2014 VIFF Repeats
We're excited to bring back some of the Festival's most popular films for one-off encore screenings. Watch these audience favourties over the long weekend, Saturday Oct. 11th - Monday, Oct. 13th.
Festival passes, exchange vouchers and ticket pack redemptions are not accepted for these screenings. A VIFF or Vancity Theatre Membership is required.Take this opportunity to exchange your VIFF membership for a Vancity Theatre Membership and get ready for a year of great cinema!
Please note: Some of the films listed below still have screening dates during VIFF. If so, the screening date and "Buy Button" are displayed. For these screenings a VIFF membership is required.
Films in this Series
Prompted by Ari Seth Cohen’s wildly popular blog (itself indebted to Bill Cunningham’s guerrilla fashion photography), Lina Plioplyte’s inspiring documentary profiles seven New York women—aged “between 50 and death”—whose eccentric approaches to style and glamour reflect their inextinguishable vitality. “They reject the youth-culture diktat that age makes you invisible, and offer us all an example of self-acceptance.”—Globe & Mail
This is the incredible story of art forger Mark Landis who, using coloured pencils, frames from Walmart and simple stain techniques, has replicated the works of masters and then donated them to 46 US museums—duping dozens of scrupulous curators along the way. Sam Cullman and Jennifer Grausman’s fascinating film is "in the tradition of Crumb and the early films of Errol Morris…"—Variety
Passionate and utterly compelling, Hüseyin Karabey’s beautifully crafted film is founded in political absurdity. When the Turkish military surrounds a Kurdish village, takes alleged rebels into custody and demands the return of nonexistent guns, a little girl and her grandmother set off in search of a weapon—any weapon—that might earn her father’s freedom. Breathtaking vistas and nerve-wracking suspense await. Winner, Audience Award, Istanbul 2014.
In parts of Ethiopia, tradition calls for a man to abduct his wife-to-be, sometimes without her consent. When 14-year-old Hirut (Tizita Hagere) resists and ends up killing her abductor, the death penalty awaits. Enter Addis Ababa lawyer Meaza (Meron Getnet) determined to present a case for self-defense… Based on a true story, Zeresenay Berhane Mehari’s debut is "a quiet and powerful drama."—Hollywood Reporter
Pan Nalin, whose Samsara and Ayurveda: Art of Being struck such chords with Vancouverites, turns his spiritually questing eye towards the Kumbh Mela, the sacred Hindu pilgrimage/festival that unfolds along the Ganges and attracts 100 million devotees. By alternating specific characters—a 10-year-old runaway, an aging holy man—with the sheer spectacle on display, Nalin’s gorgeous film is a celebration of diversity.
Shot in one bravura take, Shahram Mokri’s blackly comic, coolly inventive art/horror mash-up follows two sinister cooks and a group of students camping at a lake… "The camera’s complex choreography creates fissures in time, piling on stories within stories that trap viewers in an increasingly ominous… nightmare."—Variety. Winner, Special Orizzonti Award for Innovative Content, Venice 2013; Muhr Asia Africa Special Jury Prize, Dubai 2013.
The French title—time suspended—perfectly captures this affectionate celebration of the artisans who create fabulous haute-couture outfits for Dior, Chanel and Yves Saint Laurent: a third-generation specialist in pleat-making; a designer of perfect artificial flowers whose atelier opened in 1880; and one of three remaining sculptors of wooden forms for hat-making. A delightful look at a vanishing breed.
When sentenced to home detention at her mother’s secluded abode, a twentysomething troublemaker (Morgana O’Reilly, spectacularly surly) suspects that there may be something housed within the walls more horrifying than her childhood photographs. "A marvelously entertaining combo of haunted-house thriller, murder mystery and domestic comedy… This near-flawless mix of laughs and scares is one of the genre-related highlights of the year."—Variety
Having just won “Citizen of the Year” in his sleepy Norwegian community, an unassuming snowplough operator (Stellan Skarsgård) now wants his pound of flesh from the vegan gangster who murdered his son. Hans Petter Moland’s bloody, farcical crime thriller is "a rip-roaring revenge tale… Moland’s tongue is planted firmly in his cheek… but there’s a transfixing solemnity underlying the black comedy."—Hollywood Reporter
It’s always a pleasure to present VIFF favourite Phil Grabsky’s (In Search of Mozart, In Search of Beethoven) latest beautifully made, exquisite-sounding inquiry into the life and music of one of classical music’s great composers. Now it is the Polish maestro’s turn… "Grabsky has astutely woven together an indelible portrait, offering us a rich and personal insight into Chopin the man and his music."—Urban Cinefile
Narcissists tangle and barbed tongues draw blood in this savage comedy from The Color Wheel’s Alex Ross Perry. When an arrogant novelist (Jason Schwartzman, making snipe sing) takes a literary titan as a mentor (Jonathan Pryce, emulating Philip Roth), he’s encouraged to devote himself fully to his favourite muse: himself. Of course, self-involvement rarely begets self-discovery. “A clever, nasty piece of work…”—Film Comment
Two very different pediatrician brothers (Cédric Kahn, Laurent Stocker) fall for the same barmaid (the luminous Louise Bourgoin) in Axelle Ropert’s (The Wolberg Family) intelligent romance. "Reminiscent of… [the] cleverly scripted adult dramas of François Truffaut’s late period. It’s at once astutely observed and deeply, though subtly, passionate… The direction and performances are spot-on throughout."—Hollywood Reporter
A dutiful civil servant (Eddie Marsen, superb) whose job it is to thanklessly—and often fruitlessly—try to locate next of kin is inspired to finally start living by the daughter (Downton Abbey’s Joanne Froggatt) of a recently deceased neighbour. Uberto Pasolini’s latest is dry and sardonic comedy at its best. “Resonant and life-affirming, Still Life is a tonic for the soul.”—Empire. Winner, Horizons: Best Director, Venice 2013.
An entrancing coming of age story, this is a superb companion piece to Alice Rohrwacher’s remarkable debut, Corpo Celeste. Drawing on Rohrwacher’s own childhood, it’s the tale of a young girl forging her identity while her beekeeper father attempts to sidestep financial ruin. "A wistful but no-tears swan song… The tone hovers mysteriously between dream and reality…”—Hollywood Reporter. Winner, Grand Prix, Cannes 2014.
Beautifully wrought and meticulously controlled, Alejandro Fernández Almendras’ taut drama follows a bullied man as he wrestles with the moral implications of revenge… "A terrifically tense first half culminates in a truly brilliant scene… [and it] all ends with a dramatic pop as sharp as the first of only two gunshots in this menacing, morally agnostic film."—Guardian. Winner, World Cinema Grand Jury Prize: Dramatic, Sundance 2014.
The nomadic Badjao tribe are citizens of the sea, subsisting for centuries on the spoils of their compressor-diving expeditions. Eliza Kubarska‘s poetic documentary follows 10-year-old Sari as he sets out on his first fishing trip and is initiated into his people’s traditions and lore. "A mythological tale of wonder and water…"—DOX. Winner, Special Jury Prize: International Feature, Hot Docs 2014.
For sheer entertainment value, you’ll be hard-pressed to beat this outrageous anthology film. One of Cannes’ most buzzed about discoveries, Damián Szifrón’s third feature plays like a calling card from a preposterously talented newcomer, it’s so chock-full of crazy ideas and verve. “Delicious, horrible, scary and scabrous… Szifrón brings off a very difficult trick: making something genuinely funny and genuinely scary at the same time."—Guardian