A mysterious and engaging journey through sound, song, story, ritual, performance, nature, tradition and Japanese Buddhism… A fearless merging of medieval and modern, beautifully filmed with a variety of cinematic techniques on location in Japan. “Kanzeon” is another way of saying Kannon (Chinese: Kuanyin), the embodiment of compassion, and can also be written in Japanese as “to see sounds.”
"Stunning to look at… mesmerising musical sequences”
Frances Morgan, Sight and Sound
"A stunning new British documentary.”
Jasper Sharp, Midnight Eye
In 2008, 18 climbers from a party of 24 reached the summit of the world’s second highest mountain, the treacherous K2. 48 hours later, 11 were dead, or had simply vanished. What happened? Nick Ryan weaves together found footage, eerie reenactments and interviews with survivors to try and solve this tragic mystery.
"Riveting. Gripping. Thrilling." Indiewire
"A gripping cliffhanger. A heart-throbbing experience." Hollywood Reporter
Both a tribute to one of the twentieth century’s most extravagant and influential personalities, and simultaneously a chronicle of the impact of fashion in the 1950s, 60s and 70s, this portrait of the irrepressible editor of Vogue and Harper’s Bazaar is an eye-opener, just like its subject.
"Makes a compelling case for the late Diana Vreeland as the 20th century’s pre-eminent tastemaker, not to mention one of its most extravagant personalities." Joe Morgenstern, Wall Street Journal
"4 out of 5… Captivating… Insightful." Carolyne Zinko, San Francisco Chronicle
Everything you always wanted to know about Woody… well, very nearly. This documentary traces the long and prolific life of a comedy genius, with relaxed commentary from Allen himself, his sister, and collaborators from every phase of his 50-years showbiz career.
"Not a film to be missed." Philip French, The Observer
When superstar Canadian director Robert Lepage is invited to stage Wagner’s the Ring Cycle at New York’s Metropolitan Opera it was never going to be a routine production. Susan Froemke follows the backstage progress of a controversial but visually astounding show that tested everyone involved to their limits.
"Simply the best documentary about the Met ever made." Film Journal
"Destined to be one of the classic documentaries about opera." Philadelphia Inquirer
"A rousing portrait of creative renewal and, specifically, the way in which – by attempting something daring and new in the face of an opera culture deeply invested in tradition – Lepage proves that classic art can survive and flourish in a marriage with modern technology and imagination." – The Village Voice
This curious hommage to German Expressionism is both a uniquely perverse enterprise and a real hoot. It’s a Kafkaesque comedy based on Allen’s earlier one-act play, unpromisingly titled "Death". Allen himself plays Kleinman, a clerk in an unnamed central European country who is reluctantly pulled into a vigilante hunt for a serial killer.
Ingeniously devised to dovetail with events at the remote Norwegian Antarctic base, this underrated prequel to Carpenter’s modern classic is a tense chiller that pays respect to the past while showcasing cutting edge CGI fx by Vancouver’s Image Engine.
"It’s full of chills and thrills and isolated Antarctic atmosphere and terrific Hieronymus Bosch creature effects, and if it winks genially at the plot twists of Carpenter’s film, it never feels even a little like some kind of inside joke." Andrew O’Hehir, Salon.com
Edward Norton and Drew Barrymore stroll hand in hand around a fountain, then burst into a deliciously sloppy rendition of ’Just You, Just Me’, and immediately we’re right into it, and you can’t imagine why it’s taken Woody Allen so long to get round to reviving the musical. Romantic, nostalgic and decadent as Fred Astaire, this is also the closest Allen has come to a Jacques Demy movie.
"A delightful and witty compendium of the film maker’s favorite things." Janet Maslin, New York Times
"It would take a heart of stone to resist this movie." Roger Ebert
An ambitious and imaginative film that uses animation and contemporary voices including poets Jane Hirshfield and US Poet Laureate W.S. Merwin, and Buddhist scholar Robert Thurman to explore the life and meaning of the man who became “awake,” and who continues to inspire the diverse Buddhist traditions all over the world.
In this rarely screened masterpiece from cult director Jim Jarmusch, Johnny Depp plays a 19th century greenhorn - an accountant named William Blake - who heads west to the town of Machine. His prospects take a dark turn when a love triangle ends in double murder and Blake finds himself a wanted man, on the run, until a mysterious stranger by the name of Nobody (Gary Farmer) takes him under his wing. His journey takes him from civilization as he knows it to a nebulous realm of Native American spirit, and reality seems to slip away.
"Jarmusch’s most stunning achievement." Slant
"With the passing of time, this movie will settle in and find a place as a cinema classic." Jeffery M Anderson, Combustible Celluloid
Filmed in BC, John Carpenter’s 1982 horror classic is a bone fide Antarctic chiller. American antarctic researchers come across a burned out Norwegian base - and the buried UFO which may be linked to the carnage.
