Short Term 12
Please note, this film has been classified 14A.
Youths under the 19 will be admitted into the theatre with an accompanying adult.
Grace (a breakthrough performance from former child star Brie Larson) is a twenty- something supervisor at a foster-care facility for at-risk teenagers. Passionate and tough, Grace is a formidable caretaker of the kids in her charge – and in love with her long-term boyfriend and co-worker, Mason (John Gallagher Jr.)
But Grace’s own difficult past – and the surprising future that suddenly presents itself – throw her into unforeseen confusion, made all the sharper with the arrival of a new intake at the facility – Jayden (Kaitlyn Dever), a gifted but troubled teenage girl with whom Grace has a charged connection.
She and Mason also struggle to help Marcus (Keith Stanfield) – an intense, quiet kid who is about to turn 18 – manage through the difficulty of having to leave the facility.
Grace comes to find – in both her work and the new teenager in her care – surprising sources of redemption. And while the subject matter is complex and often dark, this lovingly realized film finds truth – and humor – in unexpected places.
One of the most acclaimed American films of the year (currently rated 100% fresh by Top Critics on the aggregator site Rotten Tomatoes), Short Term 12 may sound earnest in outline, but it looks and feels vividly true - not surprising, when you learn that writer-director Destin Cretton worked for two years in just such a care facility in San Diego. Cretton also had the good sense to cast the brilliant young actress Brie Larson (The Spectacular Now, The United States of Tara) in her first adult lead role.
100% Fresh, Top Critics, Rotten Tomatoes
"It’s one of the best movies of the year and one of the truest portrayals I’ve ever seen about troubled teens and the people who dedicate their lives to trying to help them." Richard Roeper, Chicago Sun-Times
"A compact masterpiece of storytelling that brims equally with ambition and humility. It is, by a wide margin, the best film I have seen so far this year." Christopher Orr, The Atlantic