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VIFF 2012 Facts + Figures

VIFF 2012 Snapshot

Media Contacts

 Size + Scope

  • 380+ films (235+ of which are feature-length )
  • 75 countries
  • more than 600 screenings
  • 107 Canadian films (including 15 co-productions):
    • 36 features (16 of which are nonfiction) + 61 shorts
    • Selected from 800 Canadian submissions
  • 95 nonfiction films (80 of which are feature-length)
  • 152,000 admissions in 2011
  • 750 volunteers
  • 10 screens at four theatres (not including a few special events elsewhere):
    • Empire Granville 7 Cinemas
    • Pacific Cinémathèque
    • Vancity Theatre
    • Vogue Theatre
  • 600 accredited industry guests in 2011
  • 1,200 Film and Television Forum delegates

2012 Gala Films

  

Opening Gala, September 27: MIDNIGHT'S CHILDREN - Deepa Mehta, Dir (Canada)

Canadian Images Opening, September 28: MOVING DAY - Mike Clattenburg, Dir (Canada)

Dragons & Tigers Awards Gala, October 4: MYSTERY ­- Lou Yi, Dir (China/France)

Sponsor Gala, October 6: I, ANNA -Barnaby Southcombe, Dir (UK/Germany/France)

Closing Gala, October 12: HOLY MOTORS- Leos Carax, Dir (France)

 


2012 Programming Strands

    • Galas and Special Presentations
    • Garden in the Sea
    • Dragons and Tigers: The Cinemas of East Asia
    • Canadian Images
    • Cinema of Our Time
    • Spotlight on France
    • Nonfiction Features of 2012
    • Nonfiction Features: Arts and Letters 

Awards

Adjudicated Awards
  • Dragons & Tigers Award for Young Cinema, presented by Brad Birarda($5,000 prize)
  • Best Canadian Feature Film Award ($10,000 prize)
  • Most Promising Director of a Canadian Short Film Award ($2,000 prize)

Audience Awards

Rogers People's Choice Award

  • VIFF Most Popular Canadian Film Award
  • VIFF Most Popular Documentary Film Award
  • Most Popular Canadian Documentary Award
  • VIFF Environmental Film Award
  • VIFF Most Popular First Feature 


VIFF is a not-for-profit charitable organization whose mandate is:

 

A)   to encourage understanding of the world's cultures through the art of cinema, to foster the art of cinema, to facilitate the meeting in British Columbia of cinema professionals from around the world, and to stimulate the motion picture industry in British Columbia. 

B)   to operate an annual Vancouver International Film Festival, a festive public celebration bringing to British Columbia the best in contemporary Canadian and international cinema and retrospective programs.

C)   to operate the Vancouver International Film Centre, providing the public and film community with an excellent facility for the appreciation of cinema and related art forms throughout the year. 

 


 Film lengths: Features = over 60 minutes long; mid-lengths = between 20 and 60 minutes; shorts = under 20 minutes




MEDIA CONTACTS


Media Office
T: (604) 646-4770
F: (604) 688-8221
E: media@viff.org  

 

Publicist (Cinema of Our Time & Spotlight on France) 

Ellie O'Day 

 

Publicist (Nonfiction Features)  

Helen Yagi 

 

Publicist (Dragons & Tigers) 

Andrew Poon 

 

Publicist (Canadian Images) 

Gloria Davies   

 

Media Office Coordinator 

Justin Mah  

 


Canadian Images line-up showcases films that focus near and far

Above photo from OCCUPY LOVE (Canada | Dir: Velcrow Ripper)

Vancouver, BC (September 5th, 2012) – Travel the world with a uniquely Canadian perspective at the Vancouver International Film Festival!

The festival’s Canadian Images section is a pillar of the overall VIFF 2012 program. This year's eclectic line-up includes feature films lensed in India, Africa and the Middle East, while the documentaries probe even further afield, taking viewers to the moon and beyond—into the fourth dimension... time.

Opening the Canadian Images program is Mike Clattenburg’s MOVING DAY, a raucous comedy set in Halifax and starring Will Sasso and Canada’s Sweetheart, Gabrielle Miller. Atlantic Canada features prominently in the program this year, with three more films from Nova Scotia: Michael Melski’s crime drama CHARLIE ZONE and two superb feature directorial debuts: Jason Buxton’s BLACKBIRD, and Shandi Mitchell’s THE DISAPPEARED.

