Bringing the pinnacle of English theatre to cinema audiences around the world, Globe on Screen presents brand new productions of Shakespeare’s plays presented in the famous Globe theatre in London, recreating the space and audience experience the Bard would have envisaged.
Shakespeare’s teasing, glittering, hilarious and amazingly inventive play showcases some of his most dazzling dramatic poetry with its seriousness only fleetingly glimpsed beneath the dreamlike surface.
"The Globe at its crowdpleasing best ... Hilarious and hearty."—Time Out London
Set on the outskirts of Bradford in Northern England, the second feature from Clio Barnard (The Arbor) follows two young lads, Arbor (Conner Chapman) and Swifty (Shaun Thomas), and their dealings with a local scrap dealer. Boldly cinematic and featuring astonishing performances from the two leads, The Selfish Giant cements Barnard’s reputation as a visionary filmmaker.
"Devastating in its simplicity and honesty, The Selfish Giant is a colossus of feeling." Inkoo Kang, Village Voice
"Boldly, broodingly cinematic… jaggedly moving." Guy Lodge, Variety
"A film of such power and beauty that there will be no escaping it." David Thomson, New Republic
Kasper Holten, ROH Director of Opera, presents a mesmerizing new production of Mozart’s sublime tragicomedy. The impulsive and charismatic Don Giovanni travels through Europe seducing women, accompanied by his long-suffering servant Leporello. When he commits murder, he unleashes vengeance from beyond the grave.
Richard Eyre’s produciton of Verdi’s masterpiece has been one of the most successful opera stagings in the long and celebrated history of the Royal Opera House. We present the original, definitive incarnation of that production, starring the incomparable Renee Fleming as the ill-fated courtesan Violetta, oppose Joseph Calleja as Alfredo and Thomas Hapson as his unyielding father.
Jesse Eisenberg take 2: here he’s timid office worker Simon James, a non-person to most, including the lovely Hannah (Mia Wasikowska), a co-worker who is also the apple of his eye. Enter charismatic young hotshot James Simon (Eisenberg again). No one seems to notice he’s the spitting image of Simon, and though at first he feigns a certain friendliness to his near-namesake, it’s not long before the new man has begun to take over his job, his apartment, his girl, his entire life… Richard Aoyade’s Dostoevsky adaptation riffs on Kafka, Welles and Gilliam to chillingly hilarious effect.
"As a pure head-trip visual and auditory experience it feels like one of the biggest discoveries, and biggest surprises, of 2014." Andrew O’Hehir, Salon.com
"Daring, hilarious and wickedly clever." The Playist (Indiewire)
Puccini’s first triumph returns to Covent Garden for the first time in 20 years in a new staging by Jonathan Kent. The exciting Latvian soprano Kristine Opolais sings the title role. A consummate Puccini soprano, Opolais caused a sensation as Madama Butterfly in 2011, and with Manon Lescaut, the bold but impressionable heroine, we will see a very different side of her. She is matched in star power by Jonas Kaufmann as her lover, Des Grieux, and Christopher Maltman as her cynical brother Lescaut. Kent’s vision of a young girl who faces temptation in the big city will surely resonate with today’s audience.
"Irish step dancing receives exuberant treatment in the superbly crafted documentary Jig. This highly involving film deftly captures the unique physical, emotional and financial aspects of diving into competitive Irish dance, with the participants’ addictive immersion the overwhelming takeaway. […] As for the dancing itself, it’s nothing short of dazzling." Gary Goldstein, LA Times
"Irish step dancing […] receives exuberant treatment in the superbly crafted documentary Jig. This highly involving film deftly captures the unique physical, emotional and financial aspects of diving into competitive Irish dance, with the participants’ addictive immersion the overwhelming takeaway. […] As for the dancing itself, it’s nothing short of dazzling." Gary Goldstein, LA Times
"Amusing, heartbreaking and mind-boggling." The Boston Herald"
"Glorious! Spellbound meets Lord of the Dance." Easy Living
The feature debut of writer-director Anthony Minghella (The English Patient; The Talented Mr Ripley) is a film warmth, tenderness and comedy. After her husband, Jamie (Alan Rickman), dies, Nina (Juliet Stevenson is consumed by grief. So much so that Jamie comes back to her as a ghost…
Introduced by Murray Battle, director of Indpendent Production and Presentation at BC’s Knowledge Network.
