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Use our search function below to sort the films by their English title, the names of directors, or their country of origin. Films can also be filtered by series, genre, or Vancouver International Film Festival venue. You can also browse by film series by visiting our Browse By Series page.
The majority of films in the Vancouver International Film Festival are unrated and you must be 18 and purchase a $2 VIFF membership to attend a screening. However, a selection of films are open to all ages.
Before you make your purchase, please note The Rio is 19+ exclusively with the exception of the rated High School Screenings at this venue.
When Andorra—that tiny-yet-wealthy principality high in the Pyrenees—decided it needed a fabulous new art gallery to rival Bilbao’s, invitations went out to the world’s top architects. Norman Foster, Zaha Hadid, Frank Gehry, Jean Nouvel and Dominique Perrault were among the heavy-hitters who not only took on the design competition but consented to be part of this warts-and-all film. “A documentary that exposes how ’starchitects’ really work… Compulsive viewing."—Guardian
An enormous death for an enormous grasshopper requires an enormous prayer. (TR)
In the wake of Fukushima, debate over whether we were safeguarded against similar nuclear disasters was conspicuous by its absence. Peter Galison and Robb Moss’ documentary is certainly a conversation starter. Pulling back the curtain on weapons manufacturing and nuclear-waste disposal, it reveals a New Mexican desert that isn’t so much a final resting place for radioactive materials as a ticking time bomb. Skilfully incorporating animation, this explosive investigative documentary speculates at how future generations will contend with the fallout from our sins.
Preteen power fantasies don’t come any more entertaining than Jon Watts’ Amblin-on-adrenaline scenario. Wandering aimlessly, eight-year-old best friends Travis (James Freedson-Jackson) and Harrison (Hays Wellford) happen upon an abandoned police car with the keys dangling from the ignition. What are they to do but take it for a joyride? Unfortunately for them, an extremely dirty cop (a villainous, moustachioed Kevin Bacon) needs what’s stowed in the trunk and sets off in hot pursuit. “There’s something mythic about the story unfolding before us…”—Vulture
A selection of short films in which characters are tormented by mixed-up emotions as they’re beset by grief, insecurities, identity issues and outright existential crises. These are the ways they get by.
While housesitting for the parents of a friend who committed suicide, Beckett finds the world reflecting his inner turmoil.
Ethiopia’s otherworldly terrain provides a striking backdrop for Miguel Llanso’s post-apocalyptic love story. There’s a faint whiff of The Wizard of Oz to this fairy tale about a diminutive scavenger’s (Daniel Tadesse) quest across a strange land where Michael Jackson’s Dangerous is currency, Michael Jordan shrines are worshipped and a tyrannical overlord dresses as Santa Claus. Add Nazis, a looming spaceship and bowling alleys to the surreal mix and it all assumes the form of a wondrously distorted dream. “A rare and beautiful thing.”—Indiewire
Louise Osmond’s uplifting documentary tells an underdog tale for the ages. Determined to crash the “sport of kings,” 23 Welsh working-class friends invest everything in a thoroughbred foal, vaulting it from a squalid paddock in a depressed town to the winner’s circle at Wales’ most prestigious horse races. It’s funny, it’s moving, it has a great soundtrack and visual style. "Unforgettable… A shuddering, but delicately handled, exploration of that most basic human desire: to leave a mark and to forge a legacy."—Telegraph
Made from 20 loops used in an installation. Dark, indeed. Grand Prix, Holland Animation Festival 2015. (TR)
The first film from acclaimed theatre director Simon Stone brings together some of Australia’s finest actors in a contemporary reworking of Ibsen’s The Wild Duck. The mill is closing, but for its owner, Henry (Geoffrey Rush), this is also a time of hope: his estranged son Christian (Paul Schneider) has returned to serve as his best man. Those hopes turn to ashes when Christian reconnects with his old friend Oliver (Ewen Leslie) and stumbles across long-buried family secrets…
An immersive experience that casts a hypnotic spell, Mauro Herce’s sui generis drama can be read as an allegory for late capitalism or taken at face value as a haunting look at the freighter Fair Lady and its Filipino crew on a mission that only comes to light when a natural disaster occurs. Awash in reds and greens, the film gives off an otherworldly glow—we could just as easily be ensconced in a spaceship on a science-fiction journey… Transfixing.
