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Vancity Theatre Screening

Once a rising star in the ’70’s New York art scene, 80-year-old "boxing" painter Ushio Shinohara is prepping for his latest show, hoping to reinvigorate his career. His wife and de facto assistant, Noriko, seeks her own recognition through her "Cutie" illustrations, which depict their chaotic 40-year marriage. Cutie and the Boxer captures two lives united by a dedication to art-making for a touching meditation on the eternal themes of love and sacrifice.

"Cutie and the Boxer is more than a great documentary. It’s a great film." Joe Morgenstern, Wall Street Journal

"A movie that makes you feel less like a spectator than a guest, a friend welcomed into the home of an odd and fascinating couple." AO Scott, New York Times

IBFF 2013 Vancouver (International Buddhist Film Festival)

In 1959 a great migration from Tibet was violently set in motion. The Dalai Lama was joined in exile by thousands of refugees, among them some of the most important Tibetan Buddhist teachers, opening a window on what had been a hidden realm. Through interviews rare archival footage, the film offers an insider’s view of Tibetan Buddhism as it is manifesting beyond its original home.

"The film is a vivid and engaging account of the movement of the Buddha Dharma - the teachings and practices of Buddhism - to the West…Viewers of the film will come away with the discovery that they have learned a great deal. But even more, their hearts will have been opened and perhaps melted by the uplifting gift of genuine spirituality as it flows from teacher to student in a pattern free of time, showing us the way to go beyond the suffering and upheavals of our days and years." Light of Consciousness magazine

The Best of Hot Docs

 

TICKET PACKS
* VIFC Guest + Volunteer Passes are not valid for Best Of Hot Docs Series

Filmmaker-historian Nelson George conducts a passionate archeology of funk music—the crucial bridge between ’60s soul and ’80s hip hop—replete with loving testimonials about Dayton, Ohio, and Detroit, Michigan, in their funk heydays, where in the basements of now-mythical music makers like Sly Stone and P-Funk, the funk explosion was catalyzed. With The Roots member Ahmir “Questlove” Thompson as our guide, and warm regaling from notable musicians such as Bootsy Collins, George Clinton, Sheila E. and Mike D of the Beastie Boys, we’re transported to the hippie-ish ’70s when a mad fever of savvy creativity saw the transmutation of jazz, soul and R&B into infectiously danceable funk.

"Not to spoil the ending, but director Nelson George absolutely does find the funk. 3 stars." Brad Wheeler, Globe & Mail

"A lesson every music fan should have." William Brownridge, Toronto Film Scene

Woody Allen: Spring Collection

The movie where it all came together for Woody Allen, Annie Hall marks both the culmination of his ’early, funny’ period, and the first of his mature, more overtly serious and autobiographical films as writer-director. Winner: Academy Awards for Best Picture, Direction, Screenplay, Best Actress.

"One of Allen’s funniest, and most touching films." Saul Austerlitz, Another FIne Mess

"Woody Allen’s breakthrough movie." Time

"Arguably Allen’s most honest film." 1001 Movies You Must See Before You Die

Vancity Theatre Screening

Author Robert K Elder asked 35 filmmakers to champion a movie that they love, but which had either been overlooked or reviled by critics and audiences. The result, ’The Best Film You’ve Never Seen’ is fascinating both for what it reveals about the directors he talked to and for their insights into some seriously neglected films. Case in point: Frank Perry’s The Swimmer, starring Burt Lancaster as a man who decides to swim his way home across Connecticut, one backyard swimming pool at a time. Selected by Alex Proyas (Dark CIty), this is seriously strange movie, but one that stands the test of time.

"As do few movies, The Swimmer stays in the memory like an echo that never quite disappears." Vincent Canby, New York TImes

"Enigmatic, poetic, disturbing." Kim Newman, Empire

"Burt Lancaster is superb in his finest performance." Roger Ebert, Chicago Sun Times

The Best of Hot Docs


TICKET PACKS
* VIFC Guest + Volunteer Passes are not valid for Best Of Hot Docs Series

Director Cullen Hoback will host a Q+A following the screening.

How much of yourself have you already given away on the internet? Nobody really reads the terms and conditions routinely applied to almost every digital service agreement, but if we did, what would we find there? Cullen Hoback’s scary doc has answers to the questions you don’t even want to Google.

