A belated return after its sell-out show two years ago, another chance to enjoy this compilation of archival footage. Using 50 years of material, local historian Michael Kluckner guides us on a moving image journey into Vancouver’s past. With musical accompaniment by jazz pianist Wayne Stewart, highlights include home movies, park board films, experimental films, and on-the-fly documentaries.
From the Canadian anthology horror series Friday the 13th, David Cronenberg’s episode is widely regarded as the most intense and memorable of the series, about a washed-up faith healer who acquires the Sforza Glove, which turns him into an actual healer when the glove is worn - by transferring the ailments from one person to another.
Emily Perkins (Ginger Snaps) and Tatiana Maslany (Orphan Black) star in Brett Sullivan’s darkly humourous follow-up to the Canadian cult hit. Brigitte (Perkins), the sister of the now-dead Ginger, is hauled off to a rehab center, where bizarrely suggestive hallucinations and some gory lycanthropic shenanigans abound.
Red herrings abound in Paul Lynch’s Canadian slasher, leading up to a killer cat-and-mouse chase through Hamilton High School, and a bloody finale that takes place on the dance floor, on prom night! Starring 80’s scream queen Jamie Lee Curtis. "If you’re not back by midnight, you won’t be coming home!"
"Prom Night II is a well-made rip-off of every largely successful horror film of the last 30 years. Elements of A Nightmare on Elm Street (dream-like murders, exaggerated deaths), The Exorcist (possession that brings out unkempt sexual urges, a priest trying to reconcile), and Carrie (Vicki’s vendetta at the prom, her overbearing religious mother) are all mixed into a familiar, yet devilishly entertaining brew."
Mary Lou Maloney is burned to death, but she returns to the prom thirty years later to possess high school student Vicki Carpenter, who becomes plagued with crazy hallucinations and proceeds to go on a supernatural killing spree in this darkly funny follow-up to the 1980 slasher hit. Genre fave Micheal Ironside playing the principal is the icing on the Canadian horror movie cake.
"Prom Night II is a dark film that borrows more from Freud than from the slasher original. It is a dark and inventive exploration of the subconscious, and is in many ways a much better film than its 1980 predecessor. A devilishly entertaining brew." Rhett Miller, Canuxploitation!
Hilarious Canadian horror-comedy starring Vancouver’s Tyler Labine (Rise of the Planet of the Apes) and Alan Tudyk (Firefly / Serenity) as two bumbling backwoods rednecks who may or may not be killing off the group of obnoxious twentysomething campers.
"A droll sendup of the killer-in-the-swamp genre that gets funnier as it rolls along." Neil Genzlinger, The New York Times
"It’s fast, it’s funny, and it works." Ty Burr, Boston Globe
"Deft/daft mix of authentic feeling and sharp parody, belly laughs and visceral dread, makes Tucker & Dale vs. Evil a keeper." Kathleen Murphy, MSN Movies
Set in a small Canadian mining town, this killer-out-for-revenge scenario succeeded in capitalizing on the craze of creative-killer slasher films by making an almost by-the-numbers horror flick that nails every bloody, requisite mark – resulting in a solid cult following (including Quentin Tarantino) and making it one of the top-grossing slasher movies of all time. Screening in the uncut version.
"The best slasher movie of all time." Quentin Tarantino
Michael Ironside stars in this slightly bizarre and squirmy little thriller as a misogynistic psycho who fixates on a feminist activist (Lee Grant), ultimately setting off an obsessive and brutal stalking scenario that culminates inside a labyrinthine hospital where she’s recovering in following an attack.
"The films this year are the closest I could ever get to experiencing Vancouver in the 1930s to the 1960s without using a time machine," says historian Michael Kluckner, who has curated and will narrate an afternoon of vintage movies from the City of Vancouver Archives.
Pianist Wayne Stewart will provide accompaniment for the movies that were originally produced without sound
Two short films from the Vancouver based producer, writer, director Jonathan Kitzen, including last year’s Academy Award-winning non-fiction short subject The Lady in Number Six: Music Saved My Life (a portrait of 109 year old Holocaust survivor Alcie Herz Sommer), and his new film, Soldiers’ Stories, a war remembrance document that draws parallels between the Battle of the Somme in WWI and today’s conflicts. The latter is presented in 3D and introduced by Jonathan Kitzen.