“Atlantic Canadian filmmakers are really coming into their own, as these four very different, but very strong films demonstrate,” says Terry McEvoy, Canadian Images Programmer. “In fact, I was impressed across the board with the quality and diversity of Canadian films this year.”

Quebec and Ontario contribute significantly to the program, from Kim Nguyen’s stunning war tale REBELLE to Andy Keen’s riotous concert doc BOBCAYGEON, featuring Canuck darlings the Tragically Hip. Also from Ontario, Nisha Pahuja's THE WORLD BEFORE HER, garnered Best Documentary Feature at the Tribeca Film Festival and Best Canadian Documentary at this year’s Hot Docs. The best of BC this year includes feature films directed by Mark Sawers, Katrin Bowen and Bruce Sweeney. On the documentary side, Nimisha Mukerji’s revealing BLOOD RELATIVE and Julia Ivanova’s moving look at international adoption, HIGH FIVE: AN ADOPTION SAGA are original and insightful.

“This year's selection of films reflects the curiosity, intelligence and passion of Canadian filmmakers and their distinctive worldview. With a wide range of subject matter and points of view, there's something for everyone,” says McEvoy.

Prizes available to Canadian filmmakers at the Vancouver International Film Festival include the $10,000 Prize for Best Canadian Feature Film, the $2,000 Prize for Most Promising Director of a Canadian Short Film, and the Rogers People’s Choice Award.

The Canadian Images opening celebration on September 28th, 2012 is sponsored by landmark Vancouver restaurant CinCin.

Canadian Images Program Statistics

780 Canadian submissions

63  Films in Canadian Images

28  Feature-length (15 dramatic, 13 documentary)

35  Short & mid-length

21  BC Productions  (7 features, 14 shorts)

CANADIAN FILMS AT VIFF 2012

CANADIAN IMAGES OPENING FILM

MOVING DAY Mike Clattenburg, NS
Hilarious and heartwarming, Mike Clattenburg’s film tells the story of four working-class stiffs. Our hero (Will Sasso), is a put-upon father with dreams of something bigger...

CANADIAN IMAGES SPECIAL PRESENTATIONS

ANTIVIRAL  Brandon Cronenberg, ON

Brandon Cronenberg's (yes, son of that Cronenberg) debut is set in a dystopian near future in which obsession with celebrity has reached such neurotic levels that fans get themselves injected with viruses and diseases that once lived inside their idols... Amazingly controlled and confident for a first film, Antiviral marks Cronenberg the younger as one to watch.

LAURENCE ANYWAYS Xavier Dolan, QC

Director Xavier Dolan (I Killed My Mother, VIFF 09) delivers a stunning love story set in 90's Montreal. Over a decade, transsexual Laurence (Melvil Poupaud) and his girlfriend Fred (Suzanne Clément) struggle to hold on to each other. Rendered with Dolan's irresistible panache, this is an epic tale about love and identity.

CANADIAN IMAGES PROGRAM

BECOMING REDWOOD Jesse James Miller, BC

In this light-hearted tale set in the 60s, Jesse James Miller (Uganda Rising, VIFF '06) introduces us to the tumultuous world of 11-year-old Redwood, who is only one shot away from defeating Jack Nicklaus at the Masters, freeing his father from jail and reuniting his parents forever. Or so he thinks.

BESTIAIRE Denis Côté, QC

Director Denis Côté weaves together beautiful, haunting and disquieting images in this filmic essay. Close, lingering observations of animals in an open-air zoo are both heavy with emotion and intriguing to watch. The result is a fascinating meditation on nature, civilization and human perception.

BLACKBIRD Jason Buxton, ON/NS

Jason Buxton's film concerns a troubled teen, Sean Randall, who is falsely accused of planning a Columbine shooting scenario. Sean's only hope is to overcome his dark image and prove his innocence to both his unlikely love and to his community.

BLOOD RELATIVE Nimisha Mukerji, BC

Director Nimisha Mukerji's (65_RedRoses, VIFF 09) documentary follows an activist fighting to save two young adults dying from Thalassemia, a rare blood disease. Suffering stunted growth and without access to medication, they remain trapped in the bodies of children. Chronicling one man's battle, the film exposes modern India's broken healthcare system.

BOBCAYGEON Andy Keen, ON

Director Andy Keen shot a movie once, in somebody's hometown. The Tragically Hip wrote a song about that town, and it became an anthem. This well-paced Tragically Hip concert film brings you to the farmer's field in Ontario cottage country where everybody sings along...

