Figaro and Susanna are looking forward to their wedding day – but Figaro’s master Count Almaviva has designs on Susanna.
With the help of Almaviva’s wife the Countess and the page Cherubino, Susanna and Figaro finally outwit the Count. Humiliated and ashamed, the Count asks forgiveness from his wife – which she grants.
Le nozze di Figaro was the first fruit of Mozart’s partnership with librettist Lorenzo da Ponte; they would go on to create Don Giovanni and Così fan tutte. For Figaro, Da Ponte adapted (perhaps at Mozart’s suggestion) Pierre Beaumarchais’ controversial play Le Mariage de Figaro, which at the time was banned in Vienna due to its seditious content. The opera was well received in Vienna but had only nine performances; its revival soon after in Prague was a tremendous success, and led to the commission of Don Giovanni. Figaro quickly entered the international repertory and has rarely been out of it since, admired as one of Mozart’s finest works.
David McVicar’s acclaimed production sets the action in a French château in 1830 on the eve of revolution, amplifying the opera’s undercurrents of class tension. The entire household is drawn into the notoriously complex plot, which covers all shades of human emotion: from spirited playfulness (such as ‘Non più andrai’, when Figaro cheerfully sends Cherubino off to war), to deep despair (such as the Countess’s grief at her husband’s infidelity in ‘Dove sono i bei momenti’). But affection and fidelity prevail in this most warm-hearted of operas: the Count’s plea for forgiveness in the final act, ‘Contessa, perdono’, is an especially moving moment.
Running time: about 3 hours 25 minutes, including one interval. Acts One and Two will last for about 1 hour 40 minutes, followed by a 15 minute interval. Acts Three and Four will last for about 1 hour 30 minutes.
All tickets for the opera $18
"It’s a fine revival, beautiful and touching in equal measure, as Figaro always should be." The Guardian
"Thoughtful, distinctive, well-crafted and with the magnificent Erwin Schrott in the title role, this Figaro is a must-see." The Stage