Jack and the Cuckoo-Clock Heart is a surreal animated film full of fabulous steampunk inventions, unforgettable characters, enchanting music, and fantastic adventures.
"Beautiful and hallucinatory, the greatest animated romance since Tim Burton’s masterpiece Corpse Bride. A revelation." James Verniere, Boston Herald
In the first of our series bringing you opera productions from London’s Royal Opera House, a chance to enjoy the company’s new staging of Richard Wagner’s epic, his final masterpiece. A young man ignorant of everything, including his own name, arrives at the Kingdom of the Holy Grail. Is he the ‘pure fool, enlightened by compassion’, who, it has been prophesied, will purify the kingdom?
Running time includes two intermissions.
An unforgettable experience!
Richard Eyre’s produciton of Verdi’s masterpiece has been one of the most successful opera stagings in the long and celebrated history of the Royal Opera House. We present the original, definitive incarnation of that production, starring the incomparable Renee Fleming as the ill-fated courtesan Violetta, oppose Joseph Calleja as Alfredo and Thomas Hapson as his unyielding father.
Andrei Serban’s staging of Puccini’s final opera is a glorious pageant of rich colour, dance and drama. Turandot is a tale of disguised identities, riddles, ritual executions and powerful, triumphant love.
Paris in 1855, when the opera was first performed, provides the starting point for the interpretation by celebrated Norwegian born director Stefan Herheim. The opera ballet plays a significant role too, with Johann Kobborg choreographing for dancers from the Royal Ballet and Royal Danish Ballet. The story is set to impassioned and dramatic music, rich in showpiece arias and ensembles with striking choruses. Antonio Pappano conducts a world-class cast including Erwin Schrott, Bryan Hymel and Lianna Haroutounian in The Royal Opera’s first ever staging of Verdi’s grand opera.
Don José (Jonas Kaufmann) is a young soldier in the army in Seville. He intends to marry Micaëla, a girl from his home village, but when he meets the sensual and high-spirited Carmen (Anna Caterina Antonacci), his head is soon turned…Spanish heat and gypsy passion are brought to the stage in Francesca Zambello’s vivid production of Bizet’s famous opera.
Sung in French with English subtitles
Acts One and Two will last for about 1 hour 50 minutes, followed by a 15 minute interval. Act Three will last for about 1 hour 5 mins.
Powerful music, a gripping story and a tragic end: Puccini’s ever-popular Tosca performed with a fabulous cast. Among the star singers in this revival are Angela Gheorghiu, Jonas Kaufmann and Bryn Terfel. Jonathan Kent’s detailed production draws to the full on the historical backdrop of Rome in 1800, an atmospheric backdrop to the love of the beautiful diva Tosca, the idealism of her lover Cavaradossi and the deadly, destructive obsession of the malevolent Chief of Police, Scarpia.
Daniele Abbado explores themes of identity, exile and religion in a powerful staging of Verdi’s epic opera. War has broken out between the Babylonians and Israelites. The Israelites have captured Fenena, younger daughter of the Babylonian King, Nabucco. In revenge, Nabucco vows to destroy Jerusalem, aided by the vengeful Abigaille.
“Domingo’s career, 42 years at Covent Garden and counting, continues to be a wonder of the age.” The Guardian
A lost key and an accidental touch of cold hands in the dark – so begins one of the great romances of all opera. In his depiction of the tender and ultimately tragic love between Mimì and Rodolfo, Puccini achieved an immediacy, warmth and humanity that have rarely been equalled.
Kasper Holten, ROH Director of Opera, presents a mesmerizing new production of Mozart’s sublime tragicomedy. The impulsive and charismatic Don Giovanni travels through Europe seducing women, accompanied by his long-suffering servant Leporello. When he commits murder, he unleashes vengeance from beyond the grave.