Former intelligence officer John Le Carre wrote his first espionage novel in 1962, just a year after the completion of the Berlin Wall, which loomed large in the book. That same wall - demolished 25 year ago, Nov 9, 1989 - also figures in the opening and closing scenes of Martin Ritt’s acclaimed film adaptation. It’s one of the key Cold War movies, the antithesis of James Bond escapism, and features arguably Richard Burton’s finest screen performance.
The title is a prison term for the graduation from a youth offenders’ detention centre to an adult correctional facility, which happens to be the journey taken by 19 year old Eric (Jack O’Connell) in this explosive British drama. The prison also happens to be home to Eric’s estranged father (Ben Mendelsohn), though the reunion is not a happy one…
"An edgy, teeming thriller, brilliantly disorienting." New York Magazine
"Starred Up is an edgy, teeming thriller, brilliantly disorienting, making strange a world we thought we knew, at least from other movies." David Edelstein, New York Magazine
"O’Connell bristles with terrifying hair-trigger unpredictability. Watching him, you feel like you’re witnessing the arrival of a new movie star." Chris Nashawaty, Entertainment Weekly
"Brutal and boisterous… Turns the complicated dynamic between a young prisoner and his problematic mentor into a ferocious psychodrama that locks you in and refuses to let you go." AO Scott, The New York Times
Arguably the most popular building site in the world, the Sagrada Familia cathedral in Barcelona is still a work in progress, 125 years after the first stones were laid. Designed by the controversial Catalan genius Antonio Gaudi, the Sagrada is a testament to Faith… Faith in God, in the natural forms that so inspired the architect, and also in man, for Gaudi always knew this work would have to be completed long after his life-time.
"This film is more than a documentary, it tells the story using beautiful and quiet images of the transformation of ideas, talks of human endeavour for perfection and in so doing, illustrates that the essential meaning of this edifice lies in its creation process and not only in its completion.
This creative process is illustrated in varying perspectives from inside the incomplete church as well as the complex structure of the exterior parts of the church.
The film gives cause for self-reflection on how the past and present are related, portraying people and destinies involved in the construction of the church and ultimately proves that something incomplete also has its own significance." Jury citation, Erasmus Euro Media Awards
"Both exhaustive and astounding in its detective-like exploration of the history of the impossibly ornate Catalonian house of worship." Jackson Scarlett, 7x7SF
A hitman for the Sicilian Mafia, Salvo is solitary, cold and ruthless. When he sneaks into a house on an assignment, he discovers Rita, an innocent young blind girl who must stand by powerlessly while her brother is assassinated. What follows is an intense exchange fueled by adrenaline and fear between the killer and his witness, one that changes their two lives in an instant. The darkness is lifted from Rita’s eyes just as Salvo decides, against his murderous instincts, to spare her life. From then on, both haunted by their brief encounter, these two damaged souls will attempt to navigate their dangerous next steps side by side.
“Moody… fully immersive… effortlessly intense.” Boyd van Hoeij, Variety
"A soulful romance, an existential action flick and something of a miracle movie - the appealing slow-burner "Salvo" hovers at the crossroads of genre." Manohla Dargis, The New York Times
"A sparse and languid Italian thriller that carries a debt to Melville." David Parkinson, Empire
Discovered by a wood cutter inside a shining stalk of bamboo, a tiny girl lights up the life of this childless peasant and his wife - even though they’re perplexed by the lightning speed with which she grows into an exquisite young lady. Their "little princess" enthralls everyone she meets, and bestows such bounty on the family that they wood cutter moves them to a city mansion, where she is courted by the most eligible bachelors far and wide. A gem of a film from Studio Ghibli’s other master, Isao Takahata (Grave of the Fireflies).
