More than one critic compared Jacques Audiard’s forceful, rich prison drama to The Godfather. Audiard uses the prison as a microcosm in this allegory for how to get ahead in the twenty-first century.
"If Malik doesn’t remind you of Al Pacino’s Michael Corleone on his journey from innocence to corruption in The Godfather saga, well ... he should. A Prophet is similarly, startlingly momentous."—Steven Rea, Philadeliphia Inquirer
"It’s a highly original film made in a familiar context, and an exciting moviegoing experience you shouldn’t miss."—Andrew O’Hehir, Salon
"A Prophet is the kind of film that makes you remember why going to the movies can be a thrilling experience."—Marjorie Baumgarten, Austin Chronicle
Loosely based on a real incident involving a Cistercian order of monks kidnapped by Islamic fundamentalists in Algeria, Beauvois’s film is an austere but gripping meditation on faith and fraternity.
"Of Gods and Men, a transcendent drama of uplift and inspiration, reveals the cavernous divide between heaven and Earth."—Peter Howell, Globe and Mail
"Beautiful, somber and rigorously intelligent."—AO Scott, New York Times
France, Poland, Denmark
Polish-born, UK-based filmmaker Pawlikowski (My Summer of Love) returns to his native land for this evocative, resonant art film about a novice nun discovering a family secret in the 1960s. Beautifully shot in black and white, this award-winning drama has been compared to the work of Francois Truffaut and Robert Bresson.
"In a very short time, Pawlikowski’s film tells us a powerful, poignant story with fine, intelligent performances." — Peter Bradshaw, The Guardian
"This story of faith and despair is gracefully told, its simple, uncluttered spaces and luminous black-and-white photography harking back to Robert Bresson."— JR Jones, Chicago Reader
"It’s absolutely stunning, one of the year’s best films, and a fulfillment of the promise that the director has shown for so long." — Oli Lyttleton, Indiewire
USA, France, South Korea
In a future where a failed global-warming experiment kills off most life on the planet, a class system evolves aboard the Snowpiercer, a bullet train that travels around the globe via a perpetual-motion engine. From acclaimed director Bong Joon-ho (The Host; Mother; Memories of Murder) comes the coolest action pic of the summer, a class allegory delivered with slambang violence, visual panache, and delirious conviction - and starring Captain America himself!
"Politically provocative and visually spectacular Snowpiercer — the best action film of 2014, and probably the best film, period." — Andrew O’Hehir, Salon
"Watching it, I was reminded of the first time I experienced The Matrix or District 9. Snowpiercer sucks you into its strange, brave new world so completely, it leaves you with the all too rare sensation that you’ve just witnessed something you’ve never seen before ... and need to see again and again. A" — Chris Nashawaty, Entertainment Weekly
"Gets at a kind of daring, giddy excitement that plays like something our movies have lost." — Joshua Rothkopf, Time Out New York
GB, USA, France
For fans of The Talented Mr Ripley: Viggo Mortensen (A History of Violence), Oscar Isaac (Inside Llewyn Davis), and Kirsten Dunst (Melancholia) star in this stylish and classy psychological thriller adapted from Patricia Highsmith’s novel. Set in the early 60s in Athens and the Aegean Islands, The Two Faces of January is a gripping yarn about dubious characters, mixed motives and dark deceit under the midday sun.
“A gripping old school suspenser… Expertly blends touches of Hitchcock and Highsmith… Amini excels at conveying the subtle, unspoken tensions between characters, selecting a tightrope-risky example with which to make his directorial debut and orchestrating it with aplomb.” Peter Debruge, Variety
"An elegantly pleasurable period thriller, a film of tidy precision and class." Tim Robey, Daily Telegraph
"This is the kind of film Hollywood used to make – smart, beautiful, subtle and exciting." Karen Krizanovich, The Arts Desk
USA, Qatar, Canada, France, Lebanon
One of the most enduring pieces of modern philosophy gets the film treatment in Kahlil Gibran’s The Prophet. Animated in chapters by a team of world renowned animators including Tomm Moore (“The Secret of Kells”), Nina Paley (“Sita Sings the Blues”) and Bill Plympton (“Cheatin’”) and featuring the voice talents of Salma Hayek, Liam Neeson and Alfred Molina, The Prophet is one of festival season’s must see titles.
"Unabashedly stunning… a beautiful film." Sarah Gopaul, Digital Journal