CAMERA SHY Mark Sawers, BC

A skewed reflection on public and private life, Mark Sawers' black comedy features a corrupt Vancouver city councillor, the rare psychological disorder he’s been diagnosed with, and a mysterious cameraman who won’t leave him alone.

CAMION Rafaël Ouellet, QC

Rafaël Ouellet’s exquisite film, set in rural Quebec, follows a veteran truck driver named Germain. After the tragedy that ends his career, Germain's sons join him at their family home. They share a familial malaise of loss, but, quietly, hope arrives. Winner, Best Director, Karlovy Vary 2012.

THE CARBON RUSH Amy Miller, ON

Director Amy Miller investigates threatened ways of life in Panama, India and Honduras, exposing projects that claim to be sustainable and purport to offer innovative solutions to climate change, but seem to create more problems than they solve. Preceded by UNINTERRUPTED Nettie Wild, BC A meditation on clean, flowing water and the fish that inhabit it.

CHARLIE ZONE Michael Melski, NS

A dockworker and part-time pro street fighter is contracted to rescue a drug addict from her life of degradation. His actions will unleash murder, torture and betrayal in director Michael Melski's gripping Halifax crime drama.

CRIMES OF MIKE RECKET Bruce Sweeney, BC

Bruce Sweeney’s (Dirty) moody mystery is a rich, moving thriller in which character psychology and suspense are seamlessly merged. Watch for very strong performances from Vancouver’s Gabrielle Rose and Nicholas Lea.

THE DISAPPEARED Shandi Mitchell, NS

Six men in two rowboats. The middle of the ocean. Limited food and drink, no bearings, the threat of slow death. From this spare premise director Shandi Mitchell has crafted a superb film. Lost at sea, the hearts of men are in conflict with implacable, indifferent nature.

THE END OF TIME Peter Mettler, ON

In the years since the transcendental epic Gambling, Gods and LSD (2002), Swiss-Canadian filmmaker Peter Mettler has once again travelled the world amassing mind-blowing images and sensations, which take form in this meditation on a subject we experience daily but rarely take the time to ponder: time itself.

HIGH FIVE: AN ADOPTION SAGA Julia Ivanova, BC

After their plans to adopt a baby are thwarted, Cathy and Martin decide to adopt five Ukrainian siblings--at any cost. The real journey begins when, after several years, they succeed. Director Julia Ivanova confronts the complicated aftermath of an international adoption in this moving documentary.

I AM NOT A ROCK STAR Bobbi Jo Hart, QC

At an age when most people are clueless and carefree, talented young Marika Bournaki was embarking on a prestigious career as a concert pianist. But was this wunderkind truly born to perform? Director Bobbi Jo Hart follows Marika over eight years of adventure and self-discovery.

IN NO PARTICULAR ORDER Terry Miles / Kristine Cofsky, BC

Suspended in post-adolescence, twenty-something Sarah alternates between hedonism and ennui. Urged on by her newlywed sister, Sarah awakens to the possibility that life could be different. Directors Terry Miles (A Night For Dying Tigers, VIFF 10) and Kristine Cofsky achieve a pitch-perfect portrait of a quarter-life crisis.

IN SEARCH OF BLIND JOE DEATH: THE SAGA OF JOHN FAHEY James Cullingham, ON

James Cullingham's compelling biographical documentary expresses the "blind" vision and phenomenal talent of the steel-string guitar virtuoso and iconoclast John Fahey. Pete Townshend calls him the folk guitar equivalent of William Burroughs or Charles Bukowski. You decide.

INCH’ALLAH Anaïs Barbeau-Lavalette, QC

Director Anaïs Barbeau-Lavalette and the producers of Incendies and Monsieur Lazar take on the extremely sensitive emotional and political landscape known variously as Israel, Palestine or the Holy Land. Évelyne Brochu as Chloé captures the torment of deeply conflicted sympathies and loyalties as we follow her vertiginous moral thrill ride.

THE LAST WHITE KNIGHT Paul Saltzman, ON

In 1965, Paul Saltzman drove to Mississippi and, after joining the Student Non-Violent Coordinating Committee as a civil rights worker, was assaulted by a young KKK member. In this film, director Saltzman returns to find the Klansman and assess the state of the integrated South.

LIVERPOOL Manon Briand, QC

Manon Briand mixes 60s style with Internet-era activism in this romantic comedy/thriller about Émilie, a coat-check wallflower in a popular nightclub, and Thomas, a computer nerd hampered by an inability to interact in the real world...

