Someone is killing aboriginal girls on a remote stretch of road, but no one seems to care… That’s the set up for this evocative Australian thriller, a genre movie which doubles as a critique of post colonial racism and corruption and which should echo loud and strong in British Columbia.
"Imagine a racially charged Outback Chinatown and you have the measure of this terrific Aussie noir written, shot, directed, edited and scored by Ivan Sen. As Aaron Pederson’s aboriginal detective returns home to investigate a murder, he discovers a township driven by corruption, where the fug of meth and malaise has made life lose all value." Total Film
" Mystery Road has the evil, epic sweep of LA Confidential, but a grimmer grasp on reality, burning a long trail of TNT to a final, point-blank showdown." Nick Hasted, The Arts Desk
The most impressive debut feature of the year also happens to be the scariest. This tale of an anguished single mom (an incredible performance from Essie Davies), her monstrous six-year-old, and the storybook bogeyman who terrorizes their home is guaranteed to chill you to the bone.
"One of the strongest, most effective horror films of recent years - with awards-quality lead work from Essie Davis, and a brilliantly designed new monster who could well become the break-out spook archetype of the decade." Kim Newman, Empire
"Managing to scare an audience silly with original imagery and non-formulaic jolts is no mean feat […] Managing to move us at the same time is close to miraculous." Tim Robey, Daily Telegraph
"Deeply disturbing and unusually beatiful." Variety
Award winning Vancouver filmmaker Julia Kwan trains her eye on our own backyard, Chinatown, Pender, Hastings and Main St, and no matter how well you think you know this area, you’re bound to come away with new insights into the people and businesses that make up this once vibrant community. It’s a neighbourhood in transition, a culture in decline - or on the cusp of gentrification. This isn’t an advocacy doc, but a wise, ruminative portrait, an elegy perhaps, but also a celebration of entrepreneurial energy, resilience and creativity.
Join us for a screening of this VIFF double prize-winning documentary followed by a panel discussion on food waste and other issues raised in the movie featuring producer Jen Rustemeyer and special guests.
A belated return after its sell-out show two years ago, another chance to enjoy this compilation of archival footage. Using 50 years of material, local historian Michael Kluckner guides us on a moving image journey into Vancouver’s past. With musical accompaniment by jazz pianist Wayne Stewart, highlights include home movies, park board films, experimental films, and on-the-fly documentaries.
"The films this year are the closest I could ever get to experiencing Vancouver in the 1930s to the 1960s without using a time machine," says historian Michael Kluckner, who has curated and will narrate an afternoon of vintage movies from the City of Vancouver Archives.
Pianist Wayne Stewart will provide accompaniment for the movies that were originally produced without sound
Two short films from the Vancouver based producer, writer, director Jonathan Kitzen, including last year’s Academy Award-winning non-fiction short subject The Lady in Number Six: Music Saved My Life (a portrait of 109 year old Holocaust survivor Alcie Herz Sommer), and his new film, Soldiers’ Stories, a war remembrance document that draws parallels between the Battle of the Somme in WWI and today’s conflicts. The latter is presented in 3D and introduced by Jonathan Kitzen.
Jonathan Kitzen will be in attendance and introduce the films
The French invented the term "film noir" and this adaptation of a slim, forceful novel by Georges Simenon certainly boasts idenfiable noir characteristics: the femme fatale who lures an all-too willing husband away from his marriage bed; the crime of passion and miscarriage of justice that ensue, all unfolding in a slippery mosaic of ambiguous flashbacks. As the title suggests, the dominant colour is blue, not black,and Amalric’s terrific movie shifts between carnal abandon and clinical claustrophobia.
"An elegant psychological freak-out about adultery and other madness, [a] dark, delectable, shivery tale." Manohla Dargis, The New York Times
"The Blue Room is a story about sexual desire as an overwhelming force, incapable of being ignored or mistaken, and about the ambiguity of almost everything else: memory, language, actions and motives." Stuart Klawans, The Nation
" A great little film… It has a headlong rhythm, skittering between timeframes with the skill of a pianist nailing Prokofiev…. Everything’s told in shards, and Amalric does very well to create a sense of emotional continuum amid all the procedural detail. His own performance is fantastic, jittery and disheveled.” Tim Robey, The Daily Telegraph
Thanks to an astonishing performance by Pierre Niney that masterfully mimics the iconic designer’s impish bearing and aura of genius, Yves Saint Laurent is reborn in this suitably stylish, well-tailored biopic. Lespert doesn’t hesitate in giving this great life and grand love affair the operatic treatment it deserves.
Former intelligence officer John Le Carre wrote his first espionage novel in 1962, just a year after the completion of the Berlin Wall, which loomed large in the book. That same wall - demolished 25 year ago, Nov 9, 1989 - also figures in the opening and closing scenes of Martin Ritt’s acclaimed film adaptation. It’s one of the key Cold War movies, the antithesis of James Bond escapism, and features arguably Richard Burton’s finest screen performance.
