The first Iranian Vampire Western ever made, Ana Lily Amirpour’s debut basks in the sheer pleasure of pulp. A joyful mash-up of genre, archetype, and iconography, its prolific influences span spaghetti westerns, graphic novels, horror films, and the Iranian New Wave.
"Amirpour has crafted a beguiling, cryptic and often surprisingly funny look at personal desire that creeps up on you with the nimble powers of its supernatural focus. The director combines elements of film noir and the restraint of Iranian New Wave cinema with the subdued depictions of a bored youth culture found in early Jim Jarmusch ... The comparisons go on and on, but the result is wholly original." — Eric Kohn, Indiewire
"A wildly inventive Iranian vampire movie that grabs you by the throat with its dark, moody style, pulsating soundtrack and offbeat love story." — David Lewis, San Francisco Chronicle
Nominated for the Academy Award for Best Animated Film, this is a contemporary story imbued with the rich, tangy flavour of Celtic mysticism. Ben is a lousy big brother to six-year-old Saoirse — he’s resentful that she can’t (or won’t) speak, and can’t forgive that his mum died during childbirth. Their dad (voiced by Brendan Gleason) hasn’t gotten over it either, but still their life together on the lonely island where he’s a lighthouse keeper seems infinitely preferable to the conventional upbringing their gran has in mind for them, living with her in Dublin. What none of them understands is how fundamentally Saoirse is connected both to her mother, and to the sea ... Dazzling kaleidoscopic imagery and a soulful approach make Song of the Sea is a magical experience, recommended for all ages.
"A quite delightful piece of magical animation ... a bewitching, moving and often enchanting film." — Mark Adams, Hollywood Reporter
"Song of the Sea is a wonder to behold. This visually stunning animation masterwork, steeped in Irish myth, folklore and legend, so adroitly mixes the magical and the everyday that to watch it is to be wholly immersed in an enchanted world." — Kenneth Turan, LA Times
"If I had to recommend the best children’s film out there for all ages, this one, and The Tale of Princess Kaguya, would easily top the charts." — Peter Rainer, Christian Science Monitor
Pasolini was a Marxist and an atheist, but above all he was a poet, and his film of the life of Christ gives us the feeling that we are there, with Jesus, cinema-vrite style. This is also the most contemplative film about Christ.
Guest Michael Audain is chairman of Polygon Homes, Chair of the Audain Art Museum and the Audain Foundation. He is also the first Honorary Chairman of the Vancouver Art Gallery, a past Chair of the National Gallery of Canada, the Vancouver Art Gallery, and the Vancouver Art Gallery Foundation.