LUNARCY! Simon Ennis, ON

What do you see when you look at the Moon? A man? A woman? A business opportunity? An outpost for future space exploration? Or the portent of all that’s sinister? Simon Ennis documents humanity’s always fascinating, and often bizarre and hilarious, obsession with our lunar neighbour.

OCCUPY LOVE Velcrow Ripper, ON

In early 2011, inspired by the massive demonstration in New York City, people the world over came together to demand an inclusive redistribution of social and economic power. Going straight to the heart of the Occupy movement, Velcrow Ripper's hopeful documentary chronicles this global paradigm shift.

RANDOM ACTS OF ROMANCE Katrin Bowen, BC

Katrin Bowen (Amazon Falls, VIFF 2010) returns with a feature comedy about the crazy and obsessive behaviours that spring from that thing called love. The story is punctuated by moments of uncomfortably illuminating hilarity, as characters confront the brittleness of relationships.

REBELLE Kim Nguyen, QC

Rachel Mwanza plays Komona, a young African girl forced to wage war as a child soldier. In the midst of inconceivable violence and hatred, Komona finds comfort in an albino boy she calls Magicien. Kim Nguyen directs this heartfelt and enthralling drama about the remarkable endurance of the human spirit. Winner, Best Narrative Feature, Best Actress, Tribeca 2012, Best Actress, Berlin 2012.

WE WERE CHILDREN Timothy Wolochatiuk, MB

Timothy Wolochatiuk’s film explores not just the individual experiences of children forced into Aboriginal residential schools but also the impact that the schools have had on the lives of survivors and Aboriginals as a whole.

THE WORLD BEFORE HER Nisha Pahuja, ON

This energetic doc follows two young Indian women: a Hindu fundamentalist and a beauty pageant contestant. While each vies for her place in a male-dominated society, both are circumscribed by the very life-paths that claim to liberate them. Director Nisha Pahuja asks: What does the future hold? Winner, Best Documentary Feature, Tribeca; Best Canadian Documentary, Hot Docs.

CANADIAN FEATURE FILMS IN OTHER VIFF PROGRAMS

MIDNIGHT’S CHILDREN Deepa Mehta, Canada/India (VIFF OPENING GALA FILM)

Salman Rushdie did not just give Canada's Deepa Mehta (Water) permission to adapt his epic novel—he wrote the screenplay and supplied the first-person narration! The story of Muslim and Hindu babies—born at midnight on Aug. 15, 1947, the day of India's independence from Great Britain—switched at birth conjures images and characters as rich and unforgettable as India herself.

CITY LENS: 60s VANCOUVER BY NIGHT & DAY – VANCOUVER ARCHIVAL FILM PROGRAM John Fuller, Ron Kelly, BC (SPECIAL PRESENTATION)

Videomatica's Graham X Peat pulls four films from the CBC Vancouver vault. Each mirroring the grit and glory of our city, with imaginative visions when darkness falls, fuelled by jazz and neon: The Seeds, PNE Midway, The Outcast, and City Patterns—in glorious black & white!

THE GRUB-STAKE REVISITED Nell Shipman, Canada (SPECIAL PRESENTATION)

Has something like this ever been done before? Take Canadian legend Nell Shipman's silent Klondike adventure film The Grub-Stake, create dialogue completely taken from the works of William Shakespeare and write a new musical score. And then have a cast of actors and musicians speak the words and play the notes as live accompaniment to the film! First performed at the Available Light Film Festival in Whitehorse, Yukon, this is truly a Special Presentation.

MY FATHER AND THE MAN IN BLACK Jonathan Holiff, ON (SPECIAL PRESENTATION)

This documentary mines new territory as director Jonathan Holiff reflects on his father--the manager of, and the man behind, Johnny Cash. Estranged from him for some 20 years, Holiff navigates the missing decades in the life of the father he never really knew and the musical legend he understood even less.

