Inspired by the collective experiences of Harriet Tubman and many Freedom Seekers who traveled to Canada through the Underground Railroad, Seth-Adrian Harris’s debut relates their journeys through Afro-modern dance, poetic realism, and the music of resilience and triumph performed by Canada’s national treasure, Jackie Richardson. Through a weaving of dream sequences, we are taken on a great voyage with a woman named Moses whose spiritual awakening becomes the beacon of Hope for all seekers on the quest for freedom.
From the early 1900s to the 1960s, the East Side neighbourhood of Strathcona was home to Vancouver’s first and only black community.The ten video stories of the BlackStrathcona media project celebrate some of the remarkable people and places that made the community vibrant and unique.
Presented by Creative Cultural Collaborations Society in partnership with Vancouver Moving Theatre
Dark, delirious and made under the sign of Scorsese, Rhymes for Young Ghouls is the angriest, punkiest, least "Canadian" Canadian movie you’ll see all year, and an electrifying feature debut from writer-director Jeff Barnaby. "Weed princess" Aila (the sensational Kawennahere Devery Jacobs) is used to looking out for herself on the Red Crow res, but when her old man gets out from prison things only get harder…
"It’s a tough, gritty piece of work, long on the violence but invested with the poetic sensibility you find in a Cormac McCarthy novel or Tom Waits song… [It] marks the arrival of a genuine cinematic intelligence, one sensitive to life’s more intimate, tender, even spiritual moments yet not averse to slamming the sledgehammer as circumstances require."—James Adams, Globe and Mail
’Exhibiting a vivid eye for potent imagery and a striking sense of the downtrodden vitriol [Rhymes For Young Ghouls] is a tremendously rousing film that announces the arrival of an exciting new voice in Canadian cinema." Scott A Gray, exclaim
"It has been years, probably since Xavier Dolan emerged with I Killed My Mother, since a Canadian director has debuted with a movie as impressive as Jeff Barnaby and Rhymes for Young Ghouls." Marina Antunes, Row Three
Set in the heart of the Middle Eastern community in Vancouver, Canada, Kayan is an intricate story of betrayal, belonging and love in all their complicated and often paradoxical glory. Hanin, a strong-minded Lebanese woman, tries her best to keep Kayan, her struggling restaurant, afloat. A subtle, authentic movie about an everyday twentyfirst century heroine trying to make ends meet in a place far from home, this offers a strikingly different perspective on our city.
Kayan offers a glancing impression of Middle Eastern diaspora life through a vivid rendering of a busy Lebanese restaurant in Vancouver. Iran-born helmer Maryam Najafi films an actual eatery, enlisting its staff and clientele to play themselves; their seamless perfs contribute to the pic’s docu-like veracity, led by thesp Oula Hamadeh’s magnetic presence in a complex leading role." Maggie Lee, Variety
Join us for a special screening of a new Vancouver-made documentary highlighting a new breed of ethical entrepreneurs, capitalists with a conscience who are reframing the debate about profit and loss. The film will be followed by a panel discussion featuring Brett Wilson (Dragon’s Den), Joel Bakan (writer, The Corporation), Mark Brand (Save on Meat), RBC Director of Sustainability Sandra Odendahl and moderated by Sharad Khare. Tickets ($18) include post show reception.
A compelling, provocative portrait of the inspiring, controversial whale activist Paul Watson, and his relationship in two environmental movements West Coasters know very well: Greenpeace, which he left,and Sea Shepherd, which he founded.
Director Trish Dolman will introduce the film via skype. Filmmaker Kevin Eastwood will be in attendance for this special screening, along with Sea Shepherd cofounder Ron Precious and Paul Watson for a Q&A via skype.
"Compelling… haunting… captivating." Variety
"[A] thoroughly thought-provoking and emotionally poignant portrait of a Canadian outlaw." 4/5 Katherine Monk, Vancouver Sun
Yes, your parents almost certainly did have a sex life. But don’t worry kids, more than likely you put a stop to it! This smart, sassy Canadian comedy scoots through half a dozen relationships buckling under the strain of reconciling child rearing and sexual satisfaction. Parents of all shapes and sizes will surely relate.
