Valorized with great skill and insight by John Vaillant in his Governor General’s Award–winning book The Golden Spruce, Grant Hadwin’s journey from logging scout to eco-terrorist now becomes a powerful non-fiction film. Artfully reconstructing a life in the wilderness, Sasha Snow reminds us how much is at stake here, in our own backyard, and give a fair-minded account of a highly contentious individual. This screening will be preceded by a peek at Zack Embree’s film about the Kinder Morgan pipeline, Directly Affected (17 min), showing as a work in progress.
As tuition rates spiral beyond reach and student loan debt passes $1 trillion (more than credit card debt), Ivory Tower asks: Is college worth the cost? From the halls of Harvard, to public colleges in financial crisis, to Silicon Valley, filmmaker Andrew Rossi (Page One: Inside the New York Times) assembles an urgent portrait of a great American institution at the breaking point.
Special Guest and Keynote Speaker: Kathy Corrigan, MLA, Official Opposition Deputy Chair and spokesperson for Advanced Education
All Arnold Schwarzenegger’s son wants for Xmas is s Turbo Man toy. But it’s the night before Christmas and Arnie has been too busy to shop…
Not exactly It’s A Wonderful Life, Jingle All the Way is a relentless demonstration of the crass commercialism that has choked the Christmas spirit, full of unfunny antic mugging and slapstick mayhem. On the other hand, it does feature a young Jake Lloyd (Annakin Skywalker) in his second movie role).
James Jones’ autobiographical debut novel about army life at the Schofield Barracks, Oahu, in the run up to the attack on Pearl Harbor became an instant best-seller in 1951. The movie version followed quickly, and went on to win 8 Academy Awards, including Best Supporting Actor for Frank Sinatra in his first substantial dramatic role.
Sinatra is at his Frankest as John O’Hara’s womanizing heel, a second rate singer but a first class charmer. Caught between his feelings for a young chorus girl (Kim Novak) and relationship with the wealthy society matron Vera, (Rita Hayworth) who is backing his nightclub, Joey risks losing everything. With a bumper package of delovely Rodgers and Hart songs (including My Funny Valentine, Bewitched, Bothered and Bewildered, The Lady Is A Tramp, and I Didn’t Know What Time It Was), eye-popping Technicolor and its trio of top stars, this has everything you could hope for in a musical, and more.
Artist Laurie Anderson reflects on the deaths of her beloved dog Lolabelle, and her mother; on family memories, surveillance, Buddhist teachings, the creativity and consciousness of canines, and much else besides.
"Dreamy, drifty and altogether lovely… It joyfully embraces silliness… at times, it feels as if she too were haunting her movie even as, with every image and word, she fills it with life." Manohla Dargis, The New York Times
Peggy Guggenheim not only amassed one of the world’s most impressive collections of contemporary art but also rightfully earned a reputation as the consummate bohemian. In her wildly entertaining follow up to Diana Vreeland: The Eye Has to Travel,Vreeland explores how Guggenheim crashed the international art scene, discovering the likes of Jackson Pollock and Mark Rothko in the process. “[With] so many love affairs and ego clashes Art Addict never feels a bit like a history lesson.”—Hollywood Reporter
Published in 1966 but conducted in 1962, the Hitchcock/Truffaut interviews are a bible for filmmakers, a treasure trove of information, insight and inspiration. This fabulous documentary adds plentiful clips to the recordings, plus testimony from many of today’s greatest directors: Wes Anderson, David Fincher, Richard Linklater, Olivier Assayas, Martin Scorsese et al.
Like so many Hitchcock heroes, Roger Thornhill (Cary Grant) is the wrong man in the wrong place at the worst time. Mistakenly identified as a spy, this non-entity is propelled into an insane adventure that will be the making of him. Incorporating business from The 39 Steps, Saboteur, Notorious and others, this is in some ways the definitive Hitchcock picture – Thornhill was also a model for Mad Men’s Don Draper. With: Eva Marie Saint, James Mason, Martin Landau.