From its mesmerising first moments to the last fulfilment of the witches’ prophecy, Shakespeare’s gripping account of the profoundest engagement with the forces of evil enthrals the imagination.
"A cracking, at times terrifying, production."—Daily Telegraph
Earlier this year, London’s Royal Academy of Arts mounted the first ever retrospective devoted to the portraiture of Edouard Manet. Spanning this enigmatic and, at times, controversial artist’s entire career Manet: Portraying Life brought together works from across Europe, Asia and the USA. Documentarian Phil Grabsky was granted exclusive access to explore the exhibition with the kind of intensive scrutiny (and learned insight) most art-lovers can only dream of.
"Once again the film proves that seeing an exhibition through a camera (especially an HD one) is far better than not seeing it at all." Roberta Smith, New York Times
Based on a notorious historical incident in which the sixteenth century French town of Loudun was swept up in tide of witch-hunting mania, Ken Russell’s searing movie kept censors busy all over the world with its shocking imagery and no-holds-barred assault on ecclesiastical hypocrisy. Forty years on it retains its power, not least for the astounding, career-best performances from Oliver Reed and Vanessa Redgrave, Derek Jarman’s bold production design, and the electrifying score by Sir Peter Maxwell Davies.
"The pinnacle of Russell’s astonishing career, blending the exuberant visuals and musical underpinning of his most most exotic fantasies wieh a serious undercurrent of outraged political intent… a fearsome, breathtaking masterwork." Mark Kermode, BBC
"A garish glossary of sado-masochism… a taste for visual sensation that makes scene after scene look like the masturbatory fantasies of a Roman Catholic boyhood." Alexander Walker, Evening Standard
Shakespeare’s masterpiece of the turbulence of war and the arts of peace tells the romantic story of Henry’s campaign to recapture the English possessions in France.
"Jamie Parker makes a fantastic Henry V."—The Independent
"Bold and enthralling."—The Times
Heavyweight German filmmaker von Trotta turns her attention to one of the pre-eminent thinkers of the twentieth century, Hannah Arendt, and in particular to the crucial time in 1961 when she reported on the trial of Nazi Adolf Eichmann for the New Yorker. It was Eichmann’s pathetic disavowals of the Final Solution policy he helped frame that inspired Arendt to coin her famous phrase, "the banality of evil."
"Trotta has made an extremely vivid cinematic essay, thrilling in its every minute, deeply moving in its seriousness and suitably unsettling." Elke Schmitter, Der Spiegel
"A thrilling lesson in courage." Deborah Young, Hollywood Reporter
"The best movie this critic has ever seen about the life and times of a writer." Brandon Harris, Filmmaker
In 1984 East Berlin, an agent of the secret police, conducting surveillance on a writer and his lover, finds himself becoming increasingly absorbed by their lives.
"The Lives of Others is a supremely intelligent, unfailingly honest look at a shadowy period in recent German history." AO Scott, New York Time
"A thoroughly compelling political thriller, at once intellectually challenging and profoundly emotional." Claudia Puig, USA Today
"The Lives of Others is a supremely intelligent, unfailingly honest look at a shadowy period in recent German history." AO Scott, New York Times
Adapted from the myth that served as the basis for Wagner’s Ring cycle(though not an adaptation of the operas themselves), Lang’s two part, five-hour epic is a monumental fantasy film on a par with his subsequent Metropolis. Its extraordinary set-pieces, archetypal themes, and unrestrained ambition have proven an inspiration for nearly every fantasy cycle that has emerged on-screen since – from Star Wars to The Lord of the Rings.
This edition is mastered in HD from the extensive 35mm restoration conducted by the Friedrich-Wilhelm-Murnau-Stiftung, completed in 2012, and featuring a recent recording of the original 1924 score. Screening in two parts with a 40 minute intermission.
