17-year-old Victor grubs out a living with his wheelbarrow, delivering produce at a city market in Paraguay’s capital, Asuncion. He can scarcely believe his eyes when he’s handed half a C-note to babysit 7 boxes for a few hours (he gets the other half when the job is done). Of course it doesn’t take long before he wonders what his cargo might be, especially when the cops pile in.
"7 Boxes is a rollicking good time at the movies that offers breathtaking action and suspense, humor and appealing characters all in one visually flashy package." Boyd van Hoelj, Indiewire
"Crackles with the desperate energy of forced innovation." Jeannette Catsoulis, New York Times
"7 Boxes has something for everybody." Chris Knight, National Post
In the northern Philippine province of Luzon, a law-school dropout commits a horrific double murder; a gentle family man takes the fall and receives a life sentence, leaving behind a wife and two kids. A careful rethinking of Dostoevsky’s Crime and Punishment shot in blazing color, this tour de force offers a masterful recapitulation of Diaz’s longstanding obsessions: cultural memory, national guilt, and the origin of evil. "A masterpiece. An astonishing work of life, death and art." Wesley Morris
Its very existence is an exhilarating triumph over complacency… there is an almost inexhaustible humanism at the heart of this remarkable film." A.O. Scott, The New York Times
“The lights came up, I stood with tears in my eyes, and clapped as loudly as I ever have for any movie in my life.” Wesley Morris, Grantland
“A mesmerising experience that grows deeper and broader the longer it goes on” Kieran Corless, Sight and Sound
France, Poland, Denmark
Polish-born, UK-based filmmaker Pawlikowski (My Summer of Love) returns to his native land for this evocative, resonant art film about a novice nun discovering a family secret in the 1960s. Beautifully shot in black and white, this award-winning drama has been compared to the work of Francois Truffaut and Robert Bresson.
"In a very short time, Pawlikowski’s film tells us a powerful, poignant story with fine, intelligent performances." Peter Bradshaw, The Guardian
"This story of faith and despair is gracefully told, its simple, uncluttered spaces and luminous black-and-white photography harking back to Robert Bresson."JR Jones, Chicago Reader
"It’s absolutely stunning, one of the year’s best films, and a fulfillment of the promise that the director has shown for so long." Oli Lyttleton, Indiewire