Discovered by a wood cutter inside a shining stalk of bamboo, a tiny girl lights up the life of this childless peasant and his wife — even though they’re perplexed by the lightning speed with which she grows into an exquisite young lady. Their "little princess" enthralls everyone she meets, and bestows such bounty on the family that they wood cutter moves them to a city mansion, where she is courted by the most eligible bachelors far and wide. A gem of a film from Studio Ghibli’s other master, Isao Takahata (Grave of the Fireflies).
“Princess Kaguya has the feel of a true Takahata film, from its unshrinking emotional fidelity to its sudden, exhilarating leaps into fantasy ... There is a deep wisdom in this film, but a deep sadness too. If it is Takahata’s farewell, it’s one that will have a long echo, just like his 1,000-year-old source.” — Mark Schilling, Japan Times
"A visionary tour de force." — Maggie Lee, Variety
A pinnacle of animation in the new millennium." — Matt Patches, IGN Movies
Once upon a time in Vancouver, there was a baseball team called the Asahi, This was in the 1930s, when the city had a small Japantown on the downtown wharves, and the team was formed by the Canadian-born kids of immigrants. Smaller, and weaker, than the Caucasian teams, they struggled at first — but then they figured out a smarter way to win ... Like a Fred Herzog exhibition brought to life, this is a lavish historical piece, a more philosophical type of sports movie than we’re used to in N America, but something that we can recognize as part and parcel of our own cultural heritage.
"From a Vancouver perspective it’s a fascinating film. Beautifully shot, it recreates a lost world in Japantown, when Powell Street was all Japanese businesses and the Powell Street Grounds (today’s Oppenheimer Park) was a baseball park filled with throngs of Asahi fans." — John Mackie, Vancouver Sun