguard social inhibition (and big pharma profits)? Through interviews with the world’s foremost researchers, writers, psychologists and pioneers in psychedelic psychotherapy, Vancouver filmmaker Oliver Hockenhull explores the history of five powerful psychedelic substances (LSD, Psilocybin, MDMA, Ayahuasca and Cannabis) and their now established medicinal potential.
"Fuses science, art and spirituality into a seamless whole." Geoff Olson, Vancouver Courier
The “Gathering Festival” is a multidimensional and multi-day community festival that celebrates the diversity and unique make up of Vancouver’s Downtown South with four weeks of free public art workshops and programs leading to three days of celebrations at Emery Barnes Park (Davie and Seymour St.) around the summer solstice on Saturday June 21, 2014.
The latest in our irregular series of archival shows throws a well-earned spotlight on the late Phil Keatley, whose long career at the CBC ranged from the 1950s to the 70s. Keatley is probably best known for his work as a producer on The Beachcombers, but here we look back further, to three black and white dramas he produced in BC between 1958 and 1967.
This affecting portrait of three generations of Cree women smacks of authenticity and truth. It’s a low-key movie about mother-daughter relationships and the way past mistakes have a way of cycling back round again no matter how hard you try to run away from them. 5 Canada Screen Awards Nominations: Best Film, Screenplay, Actress, Supporting Actress and Editing.
"Beautifully shot, newcomers Gee and Eyre are revelations, and the central theme of cultural pride is stirring and urgent." Glenn Sumi, Now Toronto
"Finely crafted… A trio of gorgeous performances from the three female leads…" Katherine Monk, Canada.com
In 1945, 95% of the Jews in Poland were murdered during the Holocaust. In 2013, a Jewish museum is erected, a monument not just to the past, but to a New Poland. We Are Here is an important documentary looking at the complex and fragile Polish-Jewish relationship through the eyes of five Jews living in Poland today.
If you think Amour was too sentimental, then this extraordinary documentary from Brian Cassidy and Melanie Shatzky (Frances) is just what you crave: the filmmakers spent years visiting a nursing home, charting the progress of senility, dementia, and of course death among the residents. All this narrated with bleak, wrily philosophical humor by one of their number. The film is not journalistic, but poetic, a "dirge", in the words of the filmmakers - and one you will not forget in a hurry.
"The Patron Saints was the single best film I saw during the festival run of Putty Hill." - Matt Porterfield
"Mainly, this observational realism serves the filmmakers exceedingly well, creating a humane, almost elegiac atmosphere, with occasional flashes of black humour, all of it heightened by a soundtrack of choral music that culminates in Arvo Part’s ethereal version of My Heart’s in the Highlands." Kate Taylor, Globe & Mail
"Bleak, moving, expressionistic." NOW magazine
VANCOUVER PREMIERE - The school of Japanese asceticism called Shugendo is a blend of Shinto, Daoism and Buddhism. Followers practice arduous rituals in wildernesses and are deeply committed to protecting the natural environment. The film is a poetic and intimate journey into a rarely seen world between the developed and the wild, between the present and the infinite.
“Beautifully filmed, aesthetically pleasing, and religiously challenging." Paul Swanson