The Bank of England has detected an unauthorized leakage of gold from the country, and Bond (Connery) is sent to investigate. The suspect is one Auric Goldfinger, the richest man in the country - who is hatching a scheme to irradiate Fort Knox. Bond must foil his plots, while avoiding the deadly bowler-hatted Korean, Oddjob.
"A dazzling object lesson in the principle that nothing succeeds like excess." Penelope Gilliatt
Xenia Onatopp and Colonel Ourumov hijack a special helicopter that is immune to electromagnetic pulse. The pair then go to a Soviet bunker that is the control base for the Goldeneye satellite weapons - but a new Bond - Pierce Brosnan - is on the case.
Emilio Largo, the Number 2 at SPECTRE, has stolen two nuclear warheads. He threatens to destroy a city in the United States and England unless a ransom of $100 million in diamonds is paid. 007 heads out to the Bahamas to stop him.
"It’s a bird! It’s a plane! It’s a Super-Bond!" Hollywood Reporter
Enter Timothy Dalton, a leaner, meaner 007. Bond is assigned to protect Georgi Koskov, an ex-KGB officer who is defecting to the British. Koskov is to escape during the intermission at the Bratislava concert hall, and must be protected from a KGB sniper. Bond sets up across the street, but decides against assassinating the sniper…
"Grips like wet rope" Brian Case, Time Out
Ernst Stavro Blofeld is hijacking American and Russian space shuttles, in an attempt to start a war between the two nations. Bond is sent to Japan to investigate, with the help of Tiger Tanaka, the head of station in Tokyo. Armed with over 100 trained ninjas, Bond infiltrates Blofeld’s volcano lair.
Matinee show Sun Sept 1 (only) All Ages Show, under 19s welcome
One-timer George Lazenby had the good fortune to star in one of the strongest all-round Bond movies. Director Peter Hunt ensures the action is tip top, but also finds emotional reserves the super spy usually keeps well hidden. With Diana Rigg as his lover, Tracy, and Telly Savalas as Blofeld.
Sean Connery is back for a fast paced hunt through a diamond smuggling pipeline. MI6 arrests small time smuggler Peter Franks, and Bond takes his place, meeting courier Tiffany Case. He follow the trail of the diamonds, as everyone who touches them gets killed. The end of the pipeline is Blofeld, with another plan for world domination.
Roger Moore shows the right stuff in this slightly more realistic adventure. A ship containing an Automatic Targeting Attack Communicator (ATAC), which can control ballistic missile attacks, is sunk. Bond is sent to retrieve the ATAC before the Russians can.
Matinee show Aug 25 (only) All Ages Show, under-19s welcome.
Evening show Aug 29 introduced by film scholar Michael van den Bos.
Roger Moore’s pick of his own Bond movies is a slick, spectacular, always fun concoction. When villain Karl Stromberg (Curt Jurgens) hijacks British and Soviet submarines, Bond is paired with Russian agent Anya Amasova (Barbarach Bach) to get to the bottom of his evil plan.
"Exceptional… Moore gives his best performance in the series… Film is a real treat - a well-acted, smartly cast, sexy, visually impressive, lavishly produced, powerfully directed mix of a spy romance and a war-mission film." Danny Peary, Guide for the Film Fanatic.
007 turned 50 with rare panache: directed by Sam Mendes, this is a contender for one of the top Bonds ever. It’s not just the more probing, psychological script, but the nuanced, inspired performances by Judi Dench, Javier Bardem and Daniel Craig of course – and stunning cinematography by Roger Deakins. This is Bond resurrected, redeemed and reinvigorated, ready to face a new half century.
Probably inspired by the success of Star Wars, James Bond went into outer space in Moonraker, one of the most popular of the series. It’s got amazing aerial stunts, some of designer Adam’s most inspired sets, a creepy villain in Michel Lonsdale’s Hugo Drax and Richard Kiel is back as the giant, metal-toothed henchman Jaws.
"Irresistibly entertaining." Frank Rich, Time
"A minor masterpiece." James Monaco, The Connoisseur’s Guide to the Movies
"One of the most buoyant Bond films of all." Vincent Canby, New York Times
n the 19th Bond adventure, 007 (Pierce Brosnan) must resolve a potentially deadly power struggle between two unstable nations, with control of the world’s oil supply as the ultimate prize.
Roger Moore’s seventh and final Bond movie is absurd - but how to resist a film where the baddie is an industrialist intent on destroying Silcon Valley to create a monopoly on microchip technology (Bill Gates, meet Max Zorin)?