"This documentary should be mandatory viewing for everyone who uses the internet." John Ford, Slug Magazine

"If you believe the privacy promises of online giants like Google and Facebook, then Cullen Hoback’s doc will remove the scales from your eyes and your hand away from your mouse." Peter Howell, The Toronto Star

"Witty yet chilling." Brian D Johnston, Macleans

Woody Allen: Spring Collection

Recently transformed into a Broadway musical, this is a fizzy satire on the pretensions, hypocrisies and indulgences of theatre folk. John Cusack is an idealistic young playwright whose big break is backed by a mobster boss with his own ideas about casting….

"One of Allen’s best and most revealing comedies, as much a moral meditation as it is dazzling fun." Rolling Stone

Vancity Theatre Screening

Thirty years after Koyaanisqatsi, Godfrey Reggio creates another stunning, wordless portrait of modern life. Presented by Steven Soderbergh, Visitors reveals humanity’s trancelike relationship with technology, which, when commandeered by extreme emotional states, produces massive effects far beyond the human species. The film is visceral, offering the audience an experience beyond information about the moment in which we live.

"Reggio’s film is an artistic and aesthetic achievement unlikely to be equaled in 2013, and perhaps the only film in recent memory which can proudly claim to be unlike anything else we have ever seen." Christopher Schobert, The Playlist

"Incredibly profound, unexpected and brave." Alison Murray, Filmmaker

The Best of Hot Docs

TICKET PACKS
* VIFC Guest + Volunteer Passes are not valid for Best Of Hot Docs Series

In 1991, Anita Hill’s powerful testimony at the confirmation hearings for then-Supreme Court nominee Clarence Thomas brought sexual harassment into America’s national spotlight. Twenty years later, Ms. Hill revisits those hearings and for the first time on film speaks about the gruelling nine-hour experience of confronting an all-white male jury who demonstrated little sensitivity towards sexual harassment. A sometimes painful and shocking look back, she reflects on how that testimony shaped her life and the gender politics of a generation.

"Enthralling and revealing… Intelligent and comprehensive." Duane Byrge, Hollywood Reporter

Woody Allen: Spring Collection

One of Woody’s most popular recent films, this enchanting slice of whimsy casts Owen Wilson as a Hollywood screenwriter transported back to the moveable feast of Paris in the 1920s, home to Hemingway, the Fitzgeralds and Gertrude Stein.

"In Woody Allen’s beguiling and then bedazzling new comedy, nostalgia isn’t at all what it used to be — it’s smarter, sweeter, fizzier and ever so much funnier." Joe Morgenstern, Wall Street Journal

"Midnight in Paris finds Allen in a larky, slightly tart and altogether bountiful mood, giving filmgoers a movie that, while unabashedly funny and playful, provides a profiterole or two for thought." Ann Hornaday, Washington Post

Vancity Theatre Screening

Grace (a breakthrough performance from former child star Brie Larson) is a twenty- something supervisor at a foster-care facility for at-risk teenagers. Passionate and tough, Grace is a formidable caretaker of the kids in her charge – and in love with her long-term boyfriend and co-worker, Mason (John Gallagher Jr.) One of the most acclaimed American films of the year, Short Term 12 may sound earnest in outline, but it looks and feels vividly true - not surprising, when you learn that writer-director Destin Cretton worked for two years in just such a care facility in San Diego.

100% Fresh, Top Critics, Rotten Tomatoes

"It’s one of the best movies of the year and one of the truest portrayals I’ve ever seen about troubled teens and the people who dedicate their lives to trying to help them." Richard Roeper, Chicago Sun-Times

"A compact masterpiece of storytelling that brims equally with ambition and humility. It is, by a wide margin, the best film I have seen so far this year." Christopher Orr, The Atlantic

Vancity Theatre Screening

In one of the more original and stimulating debut films of the year, Terence Nance has created a unique, witty love letter to his girlfriend, and to cinema itself. "A visually dazzling ode to romantic angst, Oversimplification blends animation, freeze-frame stop-and-go effects, mockumentary, and inspired manipulation of light and color into an ocular feast. It’s almost hypnotic in its style and genre promiscuity." Ernest Hardy, Village Voice

"This brisk and self-searching, sharply intelligent and deeply vulnerable romantic comedy is a masterwork of reflexive construction… Romantic obsession has rarely been filmed as sweetly, love’s labors rarely revealed so insightfully as their own reward." Richard Brody, New Yorker

Vancity Theatre Screening

Abel Ferrara’s (Bad Lieutenant, King Of New York) 1981 revenge thriller classic Ms. 45 follows a mute garment-district seamstress – played by the late model/actress/musician/screenwriter Zoë Tamerlis – who after falling victim to multiple unspeakable assaults, ignites her one-woman homicidal rampage against New York City’s entire male population. Now remastered in HD from the original negative materials.