Wild, irreverent and delightfully gory, Jason Lei Howden’s Deathgasm follows in the footsteps of Kiwi splatter comedy classics like Dead Alive. Languishing in a backwater, Brodie (Milo Cawthorne) finds salvation when he forms a band with Zakk (James Blake) who shares his love of the devil’s music. Alas, when the metal heads uncover an ancient piece of tablature, they likewise unleash something unholy. Left with no other recourse, they apply corpse paint and orchestrate the most outrageous kill scenes in recent memory. “The party movie of 2015.”—Bloody Disgusting
An “intertidal artist” ambitiously crafts a memorial out of the marine debris from the great East Japan earthquake and tsunami that washes ashore in Tofino.
A leader of the Egyptian independent film scene, Ahmad Abdalla (Microphone) gets a much bigger budget than usual to fashion this lustrous black-and-white homage to classical Egyptian cinema. Female production designer Maha (Horeya Farghaly) finds reality shifting when, instead of working on her current melodrama, she begins to live it… "Shades of Sirk, Cassavetes, Bergman and even Woody Allen can all be detected on the film’s glistening monochrome surface."—Variety
The immense oil boom that has gone on in North Dakota for the past six years, and how that boom has affected local landowners, state officials and the Indigenous Mandan, Hidatsa and Arikara Nation serve as the entry points for Noah Hutton’s artful big-picture investigation of climate, time and our planet’s geologic record. Hutton has cited Michael Madsen’s eerie nuclear-waste documentary Into Eternity (VIFF 10) as a major influence and that is in evidence here in the careful attention paid to uncanny visuals and an urgent, otherworldly score.
A poetic folk tale of two scientists sampling deformities around Chernobyl, guided by a Ukrainian folk choir and the spirits of an irradiated forest.
Painted in a vibrant neon palette reminiscent of Drive, Hogtown threatens to become a slaughterhouse in Gabriel Carrer’s stylistically bold, psychologically complex revenge film. After a gang assault leaves his policewoman wife (Tianna Nori) seriously injured, Bruce (Ry Barrett) dons a S.W.A.T. uniform and patrols the streets, intent on taking his pound of flesh. Despite carrying himself like a clenched fist, his grip on reality is slipping and he begins stalking an innocent woman (Jessica Vano). “[It] lives up to its title in its brutal intensity…”—Hollywood Reporter
Sonia Boileau’s debut is a taut psychological drama about Lydia, a young Innu woman who works at a convenience store in a small First Nations community in rural Quebec. As she prepares to close up shop one night, a masked robber holds her up at gunpoint. This traumatic experience becomes even more troubling when Lydia recognizes her assailant. She’ll soon have to make a decision that will change the course of her life. “[An] engaging social-issue drama…”—Variety
After his terminally ill daughter (Olivia Martin) claims to have had a past life as an astronaut, a Christian teacher (Charlie Carrick) experiences a profound crisis of faith. Obsessively seeking answers, he risks his marriage and his remaining days with his child to determine whether she’s lived before… and might live again. Reflective and provocative, Connor Gaston’s debut is one of the year’s most unique Canadian features.
Jacques Audiard’s (A Prophet, Rust and Bone) latest dramatic inquiry into life on society’s margins is an alternately gripping and tender love story about the eponymous former Tamil fighter (Antonythasan Jesuthasan) and his improvised family, who exchange war in Sri Lanka for violence of another kind in Paris. "A searing yet hopeful slow-burn drama… Audiard delivers another distinctive [work] with this portrait of a family forged out of necessity…"—Hollywood Reporter