The title is a prison term for the graduation from a youth offenders’ detention centre to an adult correctional facility, which happens to be the journey taken by 19 year old Eric (Jack O’Connell) in this explosive British drama. The prison also happens to be home to Eric’s estranged father (Ben Mendelsohn), though the reunion is not a happy one…
"An edgy, teeming thriller, brilliantly disorienting." New York Magazine
"Starred Up is an edgy, teeming thriller, brilliantly disorienting, making strange a world we thought we knew, at least from other movies." David Edelstein, New York Magazine
"O’Connell bristles with terrifying hair-trigger unpredictability. Watching him, you feel like you’re witnessing the arrival of a new movie star." Chris Nashawaty, Entertainment Weekly
"Brutal and boisterous… Turns the complicated dynamic between a young prisoner and his problematic mentor into a ferocious psychodrama that locks you in and refuses to let you go." AO Scott, The New York Times
In the first of our series bringing you opera productions from London’s Royal Opera House, a chance to enjoy the company’s new staging of Richard Wagner’s epic, his final masterpiece. A young man ignorant of everything, including his own name, arrives at the Kingdom of the Holy Grail. Is he the ‘pure fool, enlightened by compassion’, who, it has been prophesied, will purify the kingdom?
Running time includes two intermissions.
An unforgettable experience!
Richard Eyre’s produciton of Verdi’s masterpiece has been one of the most successful opera stagings in the long and celebrated history of the Royal Opera House. We present the original, definitive incarnation of that production, starring the incomparable Renee Fleming as the ill-fated courtesan Violetta, oppose Joseph Calleja as Alfredo and Thomas Hapson as his unyielding father.
Andrei Serban’s staging of Puccini’s final opera is a glorious pageant of rich colour, dance and drama. Turandot is a tale of disguised identities, riddles, ritual executions and powerful, triumphant love.
Paris in 1855, when the opera was first performed, provides the starting point for the interpretation by celebrated Norwegian born director Stefan Herheim. The opera ballet plays a significant role too, with Johann Kobborg choreographing for dancers from the Royal Ballet and Royal Danish Ballet. The story is set to impassioned and dramatic music, rich in showpiece arias and ensembles with striking choruses. Antonio Pappano conducts a world-class cast including Erwin Schrott, Bryan Hymel and Lianna Haroutounian in The Royal Opera’s first ever staging of Verdi’s grand opera.
Don José (Jonas Kaufmann) is a young soldier in the army in Seville. He intends to marry Micaëla, a girl from his home village, but when he meets the sensual and high-spirited Carmen (Anna Caterina Antonacci), his head is soon turned…Spanish heat and gypsy passion are brought to the stage in Francesca Zambello’s vivid production of Bizet’s famous opera.
Sung in French with English subtitles
Acts One and Two will last for about 1 hour 50 minutes, followed by a 15 minute interval. Act Three will last for about 1 hour 5 mins.
Powerful music, a gripping story and a tragic end: Puccini’s ever-popular Tosca performed with a fabulous cast. Among the star singers in this revival are Angela Gheorghiu, Jonas Kaufmann and Bryn Terfel. Jonathan Kent’s detailed production draws to the full on the historical backdrop of Rome in 1800, an atmospheric backdrop to the love of the beautiful diva Tosca, the idealism of her lover Cavaradossi and the deadly, destructive obsession of the malevolent Chief of Police, Scarpia.
Daniele Abbado explores themes of identity, exile and religion in a powerful staging of Verdi’s epic opera. War has broken out between the Babylonians and Israelites. The Israelites have captured Fenena, younger daughter of the Babylonian King, Nabucco. In revenge, Nabucco vows to destroy Jerusalem, aided by the vengeful Abigaille.
“Domingo’s career, 42 years at Covent Garden and counting, continues to be a wonder of the age.” The Guardian
A lost key and an accidental touch of cold hands in the dark – so begins one of the great romances of all opera. In his depiction of the tender and ultimately tragic love between Mimì and Rodolfo, Puccini achieved an immediacy, warmth and humanity that have rarely been equalled.
This riveting crime thriller follows Oscar, a recent emigrant to Manila who gets pulled into a harrowing world of corruption and violence when he takes a job as an armored car driver to support his family. "It begins as a swirling drama of survival in the Filipino capital - but then suddenly it slips off down an alleyway, only to emerge a scrupulously engineered, Christopher Nolan-ish crime thriller." Robbie Collin, Daily Telegraph
Winner: Sundance Film Festival’s World Audience Award; Best British Independent film 2013.
"It begins as a swirling drama of survival in the Filipino capital - but then suddenly it slips off down an alleyway, only to emerge a scrupulously engineered, Christopher Nolan-ish crime thriller." Robbie Collin, Daily Telegraph
"One of the most enrapturing experiences I’ve had at the movies in 2013: fiercely, grandly humanist, and almost unbearably tragic." MaryAnn Johanson
"The influence of Ken Loach makes way for the dynamics of a Quentin Tarantino-style heist. The result is an expertly crafted heartbreaker that cuts to the core of desperate lives." Allan Hunter, Daily Express