“Princess Kaguya has the feel of a true Takahata film, from its unshrinking emotional fidelity to its sudden, exhilarating leaps into fantasy […] There is a deep wisdom in this film, but a deep sadness too. If it is Takahata’s farewell, it’s one that will have a long echo, just like his 1,000-year-old source.” Mark Schilling, Japan Times
"A visionary tour de force." Maggie Lee, Variety
A pinnacle of animation in the new millennium." Matt Patches, IGN Movies
Fifteen years and 9 Antarctic winters in the making, Powell’s film gives a glimpse into what it is like to spend a full year living and working in the harshest place on the planet, presenting a never-before-seen insider’s view of the frozen south. It’s a dazzling movie, but never more so than in long, endless nights of the Antarctic winter, when the sun never rises, time stands still, and the aurora australis puts on a private show of heavenly dimensions. "An extraordinary achievement that reinvigorates our sense of wonder about the natural world." NZ Herald
You’ll think twice before using that overworked word “awesome” again after seeing Anthony Powell’s film […] There are moments when what Powell’s cameras have captured will bring you to tears. Which is why you need to see it in the dark, on a big screen." Helene Wong, The NZ Listener
Keenly poised between compassion and violence, this gripping slice of Nordic noir is a suspense drama that doubles as a character study. It’s also a rare crime thriller with a sympathetic female protagonist at its heart. Released from prison 9 years after a fateful shooting, Jenny tries to put her life back on the straight and narrow - but past associates have other ideas. A tour de force from writer-director-editor-cinematographer Ommundsen, and from his wife, Salomonsen.
"Stylish... Impressive... Delicate and brutal." -- Hollywood Reporter
When a homicide detective makes the fateful decision to cover up a hit-and-run accident which kills a man, he invites karmic retribution on a grand scale in this wickedly ingenious suspense thriller.
“A masterclass in throat-squeezing, stomach-knotting suspense loaded with smart plot twists, dark humor and high-gloss visuals." Stephen Dalton, The Hollywood Reporter
“A masterclass in throat-squeezing, stomach-knotting suspense loaded with smart plot twists, dark humor and high-gloss visuals. . .A Hard Day is full of smart surprises and darkly funny lurches." Stephen Dalton, The Hollywood Reporter
"A total blast." Jessica Kiang, Playlist (Indiewire)
One of the most popular movies at this year’s VIFF, this is both an acute psychological study and a deadpan comedy of manners, a portrait of a family riven by the father’s instinctive act of cowardice in the face of an avalanche during a skiing holiday. For all his attempts to pretend that nothing has happened, everything has changed. But what to do about it?
"An ice cold knockout. Brilliantly perceptive and frostily funny." Aaron Hills, Village Voice
"Damning, frequently hilarious study of imploding male ego." AV Club
"Visually stunning. Emotionally perceptive." Variety
Legendary Nigerian Afrobeat pioneer and political dissident Fela Kuti is brought to life in Oscar-winner Alex Gibney’s (Taxi to the Dark Side) stirring evocation of the man and his music. Kuti’s raw charisma, many wives, mesmerizing musical performances and political aspirations and persecution have been covered before, but Gibney’s decision to fold in behind-the-scenes documentation of the 2009 Broadway musical Fela! makes this kaleidoscopic film as protean and rousing as Kuti himself was.
"There’s nothing like seeing Fela himself - blowing his sax, expressing his unbridled sexuality and living a life like no other." New York Daily News
Bud Gordon (Corey Stoll - from House of Cards and Midnight in Paris) once had it all—a nice apartment, fame, public love and admiration—but a quick jab to the chin wiped that slate. Now living in a dingy studio with no business, no fans and no purpose except to help train an up-and-coming boxer. Noah Buschel writes and directs Glass Chin with a distinctive, vibrant style that channels pulp film noir into something both familiar and strange.
"Buschel may be mining classic B-movie territory, but between his script and Stoll’s performance, Glass Chin finds fresh humanity in a seemingly exhausted genre." Peter Debruge, Variety
"Buschel’s micro-noir has a rare and potent sense of menace […] viscerally direct and spontaneous, like that last, swift jab that puts an opponent on the mat." Chris Cabin, Slant
"In a starring turn of suppressed despondence and frustration, the charismatic Stoll makes a strong bid for earning his own shot at superstardom." Nick Schager, Village Voice
In the first of our two-part tribute to the late great crime novelist Elmore Leonard, a kidnapping plot hits a snag when it turns out the corrupt developer played by Tim Robbins doesn’t particularly care to get his wife back - he was on the point of filing for divorce. An unofficial "pre-quel" to Jackie Brown, this witty comedy thriller introduces the characters played by Robert De Niro, Samuel L Jackson and Bridget Fonda in the Tarantino movie (and here, by John Hawkes, Yasiin Bey, and Isla Fisher). Jennifer Aniston and Will Forte also star.
