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France

(Le dernier des injustes)
Vancity Theatre Screening

Claude Lanzmann, whose epic "Shoah" is certainly the definitive film about the Holocaust, returns to one of the subjects from that masterpiece to unravel the tale of the ‘model’ concentration camp, Theresienstadt, and the ambiguous leader of its Jewish Council, Benjamin Murmelstein.

"A discursive, essential Shoah postscript centered on as fascinating and inconvenient a figure as may have survived Hitler’s annihilation." Michelle Orange, Village Voice

"Those who think this is a black-and-white issue will be surprised, as Lanzmann himself appears to have been, by what is said here." Michael Phillips, Chicago Tribune

“Utterly fascinating. A reminder of another way documentaries can be made: simply, agonizingly, without comedy or narcissism, and with unforgettable, almost unbearable power."

Stephen Marche, Esquire

Cinema Salon

Truffaut’s best known film is a love letter to the cinema. Two young men, Jules and Jim, meet in Paris in 1912 and become the best of friends. They share everything from books to women until they meet Catherine, played by Jeanne Moreau in the role which launched her into international fame. Introduced by Alan Twigg, author and publisher.

(Un prophète)
Mongrel Media 20th Anniversary

More than one critic compared Jacques Audiard’s forceful, rich prison drama to The Godfather. Audiard uses the prison as a microcosm in this allegory for how to get ahead in the twenty-first century.

"A Prophet is the kind of film that makes you remember why going to the movies can be a thrilling experience." Marjorie Baumgarten, Austin Chronicle

"If Malik doesn’t remind you of Al Pacino’s Michael Corleone on his journey from innocence to corruption in The Godfather saga, well . . . he should. A Prophet is similarly, startlingly momentous." Steven Rea, Philadeliphia Inquirer

"It’s a highly original film made in a familiar context, and an exciting moviegoing experience you shouldn’t miss." Andrew O’Hehir, Salon

"A Prophet is the kind of film that makes you remember why going to the movies can be a thrilling experience." Marjorie Baumgarten, Austin Chronicle

(Des hommes et des dieux)
Mongrel Media 20th Anniversary

Loosely based on a real incident involving a Cistercian order of monks kidnapped by Islamic fundamentalists in Algeria, Beauvois’s film is an austere but gripping meditation on faith and fraternity.

"Of Gods and Men, a transcendent drama of uplift and inspiration, reveals the cavernous divide between heaven and Earth." Peter Howell, Globe and Mail

"Beautiful, somber and rigorously intelligent." AO Scott, New York Times

France, Poland, Denmark

Ida
Vancity Theatre Screening

Polish-born, UK-based filmmaker Pawlikowski (My Summer of Love) returns to his native land for this evocative, resonant art film about a novice nun discovering a family secret in the 1960s. Beautifully shot in black and white, this award-winning drama has been compared to the work of Francois Truffaut and Robert Bresson.

"In a very short time, Pawlikowski’s film tells us a powerful, poignant story with fine, intelligent performances." Peter Bradshaw, The Guardian

"This story of faith and despair is gracefully told, its simple, uncluttered spaces and luminous black-and-white photography harking back to Robert Bresson."JR Jones, Chicago Reader

"It’s absolutely stunning, one of the year’s best films, and a fulfillment of the promise that the director has shown for so long." Oli Lyttleton, Indiewire

USA, France, South Korea

In a future where a failed global-warming experiment kills off most life on the planet, a class system evolves aboard the Snowpiercer, a bullet train that travels around the globe via a perpetual-motion engine. From acclaimed director Bong Joon-ho (The Host; Mother; Memories of Murder) comes the coolest action pic of the summer, a class allegory delivered with slambang violence, visual panache, and delirious conviction - and starring Captain America himself!

"Politically provocative and visually spectacular Snowpiercer — the best action film of 2014, and probably the best film, period." — Andrew O’Hehir, Salon

"Watching it, I was reminded of the first time I experienced The Matrix or District 9Snowpiercer sucks you into its strange, brave new world so completely, it leaves you with the all too rare sensation that you’ve just witnessed something you’ve never seen before ... and need to see again and again. A" — Chris Nashawaty, Entertainment Weekly

"Gets at a kind of daring, giddy excitement that plays like something our movies have lost." — Joshua Rothkopf, Time Out New York