Based on an actual case of a New York musician who was identified as a violent criminal and whose protestations of innocence were never believed, this is the film where Hitchcock’s preoccupation with the fate of an innocent man in the wrong place at the wrong time gets its most severe and soul-searching treatment. A Kafkaesque, expressionist masterpiece, and for all its restraint, one of his most moving films. Starring Henry Fonda, Vera Miles, Anthony Quayle.
It’s the night before Christmas, and Sin-Dee is back turning tricks on the street after a month in stir. But it’s her pimp boyfriend who should be worried: Sin-Dee has heard he’s been cheating on her, and she means to get to the bottom of the rumours…
Shot entirely on iphones, this Sundance sensation from Starlet director Sean Baker is about as "now" as movies get, but also a surprisingly sweet, warm and forgiving yuletide tale.
When Marion Crane (Janet Leigh) rashly takes off with a wad of stolen cash she reckons she has the weekend before anyone will find out about it. Fate has something else in mind for her… A chance encounter with a lonely motel keeper (Anthony Perkins), for starters.
"Psycho has a very interesting construction and that game with the audience was fascinating. I was directing the viewers. You might say I was playing them, like an organ." – Alfred Hitchcock
Regularly voted one of the very best movies ever made, this is probably Hitchcock’s most personal and revealing film, a movie about male neurosis, fetishism and power, with James Stewart as the private detective who becomes obsessed with the married woman (Kim Novak) he’s been hired to follow.
James Stewart is the man who sees too much. “Jeff” Jeffries is a sports photographer waylaid by a broken leg, doomed to spend the summer in a wheelchair in his New York apartment. That’s how he comes to witness a murder in the dead of night in an apartment across the way… (or does he?). Certainly one of Hitchcock’s supreme masterpieces.
Kleptomaniac Marnie Edgar (Tippi Hedron), who moves from job to job and has a pathological fear of the colour red, is caught stealing by her latest employer Mark Rutland (Sean Connery). Instead of turning her over to the police, Mark forces Marnie to marry him, convinced that he can get to the bottom of her psychosis.
It’s not called a murder of crows for nothing. Our little feathered friends decide they have had enough of smug, complacent humans and band together to do something about it. Bodega Bay, California bears the first wave of attack, and dilettante Melanie Daniels (Tippi Hedron) seems to bring out the worst in them.
Truffaut: “Birds attack people! I am convinced that cinema was invented so that such a film could be made. This is an artist’s dream…"
One evening in New York, two young homosexuals enact an amusing demonstration of their intellectual superiority: they strangle a college friend for kicks, then stash the body in a trunk that becomes a makeshift table for the cocktail party they are throwing for the dead man that very night. The unique conceit of Rope is that is filmed in one continuous, single, flowing camera move, apparently in "real time", without a cut.
Everything you need to know about the roots of roots music, at least of Country variety: starting with the Original Carter Family—A.P., Sara and Maybelle—the film traces the trio’s early musical success, the transformation of the act into The Carter Sisters, June Carter’s marriage to legend Johnny Cash, and the efforts of the present-day Carter family to keep the music alive. Part history, part performance, part family saga, the film illuminates the Carter’s musical and cultural contributions and features a who’s who of Americana music, including Johnny Cash in one of his last interviews. Opening night show features a live performance by Petunia (of Petunia and the Vipers).
Hitchcock’s favourite Hitchcock: a smalltown thriller about a young woman (Teresa Wright) who begins to suspect her beloved Uncle Charlie (Joseph Cotten) is not quite what he pretends…
George Miller may have turned 70 in March, but that didn’t stop him from pulling off the biggest, fastest and most furious action flick in years. Like all previous Mad Max movies, this is a mytho-poetic demolition derby, a kind of punk valentine to the flaring embers of the petroleum era, a road rage against the dying of the light.