FRANCINE Brian M. Cassidy, Melanie Shatzky, USA/Canada (CINEMA OF OUR TIME)

Newly released from prison, Francine (the restrained yet devastating Melissa Leo) remains isolated and detached, incapable of easing back into society. Brian M. Cassidy and Melanie Shatzky craft "a minimalist, image-based character study that is almost impossibly fragile and yet emotionally robust... Raw, intimate and observed with penetrating acuity."—Hollywood Reporter

GREATEST HITS Nicolás Pereda, Mexico/Canada (CINEMA OF OUR TIME)

Returning to the home he abandoned 15 years earlier, Emilio is met by scorn and resentment from his wife and son. Having frequently centred his minimalist films on Mexico’s many fatherless families, Nicolás Pereda now ambitiously and inventively explores how a household's delicate equilibrium is destroyed when one of these men comes crawling back.

PERSISTENCE OF VISION Kevin Schreck, USA/UK/Canada (ARTS AND LETTERS)

Stupendous! After toiling on his masterpiece The Thief and the Cobbler for 28 years, top British animator Richard Williams—famous for Who Framed Roger Rabbit--saw it wrested from his control and savagely recut. Pairing unreleased scenes from Williams' virtuoso fairytale with horror stories of creativity falling prey to commerce, Kevin Schreck takes us inside "the greatest animated film never made."

REVOLUTION Rob Stewart, ON (GARDEN IN THE SEA)

The true-life adventure of Rob Stewart, this follow-up to his acclaimed Sharkwater takes him through 15 countries over four years, where he'll discover that it's not only sharks that are in grave danger—it's our oceans and, indeed, humanity itself.

SURVIVAL PRAYER Benjamin Greené, USA/Canada (GARDEN IN THE SEA)

As Haida Gwaii's residents strive to harvest sufficient food for winter, Benjamin Greené celebrates their sacred relationship with the land and praises their vital environmental stewardship. Rhythmic and reverential, Greené's film gradually assumes the form of a ceremonial prayer: poetic, lilting and magical. With Nangchen Shorts, three new short films by Bari Pearlman documenting life in Tibet—at elevation 14,000 feet.

CANADIAN IMAGES SHORT FILM PROGRAMS

BREAK EVEN Calamity meets tragedy meets comedy in these often hilarious, always enlightening shorts. Includes BAREFOOT (Danis Goulet, ON), PEACH JUICE (Brian Lye, Callum Paterson, Nathan Gillis, BC), OMG (Siobhan Devin, BC), LIAR (Adam Garnet Jones, ON), FIRST SNOW (Michaël Lalancette, QC), CANOEJACKED (Jonathan Williams, ON), HOLLOW BONES (José Lourenço, ON), WITH JEFF (Marie-Ève Juste, QC) and THE WORST DAY EVER (Sophie Jarvis, BC).

BREAKING POINT In this stunning lineup of shorts, a host of heroes must abandon their comfort zones. Includes FROST (Jeremy Ball, ON), WINTERGREEN (Joëlle Desjardins Paquette, QC), MY LITTLE UNDERGROUND (Elise Simard, QC), FACE DIVIDED (Adriano Valentini, QC), BINNER (Jay Fox, Steven Deneault, BC), FLUTTER (Philip Riccio, ON), and CORVUS (Darcy van Poelgeest, BC).

CLEAN BREAK Individuality takes centre stage as our protagonists march to the beat of their own dreams. Includes HERD LEADER (Chloé Robichaud, QC), PIRANDELLO (Bojan Bodruzic, BC), A RED GIRL’S REASONING (Elle-Maija Tailfeathers, BC), THE FRAME WITH ADRIENNE CLARKSON (Nadia Litz, ON), A+ (Nobu Adilman, ON), TO SCALE (Ken Tsui, BC), BIG MOUTH (Andrea Dorfman, NS), ASSEMBLY (Jenn Strom, BC), and LEAF (Kevan Funk, BC).

HEARTBREAK Take a journey into the infinite--and intricate--depths of the human heart in this beautiful collection of shorts. Includes BROKEN HEART SYNDROME (Dusty Mancinelli, ON), YELLOW FISH (Andrew Cividino, ON), THE SUN DOESN’T SHINE (Xavier Beauchesne-Rondeau, QC), WHERE ARE THE DOLLS? (Cassandra Nicolaou, ON), FLOAT (Juan Riedinger, BC), PORDIS (Adrian Buitenhuis, BC), EDMOND WAS A DONKEY (Franck Dion, QC), and LATE (Jason Goode, BC).

The Vancouver International Film Festival acknowledges the generous support of Telefilm Canada and major corporate partners Rogers Communications and Fidelity Investments.