"This is a droll and well-observed comedy thriller that recreates the 1970s in convincing fashion while retaining enough of a sense of menace to avoid ever drifting off into whimsy." Geoffrey Macnab, The Independent
The continuing misadventures of Ordell (now played by Samuel L Jackson), Louis (Robert De Niro), and Melanie (Bridget Fonda) - the characters from Life of Crime. This time they’re fixing to get hold of a half million dollars by way of air stewardess Jackie Brown (the incomparable Pam Grier). It’s Tarantino’s most mature and soulful movie.
"The movie that proves Tarantino is the real thing." Roger Ebert, Chicago Sun-Times
Marking the 40th Anniversary of the release of this solid gold classic with a restored DCP screening, this is a rare chance to see one of the most acclaimed Hollywood movies of the last half century on the big screen. Jack Nicholson is LA private eye Jake Gittes, a two-bit snoop who stumbles on a crime (and a crook) so large it could be the last thing he ever learns.
"Flawless" Philip French, The Observer
"Unmissable." Peter Bradshaw, The Guardian
"Unforgettable." Neil Smith, Total Film
Just in time for Christmas … the noirest of the noir and the last extravaganza that Orson Welles directed for a Hollywood studio, Touch of Evil is considered to be one his greatest movies achievements. There is a lot of plot, but it’s more of a character story about the grunting, wheezing detective Hank Quinlan (Orson Welles), a man who is truly in hell. The concept of borders and "crossing the line" is essential to Touch of Evil as many taboo topics are addressed in this baroque nightmare of a south-of-the-border mystery.
How does a 16-year-old evolve into a bank robber?
"Vital, thoughtful, and deeply personal, first-timer Darius Clark Monroe’s autobiographical doc stands as a testament to the power of movies to stir empathy. At age 16, honor-student Monroe had dabbled in employee-theft at the Venture store where he worked after school. Next, restless and foolhardy, he set his criminal sights higher, corralling a couple of friends and busting into a Stafford, Texas, Bank of America. Monroe wore a skeleton mask, one accomplice wielded a sawed-off shotgun, and a couple hours later Monroe’s mother found a shoebox on her bed filled with thirty grand. Monroe’s film is an inquiry into who he was becoming — and who he became during a five-year prison sentence." Alan Scherstuhl, Village Voice
Tacoma garage rock band Girl Trouble has always traveled on their own unique and idiosyncratic musical path. For over 30 years, they have been standard- bearers for the collaborative spirit and do-it-yourself aesthetic that the Northwest’s indie rock scene was founded on. Director Isaac Olsen weaves together the band’s treasure trove of treasured memorabilia with present-day interviews with the band’s numerous collaborators, including Neko Case, Calvin Johnson, and Art Chantry. But ultimately, Olsen wisely lets the band members tell the story of their journey from self-proclaimed “weirdos” to Tacoma’s local champions and defenders of rock and roll.
Walking the Camino: Six Ways to Santiago follows various pilgrims, from ages 3 to 73, as they attempt to cross an entire country on foot – with only a backpack, a pair of boots and an open mind. Driven by an inexplicable calling and a grand sense of adventure, we witness the Camino’s magnetic and miraculous power to change lives. Each pilgrim throws themselves heart and soul into their incredibly challenging trek to Santiago de Compostela, and most importantly, their personal journey to themselves.
100% Fresh, Rotten Tomatoes
"Driving both the filmmaker and her subjects is wonder and wanderlust. Their enthusiasm for the Camino is contagious …" Diana Clarke, Village Voice
Roger Ebert wasn’t just the most popular North American film critic of the late twentieth century, in part by seizing the opportunities afforded by TV, he was also one of the most insightful and articulate, a wonderful writer with an insatiable curiosity about the world, deep knowledge of cinema, and the passion to communicate it. This acclaimed film from Steve James (Hoop Dreams) captures yet another side of Roger: how he blossomed in the loving family he found late in life, despite the terrible struggle with cancer that ravaged his body and left him unable to speak.
"Life Itself is a work of deftness and delicacy, by turns a film about illness and death, about writing, about cinema and, finally, and very movingly a film about love." Geoffrey O’Brien, The New York Times
VIFF Vancity Theatre and the Cinematheque join together this weekend to celebrate the centenary of a cinema landmark. In the Land of the Head Hunters was the first feature film made in B.C. and is the oldest extant feature made in Canada. It’s also the first feature made with an entirely indigenous North American cast and arguably the first ever documentary feature. A portrait of the Kwakwaka’wakw (formerly Kwakiutl) people of northern Vancouver Island and the central coast, it was directed by Edward S. Curtis, the renowned American photographer of First Nations life.