"The Thing is one of [Carpenter’s] greatest moments, creating a terrifying atmosphere of claustrophobia, suspense and paranoia. And Kurt Russell is as good as he’s ever been, wearing one of the best beards in movie history." Total Film
A masterpiece of the Hollywood musical tradition, An American in Paris truly shines, remaining as fresh and exciting today as it was in 1951. Gene Kelly stars as Jerry Mulligan, an American expat trying to succeed as a painter in Paris. George and ira Gershwin provide the songs, and Minnelli pulls out all the stops for the climactic ballet against a series of Impressionist backdrops.
"Minnelli’s Technicolor musical, re-released in a gorgeous restoration, is fresher than ever." Geoffrey Macnab, The Independent
"Full of light and movement. Nothing of its kind from Hollywood had quite possessed its class, sense of style, and chic." Clive Herschhorn, The Hollywood Musical
40 years ago, William Friedkin’s The Exorcist redefined screen terror with its slow but atmospheric build up mounting to a sustained crescendo of graphic, visceral horror. Audiences had never seen special effects like these before, and reacted with panic and revulsion - as if Satan himself was at loose in this film.
"A credible portrait of the modern, urban world ripped apart by an obscene, ancient evil… the graphic desecration of everything considered wholesome and good about the fading American Dream - the home, the family, the church, and, most shockingly, the child." Mark Kermode
Lola in LA, Demy’s first (and only) Hollywood movie improves with age. Gary Lockwood is the aimless young architect who falls under the spell of a French photographic model (Anouk Aimee). "A marvel of tone and decor…forges the impossible bridge between Quentin Tarantino’s in-jokey cinematic universe of intertwined characters and events, and the recently-completed Before trilogy of Richard Linklater, Julie Delpy, and Ethan Hawke." Next Projection
"A marvel of tone and decor…forges the impossible bridge between Quentin Tarantino’s in-jokey cinematic universe of intertwined characters and events, and the recently-completed Before trilogy of Richard Linklater, Julie Delpy, and Ethan Hawke." Next Projection
"One of the great movies about LA." Geoff Andrew, Time Out Film Guide
Samsara is a Sanskrit word that means “the ever turning wheel of life” and is the point of departure for the filmmakers as they search for the elusive current of interconnection that runs through our lives. Conceived as a guided meditation on the cycle of birth, death, and rebirth, Samsara is audiovisual poetry. Filmed over a period of five years in twenty-five countries on five continents, and brilliantly shot on 70mm film, Samsara transports us to the varied worlds of sacred grounds, disaster zones, industrial complexes, and natural wonders. From the filmmakers of Baraka.
A beautifully structured and photographed film, John Turturro’s rapturous Passione offers a vibrant exploration and celebration of Neapolitan music in all its grit and glory, presenting 23 musical numbers that encompass a millennium’s worth of influences.
Chogyam Trungpa, renowned Tibetan Buddhist leader, shattered notions about how an enlightened teacher should behave when he renounced his monk’s vows & eloped with a sixteen year-old aristocrat. Twenty years after his death, Trungpa’s name still evokes admiration and outrage. What made him tick? And just what is enlightenment, anyway?
When a Vienna museum guard befriends an enigmatic visitor, the grand Kunsthistorisches Art Museum becomes a mysterious crossroads which sparks explorations of their lives, the city, and the ways artworks reflect and shape the world.
"On the one hand a sad, poignant character study, "Museum Hours" is also a treatise on art history and a love letter to architectural wonder. A-" Eric Kohn, Indiewire
"Engaginly offbeat… Cerebral stuff, but delivered with warmth, wit and quiet confidence." Stephen Dalton, Hollywood Reporter
"Delightfully accessible…filled with gently moving wit." Ken Eisner, Georgia Straight
Guatemala, GB, USA
A moving, thought-provoking and rare documentary by a Latin American woman, recording her return from exile and into the still dangerous and volatile political environment of contemporary Guatemala. Where over the course of four years, writer-director Ana Lucia Cuevas discovers, through the archived records of the perpetrators of the crimes themselves, the involvement of her own government and foreign Intelligence Services in the abduction, torture and murders of her brother and his young family.
"A powerful, personal story of state-sponsored terror in Guatemala and the lasting effects it has had on families, “The Echo of Pain of the Many” is a timely testament to the brave, untiring efforts of Guatemalans to demand justice and dent the country’s long-standing veil of impunity." Guatemala Solidarity Network
Based on Arthur C Clarke’s short story ‘The Sentinel’, 2001: A Space Odyssey redefined the sci-fi genre. With its radical structure (a single cut elides 4 million years), scant dialogue and oblique narrative this was the first movie to emulate the philosophical seriousness of writers like Clarke and Philip K Dick, and the first to see that special effects could become an integral component in the art-form.