Vancouver International Film Festival | VIFF 2012
September 27 - October 12, 2012 | Film Info: 604.683.FILM (3456) | VIFF Office: 604.685.0260

VIFF Announces Fidelity Investments Canada as New Major Partner, and Important New Investments by the Federal and Provincial governments

Development & Sponsorship contact:

Trish McGrath, Director | 604-685-0260 | trish@viff.org

Vancouver, BC (September 5, 2012) – The Vancouver International Film Festival announced this morning that Fidelity Investments Canada has signed on as a Major Partner in a multi-year, six-figure deal, joining longstanding sponsors Rogers Communications and Telefilm Canada.

Fidelity Investments Canada will be the presenting sponsor of VIFF’s Closing Gala on October 12, 2012, featuring the film festival’s awards celebration and closing film, HOLY MOTORS, by director Leos Carax. As part of its sponsorship, Fidelity will also host two client events during the Vancouver International Film Festival this year.

VIFF kicks off on September 27, 2012 with the Opening Gala, featuring MIDNIGHT’S CHILDREN by director Deepa Mehta, with the screenplay by Salman Rushdie adapted from his Booker Prize- winning novel. The Opening Gala is sponsored by Rogers Communications, which also sponsors the Rogers People’s Choice Award where audiences vote for their favourite festival film.

Telefilm Canada continues to underline its commitment to promoting Canadian film talent by supporting VIFF’s Film & Television Forum, including the Telefilm Canada International Tête-à-Tête Meetings, the Film & Television Forum Speed Dating sessions, and for the first time, Telefilm’s popular Talent to Watch Q&A series, as well as VIFF’s Canadian Images program, one of the film festival’s flagship programs and the largest presentation of Canadian film anywhere in the world.

Trish McGrath, director of development for the Vancouver International Film Festival, also announced new financial commitments by the federal and provincial governments. Earlier this year, the Province of British Columbia - Ministry of Community, Sport and Cultural Development’s Community Gaming Grants program provided a total of $250,000 towards festival programming, marketing, and operations, including one-time funding to modernize the film festival’s ticketing and database system. The new ticketing system is being implemented for this year’s festival and will streamline festival operations, provide efficiencies, and support a better customer experience.

For the first time, The Department of Canadian Heritage’s Building Communities through Arts and Heritage (BCAH) program has also awarded the film festival up to $119,400 in funding to support programming, citizen engagement, and volunteer programs. As one of the top five film festivals in North America, and one of the Lower Mainland’s largest, best attended cultural events, with a record-setting 152,000 admissions last year, VIFF relies on more than 750 volunteers to help run the festival each year. Volunteers work in every festival department from film screenings and programming, to marketing and program guide distribution, to box office and galas, to office and administration.

Trish McGrath said, “We are incredibly pleased at the level of investment being made in the Vancouver International Film Festival by our major partners Rogers Communications, Fidelity Investments Canada, and Telefilm Canada, as well as the Province of British Columbia through the Ministry of Community, Sport and Cultural Development, the Government of Canada through the Department of Canadian Heritage, and the City of Vancouver. We continue to describe for our current and prospective partners a number of plans and strategic investments the film festival is undertaking in order to ensure a vibrant, successful, sustainable future. It is deeply gratifying that our sponsors and funders have responded in such a committed way to help ensure that Vancouverites will be able to enjoy the highest quality films and film-related programming for many years to come.”

VIFF 2012 Sponsors and Donors

The Vancouver International Film Festival is deeply proud to partner with the following companies, organizations and donors:

Major Partners:

  • Rogers Communications is the presenting sponsor of VIFF’s Opening Gala on Thursday, September 27th, the Rogers People’s Choice Award presented at the Closing Gala & Awards on Friday, October 12th, and the Rogers Industry Centre at the Film & Television Forum;
  • Fidelity Investments is the presenting sponsor of VIFF’s Closing Gala on Friday, October 12th;
  • Telefilm Canada, the Government of Canada’s federal cultural agency dedicated to the cultural, commercial and industrial success of Canada’s audiovisual sector, provides stable funding for the film festival and the Film & Television Forum.

Public Supporters:

  • Canadian Heritage’s Building Communities Through Arts and Heritage (BCAH) program, helps support the 2012 festival’s programming, promotions, and volunteer program;
  • The Province of British Columbia through the Community Gaming Grants program; the British Columbia Arts Council; and British Columbia Film + Media;
  • The City of Vancouver’s arts grants and transit advertising programs.

