Widely disparaged by reviewers on its release (it rates just 39% on the aggregator site Rotten Tomatoes) and a box office failure, Birth is a sorely misunderstood film, and more than that, a surrealist masterpiece. Nicole Kidman plays a young Manhattan widow who is bemused, angered, appalled, and finally captivated and enraptured by the strange courtship of a ten-year-old boy (Vancouver’s Cameron Bright) who claims to be Sean, her late husband.
Copresented by the Lacan Salon and the APW Conference On Love, this screening will include remarks and discussion led by Christine Evans and Ona Nierenberg, PhD.
The true story of a Victorian circus freak, John Merrick (played by John Hurt) “saved” by a philanthropic doctor and adopted by polite society. Again filming in black and white (as he had for Eraserhead), Lynch turned Dickensian London into a feverish, infernal environment where the normal and the monstrous can switch places. His most conventional film, Elephant Man was widely praised and nominated for eight Academy Awards
GB, USA, France
Presenting the cream of the crop from this year’s HotDocs Film Festival, VIFF Vancity Theatre is pleased to showcase five of the outstanding documentaries of 2016. Sour Grapes (from Jerry Rothwell, the director of How to Change the World) is one for the connoisseurs, the eye-opening, mouth-watering true crime tale of what happened when oenophilia met high finance in the heady years leading up to the crash of 2008.
3-ticket pack available for Best of Hot Docs
Claude Monet, Van Gogh, Sargent and Matisse all feature in this Exhibition on Film documentary based on the recent show mounted at both London’s Royal Academy and Cleveland’s Museum of Art.
"A thoroughly pleasant feast for the eyes." Andrew Pulver, The Guardian
An engaging, insightful and inspiring film portrait of the great British and California artist, now a spry, wry and still prolific septuagenarian. He’s one of the most accessible and successful figurative painters of the last half century, but look closer, there’s much more to David Hockney than meets the eye.
The second of Fassbinder’s great BRD Trilogy, this is the true story of an UFA starlet, rumoured to be a mistress of Goebbels, who falls to drug addiction after the war. Shot in icy black and white, it’s intentionally reminiscent of Billy Wilder’s Sunset Blvd but more devastating still.
Riotous and refreshingly honest, this empowering female buddy comedy takes place during a beachside bachelorette party, where six women from diverse backgrounds examine what it means to be a woman in contemporary India. Winner of Grolsch People’s Choice Award (1st Runner Up) at the 2015 Toronto International Film Festival and The Audience Choice Award at Rome Film Festival 2015.