["Ferrera] is clearly a talented fellow. One can only hope he finds something else to make movies about very soon." Janet Maslin, New York Times

For over forty years, America’s "War on Drugs" has accounted for 45 million arrests, made America the world’s largest jailer, and damaged poor communities at home and abroad. Yet for all that, drugs in America are cheaper, purer, and more available today than ever before. Perhaps it’s time to call a ceasefire?

"Searing… One of the most important pieces of non-fiction to hit the screen in years." LA Times

"Fearless… A model of the ambitious, vitalizing activist work that exists to stir the sleeping to wake." New York Times

IBFF 2013 Vancouver (International Buddhist Film Festival)

Against all odds, E. Gene Smith, a Mormon, pacifist and Buddhist organized a mission to rescue the written legacy of the Tibetan culture even as it was threatened with destruction and loss. The film documents his amazing efforts which set in motion an ongoing project to preserve, digitize and translate 20,000 volumes of Tibetan literature, from medicine and history to poetry and Buddhist texts.

After Effects: Guatemala and El Salvador

Imagine gold "as far as the eye can see". All you have to do is rip it out of the ground. But one man’s nirvana is another’s hell. Gold Fever witnesses the arrival of Goldcorp Inc to a remote Guatemalan village. 500 years after the conquistadors, and still reeling from decades of US-backed repression, Diodora, Crisanta and Gregoria are caught in the cross-hairs of another global frenzy for gold. Together with their community, they resist the threat to their ancestral lands in the face of grave consequences.

“Beautifully-made. Sobering and tragic, but ultimately empowering.”

The Yes Men

“Tests Guatemalan society’s willingness to confront what might be today’s biggest challenge: overcoming the social unrest caused by the massive extraction of natural resources.”

Uli Stelzner, Muestra de Cine Internacional Memoria Verdad Justicia

Vancity Theatre Screening

Guest passes and volunteer passes not accepted.

It takes more than good food to make a restaurant work. Spinning Plates is an insightful, compelling and moving documentary tracing the fates of three very different establishments: the high-end Alinea, where Grant Achatz practices his culinary perfection; the 150-year-old country steak house Breitbach’s, a community hub in rural Iowa, and La Cocina de Gabby, a new Mexican restaurant surviving on a wing and a prayer in Tuscon. This screening will be accompanied by a panel of distinguished Vancouver chef’s moderated by Vancouver Magazine editor John Burns. Check viff.org for updates.

“Splendid and engrossing … a love letter to that singular intersection of artistic innovation, cultural legacy, community pride, and family-sustaining (or -straining) commerce known as the restaurant.” Village Voice

DEMY MONDE: The Cinema of Jacques Demy

Lola in LA, Demy’s first (and only) Hollywood movie improves with age. Gary Lockwood is the aimless young architect who falls under the spell of a French photographic model (Anouk Aimee). "A marvel of tone and decor…forges the impossible bridge between Quentin Tarantino’s in-jokey cinematic universe of intertwined characters and events, and the recently-completed Before trilogy of Richard Linklater, Julie Delpy, and Ethan Hawke." Next Projection

"A marvel of tone and decor…forges the impossible bridge between Quentin Tarantino’s in-jokey cinematic universe of intertwined characters and events, and the recently-completed Before trilogy of Richard Linklater, Julie Delpy, and Ethan Hawke." Next Projection

"One of the great movies about LA." Geoff Andrew, Time Out Film Guide

Vancity Theatre Screening

The hilarious (and possibly exaggerated) origin story of the real life alien bluegrass band, Future Folk. When a comet threatens to destroy their planet, the citizens of Hondo enlist their most decorated soldier, General Trius (Nils d’Aulaire), to search for a new home planet- and wipe out the current inhabitants with a flesh-eating virus. After landing somewhere near Brooklyn, General Trius wanders into a megastore to unleash the terror… when he’s enchanted by a strange and mystical human invention known as "music."

"Close encounters of the charming kind." Robert Koehler, Variety

"Delightful." LA Weekly

"Hilarious." San Francisco Chronicle

GB, USA

SPARK FX

Based on Arthur C Clarke’s short story ‘The Sentinel’, 2001: A Space Odyssey redefined the sci-fi genre. With its radical structure (a single cut elides 4 million years), scant dialogue and oblique narrative this was the first movie to emulate the philosophical seriousness of writers like Clarke and Philip K Dick, and the first to see that special effects could become an integral component in the art-form.

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