What if everything you thought you knew about drugs was wrong? What if society has misread - or been misled - about what science says about psychedelic substances? What if prohibition only exists to safeguard social inhibition (and big pharma profits)? Through interviews with the world’s foremost researchers, writers, psychologists and pioneers in psychedelic psychotherapy, Vancouver filmmaker Oliver Hockenhull explores the history of five powerful psychedelic substances (LSD, Psilocybin, MDMA, Ayahuasca and Cannabis) and their now established medicinal potential.
"Fuses science, art and spirituality into a seamless whole." Geoff Olson, Vancouver Courier
In 1945, 95% of the Jews in Poland were murdered during the Holocaust. In 2013, a Jewish museum is erected, a monument not just to the past, but to a New Poland. We Are Here is an important documentary looking at the complex and fragile Polish-Jewish relationship through the eyes of five Jews living in Poland today.
Two friends make a bet to see which of them can withstand a week of psychological torture at the hands of the other. What starts out as a bizarre but humourous reality TV scenario gradually spirals out of control.
“Stress Position is an intelligent, thought-provoking film, which can only become increasingly relevant … the overall effect is a film you both want to see again because of its numerous admirable qualities, and never want to re-endure because the psychological tortures are so convincing and the verisimilitude too unnerving.” Alex Fitch, Electric Sheep Magazine
"A nearly flawless debut feature which jumps head first into psychological terror." Film Bizarro
"Stress Position is an attractive, inventive, creative film well worth seeing." David Jaffer, exlaim
In this dark, twisted BC mystery thriller, a man finds himself condemned to a special place in hell, blamed for his wife’s murder – a fact he refuses to accept. His punishment is to eternally re-live that last dreadful day - unless he can prove his innocence…?
Dolan’s fourth feature is his most accomplished yet, a slippery, probing thriller with a Hitchcockian score by Gabriel Yared and enough tortuous psychological coupling and decoupling to make Rainer Werner Fassbinder’s head spin. As the eponymous Tom, Dolan comes to bury his lover at the farm where the latter grew up, only to find that the bereaved mother (Roy) knows nothing of her son’s sexuality - a lie that his brother is determined to keep up.
"In Quebec, no one can hear you scream… A tense, potent pleasure: imagine a Claude Chabrol thriller half-drunk on its own feints and seductions… By far his best film." Robbie Colin, Daily Telegraph
"Taut, creepy, compelling and sexy." Ben Walters, Time Out London
Musicians these days have to tour to survive. That fact of life just became more problematic for SMZ violinist Jessica Moss and singer/guitarist Efrim Menuck with the arrival of baby Ezra. Their solution? Bring him along. Director Helene Klodawsky (Malls R Us) came too.
"It’s an immediate and engaging work that lets us share the weary rewards of doing what you love - even if you’re not sure you can make a living at it. 4 stars." Norm Wilner, NOW magazine
Biologist and campaigner Alexandra Morton will introduce this special screening of this powerful BC expose about the impact of salmon farming and the lengths to which government will go to safeguard the industry at the expense of wild salmon - and, arguably, public health.
"EVEN IF YOU’VE read the news coverage about the effects of farmed salmon on B.C. wild salmon stocks, the strength of Twyla Roscovich’s documentary is not only how it amalgamates information about this contentious subject but also how it showcases biologist Alexandra Morton’s incredible tenacity and devotion. It’s as disturbing to see the visual evidence of dead and dying salmon—the keystone species essential to West Coast ecosystems—as much as it is to hear about attempts by federal government officials (who declined interviews) to muzzle and punish scientists (thereby also affecting journalists) who are trying to prove what is killing them. Also, if you chow down on salmon sashimi, this is one you’ll want to see before you take your next bite." Craig Takeuchi, Georgia Straight
"This feisty and provocative film is spoiling-for-a-fight cinema… Let the debate begin." Ian Bailey, The Globe and Mail
Curated and presented by veteran CBC film critic Rick Staehling, this illustrated lecture examines the evolution of the opening sequence across a century of cinema history, from The Great Train Robbery in 1903 through Once Upon a Time in the West through to the stunning Children of Men and Seven (and many more).