"It’s too-faint praise to claim thatDie Nibelungen is The Lord of the Rings of its time (J.R.R. Tolkien was apparently inspired by the Nibelungenlied, too), but that gives you some sense of all the scope, innovation, rousing razzle-dazzle, human emotion writ large, and cinematic virtuosity on proud display here. It’s a huge, action-packed spectacle to rival those concocted by DeMille and Griffith, but with access to the bold, harsh, glacially-gleaming, tragically doomed finality of Northern-European myth. Once it’s over, you’ll be exhausted, emotionally drained, and already looking forward to the time you can experience the whole intensely involving, transporting, and devastating dream/nightmare once more." Christopher McQuain, DVD Talk
The location of the world’s largest—possibly toxic—gold-mine pit, Guatemala is also the homeland of the Maya and their decidedly holistic cosmology. Frauke Sandig and Eric Black’s kaleidoscopically beautiful documentary follows the daily and ceremonial lives of six articulate young Maya as they struggle to maintain their way of life in the face of C21 capitalism.
"Of course one cannot simply reverse European history and the creation of the “Self”, which is also tied to liberation from the forces of nature. But one can empathize with a philosophy that does not separate the individual from nature. This different relationship to nature is better described with pictures than with words. Heart of Sky, Heart of Earth does exactly this, with clouds that glow from within, rivers with power one can sense, or mountains, which exude an inner peace. The camerawork creates settings that inspire fascination in a hitherto unknown world."
Peter Gutting, kino-zeit
"It is an exquisitely, achingly beautiful film – wonderfully conceived and sensitively filmed. I particularly appreciated the references to ancestral dreams and memories, sequences that ring truer than any film I’ve ever seen on Maya spirituality… The sequences on the war were particularly poignant. One of the communities I lived in for 6 months was completely wiped out—I still don’t know if anyone survived. It is my sincerest hope that some lived to tell their stories like the wonderful people in this film. What strikes me is the resilience of the Maya in the face of powerful and concerted efforts to destroy or alter it. I was profoundly affected by this film and will carry many of its images with me to the end of my days."
Allen J. Christenson, Author of Popul Vuh: The Sacred Book of the Maya
Guatemala. The war ended long ago. Though the people want to forget it, the violence continues, and it has spread throughout the society like cancer. Each day, journalists wait to report on the next murder victim, and a social worker helps the relatives of women who have been killed.
The global hunger for cheap resources has been another cause of violence, and a war over bananas has taken on a life of its own. The society suffers from the aftermath of the 36-year civil war. Mass graves are found in the mountains, former rebels mourn their comrades, and a war criminal has nightmares about all the things he’s done. Peace continues to elude Guatemala.
"A beautiful experimental film… I was crying at the end." The People’s Paper (India)
"The Halfmoon Files is a gift – a generous gift and an invitation. An invitation to journey to distant lands that turn out to be very close after all, to seek the unexpected, to listen to the noises of an old barrack or a landscape that gradually emerges from the fog, and to observe closely the many possible images of a voice. A film as invitation to follow ghosts and at the same time a modest but nonetheless intense call to think.” Nicole Wolf
Arguably the most popular building site in the world, the Sagrada Familia cathedral in Barcelona is still a work in progress, 125 years after the first stones were laid. Designed by the controversial Catalan genius Antonio Gaudi, the Sagrada is a testament to Faith… Faith in God, in the natural forms that so inspired the architect, and also in man, for Gaudi always knew this work would have to be completed long after his life-time.
"This film is more than a documentary, it tells the story using beautiful and quiet images of the transformation of ideas, talks of human endeavour for perfection and in so doing, illustrates that the essential meaning of this edifice lies in its creation process and not only in its completion.
This creative process is illustrated in varying perspectives from inside the incomplete church as well as the complex structure of the exterior parts of the church.
The film gives cause for self-reflection on how the past and present are related, portraying people and destinies involved in the construction of the church and ultimately proves that something incomplete also has its own significance."—Jury citation, Erasmus Euro Media Awards
"Both exhaustive and astounding in its detective-like exploration of the history of the impossibly ornate Catalonian house of worship."—Jackson Scarlett, 7x7SF