Freda Kelly was just a shy Liverpudlian teenager when she was asked to work for a local band hoping to make it big. Though she had no concept of how far they would go, Freda had faith in The Beatles from the beginning, and The Beatles had faith in her. A unique perspective on the greatest band in the history of pop.
"A satisfying and moving experience." Ernest Hardy, Village Voice
Emilio Largo, the Number 2 at SPECTRE, has stolen two nuclear warheads. He threatens to destroy a city in the United States and England unless a ransom of $100 million in diamonds is paid. 007 heads out to the Bahamas to stop him.
"It’s a bird! It’s a plane! It’s a Super-Bond!" Hollywood Reporter
Enter Timothy Dalton, a leaner, meaner 007. Bond is assigned to protect Georgi Koskov, an ex-KGB officer who is defecting to the British. Koskov is to escape during the intermission at the Bratislava concert hall, and must be protected from a KGB sniper. Bond sets up across the street, but decides against assassinating the sniper…
"Grips like wet rope" Brian Case, Time Out
"One of the tasks of a lifetime is to become familiar with the great works of Shakespeare," wrote Roger Ebert, in his 4-star review for Kenneth Branagh’s acclaimed, full-length film of the Bard’s most enduring tragedy. He continued: "Branagh’s version moved me, entertained me and made me feel for the first time at home in that doomed royal court…. His ’’Hamlet’’ is long but not slow, deep but not difficult, and it vibrates with the relief of actors who have great things to say, and the right ways to say them."
"Not only the best filmed adaptation of Hamlet I have ever seen, but the best cinematic expression that I have come across of any of Shakespeare’s plays." James Berardinelli, Reelviews
"As star and ringmaster, Branagh gets to the heart of Hamlet and goes to admirable lengths to take his audience there, too." Janet Maslin, New York Times
"100% Shakespeare and 100% cinema." Mick LaSalle, San Francisco Chronicle
Ernst Stavro Blofeld is hijacking American and Russian space shuttles, in an attempt to start a war between the two nations. Bond is sent to Japan to investigate, with the help of Tiger Tanaka, the head of station in Tokyo. Armed with over 100 trained ninjas, Bond infiltrates Blofeld’s volcano lair.
Matinee show Sun Sept 1 (only) All Ages Show, under 19s welcome
One-timer George Lazenby had the good fortune to star in one of the strongest all-round Bond movies. Director Peter Hunt ensures the action is tip top, but also finds emotional reserves the super spy usually keeps well hidden. With Diana Rigg as his lover, Tracy, and Telly Savalas as Blofeld.
Johannes Vermeer is a fascinating painter whose life and works are explored here in amazing detail. Filmed in London’s National Gallery, New York’s Met and other galleries in the USA and the Netherlands, this stunning film delves into a breath-taking collection of Vermeer’s finest pieces and delivers a detailed biography of the artist, his life and times.
"Grabsky’s film is comprehensive, smart and highly informative."—The Art Newspaper
"A treat for the eyes"—Globe and Mail
"Stunning paintings in high-definition glory on the big screen"—This is London
Sean Connery is back for a fast paced hunt through a diamond smuggling pipeline. MI6 arrests small time smuggler Peter Franks, and Bond takes his place, meeting courier Tiffany Case. He follow the trail of the diamonds, as everyone who touches them gets killed. The end of the pipeline is Blofeld, with another plan for world domination.
Roger Moore shows the right stuff in this slightly more realistic adventure. A ship containing an Automatic Targeting Attack Communicator (ATAC), which can control ballistic missile attacks, is sunk. Bond is sent to retrieve the ATAC before the Russians can.
Adam (Richard E Grant) is a rich industrialist, who aspires to a more cultured world. Spurred on by playful jibes that he’s little more than a city suit living the capitalist’s dream, this frustrated amateur opera singer decides to throw an opera in his lavish country retreat. Once his friends see him belting out the notes, he feels sure it will spell the end to their shallow taunts. In fact, it might even help him win the hand of a female conductor he’s been pursuing whom, it just so happens, is the first to be recruited for his showpiece.
Bringing the pinnacle of English theatre to cinema audiences around the world, Globe on Screen presents brand new productions of Shakespeare’s plays presented in the famous Globe theatre in London, recreating the space and audience experience the Bard would have envisaged.
Shakespeare’s teasing, glittering, hilarious and amazingly inventive play showcases some of his most dazzling dramatic poetry with its seriousness only fleetingly glimpsed beneath the dreamlike surface.
"The Globe at its crowdpleasing best ... Hilarious and hearty."—Time Out London
Guatemala, GB, USA
A moving, thought-provoking and rare documentary by a Latin American woman, recording her return from exile and into the still dangerous and volatile political environment of contemporary Guatemala. Where over the course of four years, writer-director Ana Lucia Cuevas discovers, through the archived records of the perpetrators of the crimes themselves, the involvement of her own government and foreign Intelligence Services in the abduction, torture and murders of her brother and his young family.
"A powerful, personal story of state-sponsored terror in Guatemala and the lasting effects it has had on families, “The Echo of Pain of the Many” is a timely testament to the brave, untiring efforts of Guatemalans to demand justice and dent the country’s long-standing veil of impunity." Guatemala Solidarity Network
Heavyweight German filmmaker von Trotta turns her attention to one of the pre-eminent thinkers of the twentieth century, Hannah Arendt, and in particular to the crucial time in 1961 when she reported on the trial of Nazi Adolf Eichmann for the New Yorker. It was Eichmann’s pathetic disavowals of the Final Solution policy he helped frame that inspired Arendt to coin her famous phrase, "the banality of evil."