Premier Sponsors:

  • Traction Creative Communications designs the poster and program catalogue image, and creates the hotly anticipated trailers that run prior to VIFF’s 600+ screenings;
  • The Sutton Place Hotel is the festival’s host hotel for a third year and is the hub of all festival hospitality and media functions;
  • Projection and technical sponsors Christie, SONY, Zoom, QSC, Dolby Digital Laboratories and MVCC help to ensure the highest quality projection and sound in the screening rooms.

Major Media Partners:

  • Long-time media partner The Vancouver Sun provides advertising and editorial support, including VIFF Daily Updates in its Arts & Life section throughout the festival;
  • BC’s Knowledge Network is a broadcast partner and sponsor of the film BLOOD RELATIVE;
  • Radio partner CKNW AM980 is a promotional partner for the Nonfiction Features program;
  • Seattle public broadcaster KCTS9 is a promotional partner and sponsor of the film WAGNER’S DREAM.

Official Sponsors:

  • Desjardins Financial Security is sponsoring a private screening and Special Presentation film;
  • Lochmaddy Foundation is partnering with VIFF to sponsor the festival’s Short Film program;
  • WWF-Canada returns to sponsor “Garden in the Sea”, VIFF’s environmental series;
  • Long-time donor Brad Birarda is sponsoring the Dragons & Tigers: The Cinemas of East Asia series and its 19th annual $10,000 juried prize, the Dragons & Tigers Award for Young Cinema;
  • New this year, Vancouver landmark restaurant Cin Cin is generously sponsoring the Canadian Images Gala film and party on Friday, September 28th;
  • Deluxe provides extensive post-production services for the festival’s pre-screening trailers;
  • Honda celebrates its 10th year as the official vehicle of the festival, providing luxurious and fuel-efficient vehicles to transport VIFF’s 600 guests from the airport to hotel to cinema to parties;
  • The Listel Hotel is an official hotel and exclusive caterer of VIFF’s Sponsor Gala;
  • Lamar Transit Advertising offers extensive promotional support;
  • MeetingMax supplies centralized hotel reservation services and discounts for festival guests;
  • Rogue Artists ably assists Traction in the production of the festival’s trailer.

 Festival Supporters:

  • The subscription channel Movie Central sponsors the handy Program Guide pull-out schedule;
  • ITS Consulting Inc. expertly supplies IT services to the festival and year-round film centre;
  • New this year, Lucky Brand joins VIFF for a first year as our official denim sponsor;
  • Zedd Media and GGRP ably assist Traction in the production of the festival’s trailer;
  • Appnovation supported the rebuild of VIFF’s new website;
  • For a fifth year, Ethical Bean Coffee Company supplies our special events, galas, volunteers and staff with Fair Trade Certified coffees from around the world;
  • PrintPrint.ca provides support for our printing services;
  • Impark is official parking supplier.

Official Restaurants:

VIFF’s enjoys the extraordinary support of Vancouver’s leading restaurants:

  • Galas Guests attending the festival galas will sample fare provided by Pan-o-Pan Fine Foods, Daniel le Chocolate Belge, and The Listel Hotel.
  • Host Restaurants – While in town to show their films at VIFF, visiting filmmakers are hosted at Blue Water Café & Raw Bar; CinCin; West; Brix; Chambar; Cibo; earls Kitchen + Bar.
  • Filmmaker Hospitality Suite – Catering is generously provided by B.B.Ques, The American Cheesesteak Co., Donnelly Group, Kamei Royale, The Mexican, The Noodle Box, Nu Restaurant, Rebellious Tomatoes, The Reef, SalaThai, Subeez Cafe, Sutra Modern Indian, Sura Korean Restaurant, The Winking Judge Pub.

VIFF Trailer Production Partners:

  • Companies assisting Traction Creative Communications in creating the VIFF trailers that run before our films include Rogue Artists, Deluxe, Zedd Media, GGRP, Crowd in a Box, and William F. White.
  •  

Consulates and Cultural Funders:

VIFF appreciates and acknowledges the Consulates and cultural organizations for helping to facilitate international guest travel to VIFF and film presentation assistance:

  • The Consulate General of France in Vancouver; German Films; The Hong Kong Economic and Trade Office; Istituto Italiano di Cultura in Vancouver; and the Japan Foundation.

Community Media Partners, Hospitality Lounge Sponsors, Technical/Official Suppliers, and Screening Sponsors:

  • VIFF acknowledges the extraordinary support of nearly 100 local Vancouver businesses, community organizations, community media and more in helping to make the Vancouver International Film Festival very successful. For more information, please see VIFF’s Program Catalogue, available on September 15th, or visit the individual pages at viff.org.

