A multi-layered and poignant thriller interweaving the personal lives of a state prosecution investigator (Ricardo Darin) and a judge, with a manhunt spanning twenty-five years.
Winner: Academy Award, Best Foreign Language Film
"The wonder is that the film balances its many genres, from the thorns of murder to the bloom of romance to the thickets of politics, with such easy grace. 4/4"—Rick Groen, Globe and Mail
"This beautiful film, directed with subtlety and grace by Juan José Campanella, really is about moving from fear to love."—Joe Morgenstern, Wall Street Journal
"Secret is bound to linger in the memory for years."—Betsy Sharkey, LA Times
Why does the law bestow on private corporations the rights of individuals citizen, but few of the responsibilities? Since its supremely successful release in 2002 this homegrown documentary has only (and sadly) grown more timely. Screening here in a newly revised 2 hour cut specifically aimed at educational distribution networks.
"A cogent, compelling, powerful argument, and a terrific movie."—Glenn Kenny, Premiere
For his first North American movie the acclaimed French filmmaker Laurent Cantet (The Class; Time Out) came to Canada to film Joyce Carol Oates’ novel about a girl gang in the 1950s. Inspired by their leader, "Legs", the gang fights back against disciplinarian school masters, abusive employers, predatory males and neglectful parents — eventually establishing their own quasi-"collective". "A frequently thrilling evocation of teen lives." Empire
"A frequently thrilling evocation of teen lives. Proof that The Class and Time Out were no pan flashes. 4/5"—Angie Errigo, Empire
"Impressively directed and superbly written, this is a riveting and emotionally engaging drama with some thought-provoking ideas and terrific performances from its young cast of unknowns. Highly recommended."—Matt Turner, View
"As beautiful as it is surprising, Cantet’s Foxfire girls appear like the ancestors of Pussy Riot."—Les Inrockuptibles
Loosely based on a real incident involving a Cistercian order of monks kidnapped by Islamic fundamentalists in Algeria, Beauvois’s film is an austere but gripping meditation on faith and fraternity.
"Of Gods and Men, a transcendent drama of uplift and inspiration, reveals the cavernous divide between heaven and Earth."—Peter Howell, Globe and Mail
"Beautiful, somber and rigorously intelligent."—AO Scott, New York Times
More than one critic compared Jacques Audiard’s forceful, rich prison drama to The Godfather. Audiard uses the prison as a microcosm in this allegory for how to get ahead in the twenty-first century.
"If Malik doesn’t remind you of Al Pacino’s Michael Corleone on his journey from innocence to corruption in The Godfather saga, well ... he should. A Prophet is similarly, startlingly momentous."—Steven Rea, Philadeliphia Inquirer
"It’s a highly original film made in a familiar context, and an exciting moviegoing experience you shouldn’t miss."—Andrew O’Hehir, Salon
"A Prophet is the kind of film that makes you remember why going to the movies can be a thrilling experience."—Marjorie Baumgarten, Austin Chronicle
France, Poland, Denmark
Polish-born, UK-based filmmaker Pawlikowski (My Summer of Love) returns to his native land for this evocative, resonant art film about a novice nun discovering a family secret in the 1960s. Beautifully shot in black and white, this award-winning drama has been compared to the work of Francois Truffaut and Robert Bresson.
"In a very short time, Pawlikowski’s film tells us a powerful, poignant story with fine, intelligent performances." — Peter Bradshaw, The Guardian
"This story of faith and despair is gracefully told, its simple, uncluttered spaces and luminous black-and-white photography harking back to Robert Bresson."— JR Jones, Chicago Reader
"It’s absolutely stunning, one of the year’s best films, and a fulfillment of the promise that the director has shown for so long." — Oli Lyttleton, Indiewire
In the first of our series bringing you opera productions from London’s Royal Opera House, a chance to enjoy the company’s new staging of Richard Wagner’s epic, his final masterpiece. A young man ignorant of everything, including his own name, arrives at the Kingdom of the Holy Grail. Is he the ‘pure fool, enlightened by compassion’, who, it has been prophesied, will purify the kingdom?
Running time includes two intermissions.
An unforgettable experience!
Richard Eyre’s produciton of Verdi’s masterpiece has been one of the most successful opera stagings in the long and celebrated history of the Royal Opera House. We present the original, definitive incarnation of that production, starring the incomparable Renee Fleming as the ill-fated courtesan Violetta, oppose Joseph Calleja as Alfredo and Thomas Hapson as his unyielding father.
Andrei Serban’s staging of Puccini’s final opera is a glorious pageant of rich colour, dance and drama. Turandot is a tale of disguised identities, riddles, ritual executions and powerful, triumphant love.
Paris in 1855, when the opera was first performed, provides the starting point for the interpretation by celebrated Norwegian born director Stefan Herheim. The opera ballet plays a significant role too, with Johann Kobborg choreographing for dancers from the Royal Ballet and Royal Danish Ballet. The story is set to impassioned and dramatic music, rich in showpiece arias and ensembles with striking choruses. Antonio Pappano conducts a world-class cast including Erwin Schrott, Bryan Hymel and Lianna Haroutounian in The Royal Opera’s first ever staging of Verdi’s grand opera.
