Film Festival Series
Find Your Film
Use our search function below to sort the films by their English title, the names of directors, or their country of origin. Films can also be filtered by series, genre, or Vancouver International Film Festival venue. You can also browse by film series by visiting our Browse By Series page.
The majority of films in the Vancouver International Film Festival are unrated and you must be 18 and purchase a $2 VIFF membership to attend a screening. However, a selection of films are open to all ages.
Before you make your purchase, please note The Rio is 19+ exclusively with the exception of the rated High School Screenings at this venue.
Despite its stellar reporting, short fiction and criticism, there are still many readers who flip directly to The New Yorker’s cartoons. Understanding that impulse completely, Leah Wolchok profiles Bob Mankoff, the cartoon editor who determines what’ll get a laugh. In turn, we’re introduced to the eccentrics who aspire to distill their satire into a single pristine panel. "A dream come true… A warm and frequently hilarious portrait of the unique men and women who live for that rare moment when their drawings are printed in their business’ holiest book."—Time Out
Shot in a single astonishing take, this tour-de-force heist thriller plunges us into the predicament of Victoria (Laia Costa), whose “one crazy night” in Berlin grows increasingly perilous as she’s roped into a bank robbery. Such technical audaciousness only heightens the narrative’s tension, setting the stage for a dizzying climax that’s precisely the sort of spectacle best seen on the big screen. “A kinetic, frenetic, sense-swamping rollercoaster ride.”—Hollywood Reporter
Guy Édoin brings us the engaging story of an internationally famous French/Italian actress (Monica Bellucci) who arrives in in Montreal to shoot a movie and reconnect with her university-aged son (Alyosha Schneider). Their fates collide with those of a nurse (Pascale Bussières) and paramedic (Patrick Hivon) during a disturbing event in Ville-Marie Hospital’s emergency room.
Every time Vincent dives into a lake, the introvert transforms into something uncanny, leaping like a dolphin and brandishing superhuman strength. If there were a villain to vanquish, he’d be a superhero. Instead, he’s left to wrestle with the very relatable fear of falling victim to persecution. “So persuasively does debut director-actor Thomas Salvador immerse the viewer in his imaginative world that it seduces entirely, in a silent comedy kind of way…”—Hollywood Reporter
In a nonfiction work of tremendous vision, Michael Madsen pre-enacts how an alien invasion might unfold. Rather than wild speculation, this modern equivalent of Welles’ War of the Worlds broadcast draws from erudite sources inside the United Nations’ Office for Outer Space Affairs. Despite its factual foundations, Madsen’s film still inspires wonder thanks to an enthralling interview technique that sees its subjects directly addressing the camera, putting us in the place of the otherworldly visitor and leaving us to question humanity’s role in the universe.