"A View to a Kill, is an especially satisfying encounter. Opening with a breathtaking ski chase in Siberia, A View to a Kill is the fastest Bond picture yet. Its pace has the precision of a Swiss watch and the momentum of a greyhound on the track. There is a spectacular chase up and down the Eiffel Tower and through Paris streets, which Bond finishes in a severed car on just two wheels. But none of the action prepares the viewer for the heart-stopping climax with Zorin’s dirigible tangled in the cables on top of San Francisco’s Golden Gate Bridge." Lawrence O’Toole, Maclean’s
Timothy Dalton’s second (and last) Bond movie is one of the least typical but also one of the most satisfying on its own terms. It’s a revenge movie, for one thing, with Bond going AWOL to take on a ruthless Mexican drug baron (Robert Davi).
Bond goes to Thailand in Roger Moore’s second outing (after Live and Let Die). Christopher Lee (Ian Fleming’s cousin) is excellent as the villain, Scaramanga, and he brings out what may be Moore’s strongest performance.
8 players with 703 years between them compete in the World over 80s Table Tennis Championships in Inner Mongolia. Terry (81) having been given a week to live, gets in sight of winning gold. Inge (89) has used table tennis to train her way out of the dementia ward she committed herself to. Australian legend Dorothy deLow is 100, and finds herself a mega celebrity in this rarefied world and Texan Lisa Modlich, a new-comer at 85 years old, is determined to do whatever it takes to win her first gold.
"It is about ageing, mortality, friendship, ambition and love. The stories stay with you for hours, weeks, after the credits have rolled. But perhaps its most powerful achievement is to leave us with a more humane conception of sport, and of life itself."
Matthew Syed - The Times
"What a heart-warmer… ’Inspirational’ barely covers it." Anthony Quinn, The Independent
"An unabashed crowdpleaser bouncing between sweetly satirical and sincerely moving." Total Film
"Don’t be afraid. A new world of sound awaits you…" This dense, resonant experimental thriller casts Toby Jones as a genius sound-mixer, a Brit invited to work on the post-production of an Italian horror movie in the late 1970s (something by Dario Argento, perhaps?). Almost from the first this unusual assignment comes with disturbing undertones of mystery and menace - as if the bloody supernatural thriller we hear being constructed (but almost never see) is spilling out into the sound studio…
"Utterly distinctive and all but unclassifiable, a musique concrète nightmare, a psycho-metaphysical implosion of anxiety, with strange-tasting traces of black comedy and movie-buff riffs. It is seriously weird and seriously good." Peter Bradshaw, The Guardian
"A delicately detailed immersion into the world of Z-grade Italian horror cinema that ultimately may or may not be a horror film itself, Peter Strickland’s “Berberian Sound Studio” is a tense, teasing triumph." Guy Lodge, Variety
"The creepiness builds with symphonic precision until reality truly is indistinguishable from fantasy." 4 stars. Keith Uhlich, Time Out New York
"Irish step dancing receives exuberant treatment in the superbly crafted documentary Jig. This highly involving film deftly captures the unique physical, emotional and financial aspects of diving into competitive Irish dance, with the participants’ addictive immersion the overwhelming takeaway. […] As for the dancing itself, it’s nothing short of dazzling." Gary Goldstein, LA Times
"Irish step dancing […] receives exuberant treatment in the superbly crafted documentary Jig. This highly involving film deftly captures the unique physical, emotional and financial aspects of diving into competitive Irish dance, with the participants’ addictive immersion the overwhelming takeaway. […] As for the dancing itself, it’s nothing short of dazzling." Gary Goldstein, LA Times
"Amusing, heartbreaking and mind-boggling." The Boston Herald"
"Glorious! Spellbound meets Lord of the Dance." Easy Living
Based on Arthur C Clarke’s short story ‘The Sentinel’, 2001: A Space Odyssey redefined the sci-fi genre. With its radical structure (a single cut elides 4 million years), scant dialogue and oblique narrative this was the first movie to emulate the philosophical seriousness of writers like Clarke and Philip K Dick, and the first to see that special effects could become an integral component in the art-form.
November 7, 2008, the Danish (Bahamas-registered) cargo vessel CEC Future was boarded by Somali pirates. For 70 days the international crew was held captive at gunpoint while the pirates and the Danish owners negotiated.
This evening Vancity Theatre presents two films inspired by this story, one a documentary (Stolen Seas), the other a dramatic feature (A Hijacking) written and directed by Tobias Lindholm, whose last film was The Hunt.
Assembled from three years’ worth of visits to the dangerous "hot zone" off the coast of Somalia, Payne’s riveting film gives us both the wider context that explains the piracy from all sides, and takes right inside the actual hijacking, incorporating footage shot by the Somalis during the incident.
"Riveting…a dense, sometimes dangerous 90-minute immersion in a world where lawlessness applies to all sides." Peter Debruge, Variety
"A documentary of such ambitious scope you might need a remote control and a notebook to keep up with it." Omer M Mozaffar, Chicago Sun-Times