"Trotta has made an extremely vivid cinematic essay, thrilling in its every minute, deeply moving in its seriousness and suitably unsettling." Elke Schmitter, Der Spiegel
"A thrilling lesson in courage." Deborah Young, Hollywood Reporter
"The best movie this critic has ever seen about the life and times of a writer." Brandon Harris, Filmmaker
Adapted from the myth that served as the basis for Wagner’s Ring cycle(though not an adaptation of the operas themselves), Lang’s two part, five-hour epic is a monumental fantasy film on a par with his subsequent Metropolis. Its extraordinary set-pieces, archetypal themes, and unrestrained ambition have proven an inspiration for nearly every fantasy cycle that has emerged on-screen since – from Star Wars to The Lord of the Rings.
This edition is mastered in HD from the extensive 35mm restoration conducted by the Friedrich-Wilhelm-Murnau-Stiftung, completed in 2012, and featuring a recent recording of the original 1924 score. Screening in two parts with a 40 minute intermission.
"It’s too-faint praise to claim thatDie Nibelungen is The Lord of the Rings of its time (J.R.R. Tolkien was apparently inspired by the Nibelungenlied, too), but that gives you some sense of all the scope, innovation, rousing razzle-dazzle, human emotion writ large, and cinematic virtuosity on proud display here. It’s a huge, action-packed spectacle to rival those concocted by DeMille and Griffith, but with access to the bold, harsh, glacially-gleaming, tragically doomed finality of Northern-European myth. Once it’s over, you’ll be exhausted, emotionally drained, and already looking forward to the time you can experience the whole intensely involving, transporting, and devastating dream/nightmare once more." Christopher McQuain, DVD Talk
The location of the world’s largest—possibly toxic—gold-mine pit, Guatemala is also the homeland of the Maya and their decidedly holistic cosmology. Frauke Sandig and Eric Black’s kaleidoscopically beautiful documentary follows the daily and ceremonial lives of six articulate young Maya as they struggle to maintain their way of life in the face of C21 capitalism.
"Of course one cannot simply reverse European history and the creation of the “Self”, which is also tied to liberation from the forces of nature. But one can empathize with a philosophy that does not separate the individual from nature. This different relationship to nature is better described with pictures than with words. Heart of Sky, Heart of Earth does exactly this, with clouds that glow from within, rivers with power one can sense, or mountains, which exude an inner peace. The camerawork creates settings that inspire fascination in a hitherto unknown world."
Peter Gutting, kino-zeit
"It is an exquisitely, achingly beautiful film – wonderfully conceived and sensitively filmed. I particularly appreciated the references to ancestral dreams and memories, sequences that ring truer than any film I’ve ever seen on Maya spirituality… The sequences on the war were particularly poignant. One of the communities I lived in for 6 months was completely wiped out—I still don’t know if anyone survived. It is my sincerest hope that some lived to tell their stories like the wonderful people in this film. What strikes me is the resilience of the Maya in the face of powerful and concerted efforts to destroy or alter it. I was profoundly affected by this film and will carry many of its images with me to the end of my days."
Allen J. Christenson, Author of Popul Vuh: The Sacred Book of the Maya
Guatemala. The war ended long ago. Though the people want to forget it, the violence continues, and it has spread throughout the society like cancer. Each day, journalists wait to report on the next murder victim, and a social worker helps the relatives of women who have been killed.
The global hunger for cheap resources has been another cause of violence, and a war over bananas has taken on a life of its own. The society suffers from the aftermath of the 36-year civil war. Mass graves are found in the mountains, former rebels mourn their comrades, and a war criminal has nightmares about all the things he’s done. Peace continues to elude Guatemala.
"A beautiful experimental film… I was crying at the end." The People’s Paper (India)
"The Halfmoon Files is a gift – a generous gift and an invitation. An invitation to journey to distant lands that turn out to be very close after all, to seek the unexpected, to listen to the noises of an old barrack or a landscape that gradually emerges from the fog, and to observe closely the many possible images of a voice. A film as invitation to follow ghosts and at the same time a modest but nonetheless intense call to think.” Nicole Wolf
In 1984 East Berlin, an agent of the secret police, conducting surveillance on a writer and his lover, finds himself becoming increasingly absorbed by their lives.
"The Lives of Others is a supremely intelligent, unfailingly honest look at a shadowy period in recent German history." AO Scott, New York Time
"A thoroughly compelling political thriller, at once intellectually challenging and profoundly emotional." Claudia Puig, USA Today
"The Lives of Others is a supremely intelligent, unfailingly honest look at a shadowy period in recent German history." AO Scott, New York Times
Few composers inspire such extremes of love and revulsion as Richard Wagner, and few classical music documentaries go the extremes of this astounding German-made feature, which includes stylized, modern-dress reenactments of key moments in Wagner’s tumultuous life and digital animated graphics alongside more traditional expert testimony.
Left to fend for themselves after their SS officer father and mother, staunch Nazi believers, are interred by the victorious Allies at the end of World War II, five German children undertake a harrowing journey that exposes them to the reality and consequences of their parents’ actions. Led by the eldest sibling, 14-year old Lore (striking newcomer Saskia Rosendahl), they set out on a journey across a devastated country to reach their grandmother in the north.
"A lyrical, deeply affecting study into a rarely seen legacy of the Holocaust." - Megan Lehmann, The Hollywood Reporter
"Intense and emotional. Saskia Rosendahl is mesmerizing." - Kenneth Turan, Los Angeles Times
"Shortland’s brilliant new film is an unsettling coming-of-age story that renders its judgement on Germany’s crimes and strange aftermath of the war." - George Robinson, The Jewish Week