Don José (Jonas Kaufmann) is a young soldier in the army in Seville. He intends to marry Micaëla, a girl from his home village, but when he meets the sensual and high-spirited Carmen (Anna Caterina Antonacci), his head is soon turned…Spanish heat and gypsy passion are brought to the stage in Francesca Zambello’s vivid production of Bizet’s famous opera.
Sung in French with English subtitles
Acts One and Two will last for about 1 hour 50 minutes, followed by a 15 minute interval. Act Three will last for about 1 hour 5 mins.
Powerful music, a gripping story and a tragic end: Puccini’s ever-popular Tosca performed with a fabulous cast. Among the star singers in this revival are Angela Gheorghiu, Jonas Kaufmann and Bryn Terfel. Jonathan Kent’s detailed production draws to the full on the historical backdrop of Rome in 1800, an atmospheric backdrop to the love of the beautiful diva Tosca, the idealism of her lover Cavaradossi and the deadly, destructive obsession of the malevolent Chief of Police, Scarpia.
Daniele Abbado explores themes of identity, exile and religion in a powerful staging of Verdi’s epic opera. War has broken out between the Babylonians and Israelites. The Israelites have captured Fenena, younger daughter of the Babylonian King, Nabucco. In revenge, Nabucco vows to destroy Jerusalem, aided by the vengeful Abigaille.
“Domingo’s career, 42 years at Covent Garden and counting, continues to be a wonder of the age.” The Guardian
A lost key and an accidental touch of cold hands in the dark – so begins one of the great romances of all opera. In his depiction of the tender and ultimately tragic love between Mimì and Rodolfo, Puccini achieved an immediacy, warmth and humanity that have rarely been equalled.
Kasper Holten, ROH Director of Opera, presents a mesmerizing new production of Mozart’s sublime tragicomedy. The impulsive and charismatic Don Giovanni travels through Europe seducing women, accompanied by his long-suffering servant Leporello. When he commits murder, he unleashes vengeance from beyond the grave.
Puccini’s first triumph returns to Covent Garden for the first time in 20 years in a new staging by Jonathan Kent. The exciting Latvian soprano Kristine Opolais sings the title role. A consummate Puccini soprano, Opolais caused a sensation as Madama Butterfly in 2011, and with Manon Lescaut, the bold but impressionable heroine, we will see a very different side of her. She is matched in star power by Jonas Kaufmann as her lover, Des Grieux, and Christopher Maltman as her cynical brother Lescaut. Kent’s vision of a young girl who faces temptation in the big city will surely resonate with today’s audience.
Jesse Eisenberg take 2: here he’s timid office worker Simon James, a non-person to most, including the lovely Hannah (Mia Wasikowska), a co-worker who is also the apple of his eye. Enter charismatic young hotshot James Simon (Eisenberg again). No one seems to notice he’s the spitting image of Simon, and though at first he feigns a certain friendliness to his near-namesake, it’s not long before the new man has begun to take over his job, his apartment, his girl, his entire life... Richard Aoyade’s Dostoevsky adaptation riffs on Kafka, Welles and Gilliam to chillingly hilarious effect.
"As a pure head-trip visual and auditory experience it feels like one of the biggest discoveries, and biggest surprises, of 2014."—Andrew O’Hehir, Salon.com
"Daring, hilarious and wickedly clever."—The Playist (Indiewire)
The feature debut of writer-director Anthony Minghella (The English Patient; The Talented Mr Ripley) is a film warmth, tenderness and comedy. After her husband, Jamie (Alan Rickman), dies, Nina (Juliet Stevenson is consumed by grief. So much so that Jamie comes back to her as a ghost...
Introduced by Murray Battle, director of Indpendent Production and Presentation at BC’s Knowledge Network.
Arguably the most popular building site in the world, the Sagrada Familia cathedral in Barcelona is still a work in progress, 125 years after the first stones were laid. Designed by the controversial Catalan genius Antonio Gaudi, the Sagrada is a testament to Faith ... Faith in God, in the natural forms that so inspired the architect, and also in man, for Gaudi always knew this work would have to be completed long after his life-time.
"This film is more than a documentary, it tells the story using beautiful and quiet images of the transformation of ideas, talks of human endeavour for perfection and in so doing, illustrates that the essential meaning of this edifice lies in its creation process and not only in its completion.
This creative process is illustrated in varying perspectives from inside the incomplete church as well as the complex structure of the exterior parts of the church.
The film gives cause for self-reflection on how the past and present are related, portraying people and destinies involved in the construction of the church and ultimately proves that something incomplete also has its own significance."—Jury citation, Erasmus Euro Media Awards
"Both exhaustive and astounding in its detective-like exploration of the history of the impossibly ornate Catalonian house of worship."—Jackson Scarlett, 7x7SF
In 1984 East Berlin, an agent of the secret police, conducting surveillance on a writer and his lover, finds himself becoming increasingly absorbed by their lives.
"A thoroughly compelling political thriller, at once intellectually challenging and profoundly emotional."—Claudia Puig, USA Today
"The Lives of Others is a supremely intelligent, unfailingly honest look at a shadowy period in recent German history."—AO Scott, New York Times