VIFF is a Registered Charity

VIFF achieves approximately 40% of its annual $3.5 million budget from ticket sales, concessions, rentals and other festival income. The balance must be raised each year through corporate sponsorships, public sector investments, and individual donations from philanthropists, foundations, and VIFF’s most dedicated and enthusiastic audience members.

Donations to VIFF help support one of the world’s great film festivals by bringing the best in world cinema to Vancouver each year, enable VIFF to organize filmmaker Question & Answer sessions with audiences, and acquire state-of-the-art equipment to keep pace with rapidly changing film technologies.

The Vancouver International Film Festival is a registered charity (BN 11894682RR0001). Audience members and individual philanthropists are invited to make donations online (viff.org) or by telephone (604-685-0260) by Visa or MasterCard. Cheques may be mailed or dropped off in person to the VIFF office at 1181 Seymour Street, Vancouver, BC, V6B 3M7. Official donation receipts for income tax purposes will be automatically provided for donations of $20 or more.

VIFF’s Economic Impact in Vancouver

One of the top five film festivals in North America and the largest in Western Canada, VIFF also contributes significantly to Vancouver’s economy. VIFF warmly welcomes filmmakers and other special guests to Vancouver, working in partnership with Vancouver’s hotels and restaurant partners to showcase our beautiful city, while contributing significant employment and economic impact benefits. Credit and debit card spending on hotels increases by approximately 21%, restaurant spending by 18%, and personal services spending by 13% during VIFF each year (Moneris Solutions, 2010). For these and other ongoing contributions to the downtown area, the Downtown Vancouver Business Improvement Association (DVBIA) presented VIFF with a special award in 2011.

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For more information, please contact:

Trish McGrath, 604-685-0260 | trish@viff.org

Award Winning Films From Around The World

Above photo from NEIGHBOURING SOUNDS (Brazil | Dir: Kleber Mendonça Filho)

We’ve already announced the choice list of award-winners coming to VIFF direct from the Cannes Film Festival. See our Highlights From Cannes! The award-winners we’ve been able to bring home from other top fests or national events this year include:

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Award Winning Films From Around The World At VIFF 2012

VIFF 2012

(2012, mins)

Music Films At VIFF 2012

Above photo from GRIOT (Senegal/USA/France/Germany | Dir: Volker Goetze)

Vancouver audiences love experiencing music on film. Sound and sight lines are perfect as we are transported to the places where truly great music comes from and immersed in the histories and lives of those who make it.

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Music Films At VIFF 2012

ACCREDITATION POLICY

Animated Films At VIFF 2012

Above photo from THE MONKEY KING — UPROAR IN HEAVEN 3D(Da nao tian gong) (China | Dir: Su Da, Chen Zhihong)

This has been an amazing year for animation! We’re excited not only about the wonderful selection of animated features and shorts in this year’s festival, but by the growing interest in the animated classics of the past. The Chinese Monkey King gets an eye-popping 3D restoration on its 50th anniversary, A Liar’s Autobiography (also in 3D) celebrates Graham Chapman's inimitable work with Monty Python, and Persistence of Vision tells the story of what could have been the greatest animated feature of all time, The Thief and the Cobbler.

There's plenty for the kids here, but there's also a tremendous seriousness of purpose and heartfelt artistry to these films. Comic book superheroes may rule the multiplex, but in the wide world of cinema, more rarefied and grown-up tastes are being well served! More and more, the use of animation sequences and devices enhance “photo-based” movies, and while graphic novels break new artistic ground, along comes Cartoon College to introduce us to the great animators of the printed page.

Watch for the fabulous Miyazaki series coming to the PCP and Vancity Theatre in late fall!

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Animated Films At VIFF 2012

Highlights From Cannes at VIFF 2012

Above photo from REALITY (Italy/France | Dir: Matteo Garrone)

As a kick-off to the Festival, our first announcement presents the much anticipated selections from the Cannes Film Festival. Our programming team braved the Cannes hoopla and selected a fantastic roster of films to bring to Vancouver audiences. Included on the list are some of the Cannes award winners and other outstanding films, many of which may never be commercially released. The screenings at VIFF represent your best and perhaps only chance to see some of the best films from Cannes 2012.

Read the full release: Highlights From Cannes at VIFF 2012

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